IMDb RATING
4.6/10
1.1K
YOUR RATING
Bobby blows all his college savings on a van and tries to get the girl of his dreams. It's a wild time with Bobby and his friends.Bobby blows all his college savings on a van and tries to get the girl of his dreams. It's a wild time with Bobby and his friends.Bobby blows all his college savings on a van and tries to get the girl of his dreams. It's a wild time with Bobby and his friends.
- Director
- Writers
- Stars
Stuart Goetz
- Bobby
- (as Stuart Getz)
Harry Morgan Moses
- Jack
- (as Harry Moses)
Steve Oliver
- Dugan
- (as Stephen Oliver)
Connie Hoffman
- Sally
- (as Connie Lisa Marie)
- Director
- Writers
- All cast & crew
- Production, box office & more at IMDbPro
Featured reviews
Positively THE definitive film about toaster-equipped van lovin'. A must for anyone who loves insanely bad movies - I saw this movie by accident 8 years ago, and now own 3 copies of it, and have watched it at least a dozen times. Do yourself a favour, and hop on board with Bobby and his pals(?)... and remember, "There ain't a woman around who don't like the sound of a zipper goin' down!"
One of those so bad it's good kind of movies. A simple story about a boy and his super groovy decked out 70's style van. What teenage boy wouldn't love his own van complete with waterbed, eight track tape player and...toaster! Watch Bobby have countless adventures in his porn set on wheels. Look for the take out waitress who dosn't have time for a joint but has time for....a quickie! Bad dialog, bad acting, bad camera work and bad music. Bad, bad, bad! A must!
...this is, above all else, the typical Crown International Pictures drive-in (read "passion pit") programmer. The 1975 Sammy Johns hit record "Chevy Van" is heard repeatedly on the soundtrack (this movie has even been reissued with the title CHEVY VAN), despite the film's title vehicle being a Dodge. Danny DeVito makes only six minutes of on-screen appearance, but countless VHS reissues falsely credit him as the star of the flick. The movie is a comparatively sexist morality tale -- will Bobby find sexual satisfaction through the one-night-stand his customised van facilitates, or must he wait until Tina, the girl of his dreams, gives him the time of day? Still, it is representative of the prevailing carnal dream of male American high schoolers of the time, and on that basis alone THE VAN has, almost in spite of itself, become an artifact of the period that must be referenced in any honest retrospective of the period's popular American cinema...
The teen sexploitation comedy had its heyday in the early 1980's with movies like "Porky's" and a brief revival years later with "American Pie" (and perhaps we're experiencing another right one now with the new movie "Superbad"). But these movies can really be traced back into the 1970's,(and perhaps even earlier in a much tamer form). The 70's movies were a little different, however, in that it was never clear whether they were trying to "exploit" the actual teenage audience of the era or just exploit the bodies of the "teenage" characters (almost always played by older actors) for the benefit of perverts of all ages. (Just look, for instance, at all the 1970's movies about cheerleaders, babysitters, and sexy female hitch-hikers).
This movie is somewhat unique then because, though it certainly fulfills its quota for female nudity, it really does seem to be aimed at actual 70's teenagers. It has a believable (relatively) and likable (very relatively) protagonist with a (somewhat)realistic problem: he wants to improve his love life by buying a customized van. It doesn't work too well at first, but eventually he has some success although not in the way he planned. This movie is not particularly funny, nor is it exactly neo-realism, but it does capture the spirit of the times enough to achieve a kind of nostalgia (which certainly can't be said about stuff like "The Cheerleaders"). I was actually just a kid at this time, but I remember being disappointed when I reached adolescence in the "just say no" Reagan era that my female peers weren't quite as, uh, fun as my teenage babysitters seemed to be back in this era. (At least, I personally never owned a van with a waterbed, a mirrored ceiling, and, for some reason, a toaster).
I'm sure this isn't a totally realistic movie about being a teenager in the 1970's, but it's as close as THESE kind of movies are probably going to get.
This movie is somewhat unique then because, though it certainly fulfills its quota for female nudity, it really does seem to be aimed at actual 70's teenagers. It has a believable (relatively) and likable (very relatively) protagonist with a (somewhat)realistic problem: he wants to improve his love life by buying a customized van. It doesn't work too well at first, but eventually he has some success although not in the way he planned. This movie is not particularly funny, nor is it exactly neo-realism, but it does capture the spirit of the times enough to achieve a kind of nostalgia (which certainly can't be said about stuff like "The Cheerleaders"). I was actually just a kid at this time, but I remember being disappointed when I reached adolescence in the "just say no" Reagan era that my female peers weren't quite as, uh, fun as my teenage babysitters seemed to be back in this era. (At least, I personally never owned a van with a waterbed, a mirrored ceiling, and, for some reason, a toaster).
