Le faucon blanc

While I do admire independent filmmaker Charles B. Pierce for making a western when the western genre was all but dead in American cinema, and I admire him for making a western where a Native American is the central figure - a rarity in westerns - I couldn't come up with much enthusiasm for the finished results, despite the fact that I love westerns and I can be very forgiving of shortcomings in them. For one thing, the character of Winterhawk, as well as the two white youths that he kidnaps and takes on a long journey, are not constructed well. Winterhawk hardly says a thing, and you frequently wonder what he's thinking or feeling. The two white youths don't get much more to say. Actually, the female white youth does have some dialogue, though most of it is done by her narration (cheaper and easier to dub over footage than to shoot live dialogue). Also, the wilderness doesn't look very spectacular, even during the winter shots. While far from the worst western ever made, I think even western fans will feel cheated by the time the end credits roll.

Set in the Montana wilderness of the 19th century, "Winterhawk" relates the story of the title character (Michael Dante), a mythical warrior of the Blackfoot people. Despite his feelings towards the white man, he realizes that he will have to ask for their help when smallpox starts to decimate his tribe. He goes to a community with the intention of a trade so that he can obtain needed medicine. But two of the guys in this community are the patently awful Gates (L. Q. Jones) and Scoby (Dennis Fimple), and they merely mock and assault Winterhawk and his fellow emissaries.

In retaliation, Winterhawk kidnaps lovely young Clayanna (Dawn Wells) and her younger brother Cotton (Chuck Pierce, Jr., the son of director Charles B. Pierce), and takes them on a very long journey North. They are followed by community members Big Rude (Woody Strode), Arkansas (Denver Pyle), and Little Smith (Jimmy Clem, a Pierce regular), as well as sullen loner Guthrie (Leif Erickson), who's always been a friend to people like Winterhawk.

This is pretty good, overall. It attempts to be epic in scope, spanning months and seasons, and it's the winter scenes that are the best. As befitting Pierces' style, there is time for some comedy touches, but he treats his Indian characters with dignity, and it's worth noting that not only was he doing his part in keeping the Western genre alive during this time, but he was also taking the time to tell stories that revolved around Indian people.

Overall, despite some very nice scenery and excellent music by Lee Holdridge (as well as a catchy theme song), Pierces' subsequent film "Grayeagle" is superior. For one thing, although he doesn't do a bad job, Dante is not as imposing or commanding a presence as Alex Cord is in that other film. But he's surrounded by such a top bunch of character actors that this picture is still quite watchable. (Strode, playing a strong / silent type, tends to be rather wasted until late in the story.) Also appearing are ever-welcome faces like Elisha Cook, Jr., Arthur Hunnicutt, and the notorious Sacheen Littlefeather as Guthries' young wife. Fimple and especially Jones play jerks so loathsome that you wait patiently for their hoped-for comeuppance.

This viewer could have done without the narration that came across to him as rather pretentious, but "Winterhawk" is still a reasonably engrossing story from writer / producer / director Pierce. Strodes' son Kalai Strode also contributed to the script, uncredited.

Seven out of 10.

RELEASED IN 1975 and written/directed by Charles Pierce, "Winterhawk" chronicles events in western Montana in the 1840s when small pox breaks out in a remote tribe of Blackfoot. The titular chief (Michael Dante) goes to the New Americans to apprehend a remedy, but things don't go well and a movie-length chase ensues. Dawn Wells from Gilligan's Island plays the female lead while Leif Erickson plays a mountain man who's friends with the Blackfoot. Woody Strode, Denver Pyle, L.Q. Jones & Elisha Cook Jr. have peripheral roles.

While watching, I was reminded of 1977's "Grayeagle" and therefore wasn't surprised to discover that Pierce made both films. "Grayeagle" is superior, though, and it shows that Pierce learned a thing or two while making this one two years earlier.

The movie has its points of interest, like a notable cast, with great alpine locations and moments of aesthetic wonder. But it's marred by a sometimes draggy vibe with overly syrupy moments and a blaring piano-oriented score that starts to grate due to its booming redundancy. Moreover, Winterhawk (the character) is depicted as excessively mysterious, noble and superhuman, not to mention more time needed spent on his group in the chase for the simple sake of human interest. If you can handle these cavils, however, this is a worthwhile Western.

Some have pointed out that "Winterhawk" is noteworthy because of its respectful view of Native Americans (who aren't really 'native' since their ancestors emigrated from Asia), yet pro-Indian Westerns actually go back to "Buffalo Bill" (1944), "Fort Apache" (1948), "Broken Arrow" (1950) and "The Last Wagon" (1956), not to mention the more contemporaneous "A Man Called Horse" (1970) and "I Will Fight No More Forever" (1975).

THE FILM RUNS 98 minutes and was shot in Kalispell & Browning, Montana, and Durango & Silverton, Colorado.

GRADE: B-

I never finished this picture so this may not be a completely fair evaluation. Seen on AMC it was introduced as a film made in the spirit of Tarentino and others like him where the film maker found his own extras and essentially financed it on a very limited budget. I watched only a half hour and kept dozing off. The actors mostly acted like they had never acted before. No emotion, no realism to what they did or said. And the score! I got so tired of hearing bass voices droning "Winterhawke" in the background that I had to mute it several times. Maybe it picks up further along and gets better. The lead lady was decent in her acting as was her little brother. Who knows, I don't expect to ever go back and find out. 1.5 stars out of 4

Up n the mountains of Montana ad Colorado on the Blackfoot and Flathead Indian reservations it musr have been a rugged shoot for the filming of Winterhawk. Michael Dante in the title role makes a proud and impressive Blackfoot chief.

Who is on a mission for his tribe. He wants to trade with the white trappers in 2840ish Montana, furs for medicine for smallpox . The disease has ravished hs tribe. But the minute the trappers hear smallpox they open fire. So Dante grabs the niece and nephew of missionary Elisha Cook for trade. Dawn Wels who narrates the film from the perspective of old age and Charles Pierce, r., are the barter.

Cook hires Leif Erickson to lead a rescue party. There's also a score to settle with L.Q. Jones who was the one who started te shooting. Erickson has some personal score to settle with Jones.

Beautiful cinematography of the high country is the number one feature of Winterhawk. Dawn Wells's narration is also poignant in many spts. And finally a realistic portrayal of the Blackfeet people.

One good western.