La trappe à nanas

Let me start by saying that I saw this movie during its (short) original release. The drive-in had a couple dozen custom vans along the rear wall. I can only assume the shenanigans on the screen were being duplicated in the row of rolling bedrooms. Hey, it was the '70s.

This time I watched on Prime, some 56 years later. How the times have changed. While I still find the film amusing, some of it is a little hard to watch. What may have been considered acceptable by 1977 morals would never fly today. Apparently no didn't mean no, it meant "that's ok, keep trying, she'll come around eventually." That said, it's still an interesting piece of '70s culture. Custom vans, CB radios, 8-tracks and pot. Lots of pot. It was the end of the free love generation.

It's certainly not for everyone, but for those looking for an entertaining trip back to their own teen years it's worth a watch.

Positively THE definitive film about toaster-equipped van lovin'. A must for anyone who loves insanely bad movies - I saw this movie by accident 8 years ago, and now own 3 copies of it, and have watched it at least a dozen times. Do yourself a favour, and hop on board with Bobby and his pals(?)... and remember, "There ain't a woman around who don't like the sound of a zipper goin' down!"

The cult of personality has elevated the status of Roger Corman, Sam Arkoff, Lloyd Kaufman etc. as kings of the B's. Because the folks at Crown International were so key, they haven't been elevated to the status they richly deserve. A film like THE VAN may now seem like a disposable piece of Drive-in esoteria, but it was a sizable hit when it was released (not to mention subsequent re-releases as a double feature with other Crown hits).

THE VAN was a perfect example of Crown's hit strategy of seizing upon the mood of movie-goers at the time of a film's release. Here, it was sex, drugs, rock 'n roll and the brief "Custom Van" fad. As others have noted, it is ironic that the "hit" song in the film refers to a Chevy when the title vehicle is a Dodge in the film itself. I had a town Selectman where I was at the time even declare these vans to be "dens of sin on wheels!" A perfect ad line for the film!

There are the usual assortment of "good" and "bad" girls, muscle-heads and low-brow hijinks (including a supporting bit by Danny DeVito). In many ways this isn't much different from the old Beach Party movies of the 60's, but now spiced up with Nudity and Drug use. Obviously done on a limited budget and a limited schedule, the film coasts along pleasantly enough with a breezy charm that compensates for some, by today's standards certainly, un-PC views of women.

The classic touch is a Toaster for Bobby's den of sin on wheels. Yes, a Toaster! Hey, you gotta have something hot for those munchies!

Grindhouse Fest.

It may seem like a dumb sex comedy from the 70's but it's more like a window to the decade of decadence.This movie has it all!Sex,pot smoking,a car wash,super-cool vans,cool clothes,a pimp,hookers,van racing,the continuous playing of Chevy Van and other Sammy Johns songs and more!If you want to know what people were really doing in the 70's,get this movie.It will make you want to go FUN TRUCKIN'.

...this is, above all else, the typical Crown International Pictures drive-in (read "passion pit") programmer. The 1975 Sammy Johns hit record "Chevy Van" is heard repeatedly on the soundtrack (this movie has even been reissued with the title CHEVY VAN), despite the film's title vehicle being a Dodge. Danny DeVito makes only six minutes of on-screen appearance, but countless VHS reissues falsely credit him as the star of the flick. The movie is a comparatively sexist morality tale -- will Bobby find sexual satisfaction through the one-night-stand his customised van facilitates, or must he wait until Tina, the girl of his dreams, gives him the time of day? Still, it is representative of the prevailing carnal dream of male American high schoolers of the time, and on that basis alone THE VAN has, almost in spite of itself, become an artifact of the period that must be referenced in any honest retrospective of the period's popular American cinema...