I'm sure this isn't a totally realistic movie about being a teenager in the 1970's, but it's as close as THESE kind of movies are probably going to get.
The cult of personality has elevated the status of Roger Corman, Sam Arkoff, Lloyd Kaufman etc. as kings of the B's. Because the folks at Crown International were so key, they haven't been elevated to the status they richly deserve. A film like THE VAN may now seem like a disposable piece of Drive-in esoteria, but it was a sizable hit when it was released (not to mention subsequent re-releases as a double feature with other Crown hits).
THE VAN was a perfect example of Crown's hit strategy of seizing upon the mood of movie-goers at the time of a film's release. Here, it was sex, drugs, rock 'n roll and the brief "Custom Van" fad. As others have noted, it is ironic that the "hit" song in the film refers to a Chevy when the title vehicle is a Dodge in the film itself. I had a town Selectman where I was at the time even declare these vans to be "dens of sin on wheels!" A perfect ad line for the film!
There are the usual assortment of "good" and "bad" girls, muscle-heads and low-brow hijinks (including a supporting bit by Danny DeVito). In many ways this isn't much different from the old Beach Party movies of the 60's, but now spiced up with Nudity and Drug use. Obviously done on a limited budget and a limited schedule, the film coasts along pleasantly enough with a breezy charm that compensates for some, by today's standards certainly, un-PC views of women.
The classic touch is a Toaster for Bobby's den of sin on wheels. Yes, a Toaster! Hey, you gotta have something hot for those munchies!
Grindhouse Fest.
THE VAN was a perfect example of Crown's hit strategy of seizing upon the mood of movie-goers at the time of a film's release. Here, it was sex, drugs, rock 'n roll and the brief "Custom Van" fad. As others have noted, it is ironic that the "hit" song in the film refers to a Chevy when the title vehicle is a Dodge in the film itself. I had a town Selectman where I was at the time even declare these vans to be "dens of sin on wheels!" A perfect ad line for the film!
There are the usual assortment of "good" and "bad" girls, muscle-heads and low-brow hijinks (including a supporting bit by Danny DeVito). In many ways this isn't much different from the old Beach Party movies of the 60's, but now spiced up with Nudity and Drug use. Obviously done on a limited budget and a limited schedule, the film coasts along pleasantly enough with a breezy charm that compensates for some, by today's standards certainly, un-PC views of women.
The classic touch is a Toaster for Bobby's den of sin on wheels. Yes, a Toaster! Hey, you gotta have something hot for those munchies!
Grindhouse Fest.
Did you know
- TriviaDespite the song "Chevy Van" by Sammy Johns appearing throughout the soundtrack the titular "Van" is a 1976 Dodge B200 Tradesman van (which was prepared by legendary car customizer George Barris). The van, purchased at Claude Short Dodge in Santa Monica, California, is the extended version of the B200 Dodge, featuring a 360-ci "small block" Chrysler V8 engine, automatic transmission and air conditioning. The customization includes a four-foot circular window on the driver's side, a water bed, mirrored ceiling, carpeted and padded walls, drink rack, refrigerator, a TV, a table with a built-in toaster, captain's chairs and a CB radio and eight-track tape player. Two vans were built for the film. The primary van, which was used for all running and interior shots, featured all the customizations listed above. The stunt van (a 1972 Dodge cargo van dressed to look like the primary 1977 Dodge van) was used for the drag-racing scenes, and did not feature a full interior.
- GoofsWhen the two police officers take off after the yellow and green van when they are drag racing down the street, you can see the reflection of two crew members operating a camera and a third gentleman standing there watching the filming reflected in the rear passenger side window.
- Quotes
Dugan Hicks: NOBODY calls Dugan a TURD!
- ConnectionsFeatured in Dusk to Dawn Drive-In Trash-o-Rama Show Vol. 2 (1996)
- How long is The Van?Powered by Alexa
Details
- Release date
- Country of origin
- Official site
- Language
- Also known as
- Piège à nana
- Filming locations
- 7910 Katella Avenue, Stanton, California, USA(pizza place)
- Production company
- See more company credits at IMDbPro
Box office
- Gross US & Canada
- $352,000
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