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The Good Life

  • TV Series
  • 1975–1978
  • 28m
IMDb RATING
8.0/10
4.4K
YOUR RATING
Richard Briers and Felicity Kendal in The Good Life (1975)
SitcomComedy

Tom Good quits the rat race, and with wife Barbara turns the garden of their Surbiton house into a smallholding. Their neighbours, snobbish Margo Leadbetter and her conventional husband Jerr... Read allTom Good quits the rat race, and with wife Barbara turns the garden of their Surbiton house into a smallholding. Their neighbours, snobbish Margo Leadbetter and her conventional husband Jerry, feel variously amused, offended and impressed.Tom Good quits the rat race, and with wife Barbara turns the garden of their Surbiton house into a smallholding. Their neighbours, snobbish Margo Leadbetter and her conventional husband Jerry, feel variously amused, offended and impressed.

  • Stars
    • Richard Briers
    • Felicity Kendal
    • Penelope Keith
  • See production info at IMDbPro
  • IMDb RATING
    8.0/10
    4.4K
    YOUR RATING
    • Stars
      • Richard Briers
      • Felicity Kendal
      • Penelope Keith
    • 31User reviews
    • 3Critic reviews
  • See production info at IMDbPro
  • See production info at IMDbPro
    • Won 1 BAFTA Award
      • 1 win & 5 nominations total

    Episodes30

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    Top cast72

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    Richard Briers
    Richard Briers
    • Tom Good
    • 1975–1978
    Felicity Kendal
    Felicity Kendal
    • Barbara Good
    • 1975–1978
    Penelope Keith
    Penelope Keith
    • Margo Leadbetter
    • 1975–1978
    Paul Eddington
    Paul Eddington
    • Jerry Leadbetter
    • 1975–1978
    Reginald Marsh
    • Sir Andrew
    • 1975–1977
    Charmian May
    Charmian May
    • Mrs. Weaver
    • 1976
    Moyra Fraser
    Moyra Fraser
    • Felicity
    • 1975
    Tony Selby
    Tony Selby
    • Sam
    • 1975–1976
    Robert Gillespie
    Robert Gillespie
    • Mr. Carter
    • 1975
    Bruce Bould
    • Guy
    • 1975
    John Quayle
    John Quayle
    • Mr. Coles - Journalist
    • 1975
    Wolfe Morris
    Wolfe Morris
    • Michelangelo Lombardi
    • 1975
    Ray Mort
    Ray Mort
    • Angler
    • 1975
    June Jago
    • The Doctor
    • 1975
    George Innes
    George Innes
    • Constable
    • 1976
    James Cossins
    James Cossins
    • Magistrate
    • 1976
    Michael Robbins
    Michael Robbins
    • Mr. Bulstrode
    • 1976
    Timothy Bateson
    Timothy Bateson
    • Arthur Bailey
    • 1976
    • All cast & crew
    • Production, box office & more at IMDbPro

    User reviews31

    8.04.3K
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    Featured reviews

    10mazunderscore

    Classic, everlasting comedy.

    The idea of people being self sufficient was talked about quite a bit in the 70's and there were people who really did it like the Goods.

    The reason in the show the Goods could afford to live in their house is that they owned it and didn't have to pay rent. If you think, even in the show, the life they led was easy, you obviously haven't watched much of it at all because it was anything but.

    The Goods ran into problems in just about EVERY episode, but the point was doing it for different reasons ~ a challenge, to feel alive, back to basics, to not have to answer to any body...etc. They were down-to-earth, happy, smart and had a sense of humor.

    In those ways I find the show really inspiring and intelligent. As for the comedy, the characters once again provide this with their amazing dynamic.

    Managing to get four of Britain's best comedic actors at the time together in one show was perfect.

    Tom with his cheeky boyish wit, strength and determination. Barbara with her logical intelligence, resourcefulness and feisty charm. Jerry with his cheeky chuckle, free spirited but at times stern nature and his protectiveness towards Tom and Barbara. Margo with her incessant need for a good social standing, strong sense of friendship and almost innocent nature when it comes to certain things like sex.

    These character were more than just one dimensional faceless general characters. They all had different sides to them. Margo acted differently with Barbara than she would with Tom and at times her and Jerry, although having their problems did seem very much in love and one could very much see why they were together. Tom and Barbara's relationship was very much equal, with Barbara getting just as much say in what the couple did as Tom.

    Tom was sweet and lovable and funny and Barbara was cute and supportive. The four of them went together very well and made a dynamic that wasn't necessarily hilarious, but it was interesting, intelligent and made me giggle. Not only that but the show is full of double entendres and innuendo! Everything from tame bondage to wife swapping is eluded to through the series!! Hahaha.

    I'm realize that comedy, more than anything, is subjective but you really should look at this show closer.
    8CinemaSerf

    Great writing and a superb foursome in front of the camera - the BBC at it's best.

    I wonder just how many people in the mid 1970s - anywhere in the world - would have realised just how visionary writers John Esmonde and Bob Larbey were with this marvellous tale of a happily married suburban couple who decide to give up their daily grind and revert to a subsistence existence. Richard Briers and Felicity Kendall are great in the roles of the optimistic and naive "Tom" and his stoic and determined wife "Barbara" as they scrap, save, cannibalise, economise and basically do just about anything to avoid needing/earning/spending money - not an easy task. For me, the best parts come from their loyal and wealthy neighbours "Jerry" (Paul Eddington) and "Margo" (Penelope Keith). The former, the long suffering husband to the loving but terribly snobbish wife who looks down with a mix of disbelief and disdain on the newly self-sufficient folks next door. It features hilarious scenarios that take the most basic of themes - heating oil, vegetable patches, making your own clothes or cheese or wine and turns them into genuine laugh out loud comedy. It is simple and hugely effective, the humour working on many levels as the underpinning principles of love, loyalty and obstinacy marry well with sheer bloody mindedness and, on occasion, downright stupidity - but not just from the same side of their garden fence each time. It probably helps, as with the contemporaneous "Fawlty Towers" series that there was a very limited run. It clearly has an environmentalist aspect to the narrative, but it not delivered in the preachy, puritanical fashion that is so often the style used now - it successfully uses humour as a conduit for a message that is both potent and, frequently, laugh out loud. The writers don't flog the heart out of the joke, and the characters are given plenty of space to develop and shine. Great stuff well worth a watch.
    7Sonatine97

    The Good Life, Good Show!

    The Good Life has been repeated many many times on the BBC ever since it first aired back in the mid to late 70s and for good reason too.

    Back then Britain was going through years and years of industrial strikes culminating in 78/79 with the so-called "Winter Of Discontent" when National Strikes crippled the country. During the 70s there were many situations when most of the country had its power cut off for nights on end by striking energy workers.

    Thus millions of families would be cast in darkness huddled round candles, talking or trying to read under the gloom. It also gave thought to our total independence on eletricity and the power it provides us at the simple flick of a switch.

    And so The Good Life came to light (bad pun I know). However, the writers decided not to make a comedy about people suffering darkness at the hands of militants and strikers. Instead they decided on taking a typical middle-class couple into the realms of voluntary self-sufficiency.

    So enter, Tom & Barbara, our selfless & willing guinea pigs who decide the rat race and huge bills is not a world for them. And for the next 4 years we seem them struggle & succeed in their attempts at going their own self-sufficiency way at the bemusements of their neighbours.

    This kind of environmentalism was a relatively new concept to British audiences in the 70s and perhaps underlined why the show was such a great & enduring success. But it also raised lots of questions both for us the viewing audience and Tom & Barbara themselves.

    Generating electricity is no easy thing as Tom found out when the Electricity Board finally cut their power for not paying their bills. Both Tom & Barbara had to adapt really quickly and get used to the idea that nothing was going to happen any more by simply clicking on a light switch, opening a fridge or turning on a tv.

    All these creature comforts we take so much for granted are all gone for Tom & his wife. And trying to build his own little power generator in his celler using the effluent of his pigs to create some form of electricity not only makes for a great episode but also shows us how much hard work & self sacrifice is involved by going the Green Route.

    Two major questions that surfaced during the show involved the keeping of animals in Tom's back garden and the hard work, noise, odours etc that this creates and the problems it causes to the neighbours; the difficult matter of having to kill their own chickens bare handed rather than simply going to the shops and buying frozen foods killed by other people.

    Interestingly the Goods (Tom & Barbara) were childless which was probably intended by the writers otherwise the show could have suffered if children were involved.

    As time went on some of the episodes looked very "samey" from earlier episodes and the laughs were becoming just a little desperate. So to learn that the series would finally end in 1978 was the right choice. Its always best to finish on top than try to stretch a joke too far.

    Even though the topicality of the show was popular at the time, I don't think it set a trend with the British in reality. Self-sufficiency was good & funny providing someone else did it, but for the majority of the population it was just too damned hard to even contemplate.

    ****/*****
    pmov

    Well Thank You Very Much, Jerry!

    Neither as acerbic as FAWLTY TOWERS or ABSOLUTELY FABULOUS or as radical as THE YOUNG ONES, THE GOOD LIFE remains cosily stuck in a middle-class time-warp but happens to be blessed with terrific scripts (by Bob Larbey and John Esmonde) and extremely strong characters, played to perfection by the four principle actors. Originally airing 1975-1978, the series managed to maintain a very high standard despite a slight air of exhaustion that crept into the fourth final series. It was decided to quit while they were ahead, at the peak of the series popularity, with a final episode filmed in front of the Queen.

    The basic set-up concerns Tom and Barbara Good (Richard Briers and Felicity Kendal) who decide to opt-out of the rat race and try self-sufficiency in Surbiton. On this slender premise hung all kinds of imaginative plots farmyard animals (and their excretory processes), generators, rotary cultivators (and contraptions of all kinds) as well as political machinations in the local music society headed up by the formidable Miss Mountshaft (often referred to, but never seen).

    As the series progressed, the plots tended to depend upon situations guaranteed to cause maximum embarrassment to the Goods social-climbing fully paid-up member of the white middle-classes neighbour Margo Leadbetter (played marvellously by Penelope Keith). Margo's husband, Jerry (Paul Eddington) maintains just the right amount of total resigned bemusement throughout.

    Stand-out episodes include 'The Windbreak War' (a feud erupts over the positioning of Margo's windbreak), 'A Tug Of The Forelock' (Tom and Barbara go into domestic service...for Margo), 'Silly...But It's Fun' (the Christmas 1977 episode in which Harrods fail to deliver Margo's Christmas), 'Mutiny' (in which Margo plays Maria in the local music society's production of The Sound Of Music) and 'The Thing In The Cellar' (Tom installs a methane generator which runs on something that comes out of pigs).

    It's easy to forget the critical approval and the public appreciation the series gained during it's initial tenure, along with the fame that greeted the actors (especially Penelope Keith who memorably appeared on the Morecambe & Wise Christmas Show, the ultimate accolade at the time).

    THE GOOD LIFE easily ranks up with the best TV comedies ever produced but, unfortunately, it is not remembered with quite the same fondness as DAD'S ARMY, STEPTOE & SON or the magnificent FAWLTY TOWERS. What is needed is some repeats to correct this shameful oversight.
    10chasmilt777

    best sitcom ever !

    This was my favorite BBC sitcom. Even though there was only 30 episodes, it ranks as my favorite among all comedies. I was so fortunate to have had access to public television growing up. Channel 13 in Dallas, Texas was the first public TV station to air "Monty Python's Flying Circus" in the U. S. (Three cheers to Eric Idle).

    It was the "Good Neighbors" series that got me started in collecting and recording TV shows onto VHS tapes. One can not help but fall in love with the characters on this show. Tom and Barbara Good are the main characters who decide to live a life of total self-efficiency in the suburbs of London. It is their next door neighbors, Margo and Jerry Ledbetter, that bring in most of the laughs. They remain best of friends with the Good's even though their lifestyles become totally different.

    I highly recommend this excellent British comedy. Everyone has a favorite and this show is mine. My favorite American TV sitcom is "The Bob Newhart Show". These two shows have nothing in common except that they make you laugh.

    Storyline

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    Did you know

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    • Trivia
      The last episode, "When I'm 65" was the second comeback special (by popular demand) and was recorded in the presence of Queen Elizabeth II and Prince Philip. After the recording the cast and leading members of the crew were presented to the royal party.
    • Goofs
      In a previous episode ("The Pagan Rite") Barbara was furious when she thought Tom had taken freelance work to help pay their bills, saying that their efforts in self-sufficiency should be all or nothing. But in "A Tug of the Forelock" she is the one who suggests they take on temporary work to afford petrol for their new vehicle. But the operative word here is, "temporary". Tom explains to Jerry that this was not a "permanent state" and therefore not a breach of self-sufficiency. This principle was first presented by Tom in "The Pagan Rite" where he explains taking "one job for one purpose" is an acceptable exception.
    • Quotes

      Margo: [reading from a card] "The Ooh-Aah bird is so-called because it lays square eggs." I don't understand that.

    • Crazy credits
      The closing credits listed the actors' names but not the corresponding names of the characters that they played.
    • Connections
      Featured in The Young Ones: Sick (1984)
    • Soundtracks
      The Bandolero
      Written by Leslie Stuart

      Performed by Peter Dawson

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    FAQ21

    • How many seasons does The Good Life have?Powered by Alexa
    • What does Tom mean when he says "Tick VG?"
    • Which musical society shows did Margo Leadbetter star in?
    • What animals did the Goods have?

    Details

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    • Release date
      • April 4, 1975 (United Kingdom)
    • Country of origin
      • United Kingdom
    • Language
      • English
    • Also known as
      • Good Neighbors
    • Production company
      • British Broadcasting Corporation (BBC)
    • See more company credits at IMDbPro

    Tech specs

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    • Runtime
      • 28m
    • Color
      • Color
    • Sound mix
      • Mono
    • Aspect ratio
      • 1.33 : 1

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