La dernière Cène

Willie,

The fact that you are of Afro-Cuban descent makes you no more credible a source than Kenneth. What any of this has to do with American arrogance or sensibilities is anyone's guess as I am not even sure that Kenneth is an American. Your assumptions that he is either arrogant, misinformed or that any of these traits are representative of Americans in general are asinine at best and say much about your own ignorance. Further, slavery was a brutal institution everywhere that it festered. The idea of a master kissing the feet of any slave is noteworthy regardless of what European language the master spoke. That being said, the movie was exceptional!

Kenneth,

As a Cuban of African descent, this film IS believable. Just because the Anglos in this country acted ONE WAY, did not mean that Spaniards in another country couldn't possibly act ANOTHER WAY. Open your mind to other people's history. Just because Cuban history isn't comparable to U.S. History does it mean that it is not correct or believable. The world doesn't start and end with U.S. opinions. You exude that typical arrogance ascribed to "Americans"... like it was all about you. It is quite believable given our history as Africans in Latino America whether you choose to acknowledge it or not.

In the introductory and the ending part, the play is enthralling, but unfortunately the medium part consists of 'the last meal', during which the landowner tries to explain the bible to the uneducated slaves. They react by making jokes about this metaphysics and by replying with their own cultural convictions.

After half an hour of eating, drinking and preaching, the landowner himself falls into sleep, as is the audience inclined to. This is what Hitchcock denounced as 'shooting the faces of people who are talking'.

To sum up: 2 hours is too much for this content, 1 1/2 would have been better.

Admittedly, it's very likely improbable that a slave owner would do anything to treat his slaves as his equals. But apparently, "La ultima cena" ("The Last Supper" in English) is based on true events, although I don't know whether or not they changed anything. The movie portrays a slave owner in 18th century Cuba reenacting the famous final meal of Jesus, having his slaves play the disciples.

Of course, the movie's main purpose is to show slavery's brutality and the racism that was law of the land at the time. Aside from the total cruelty inflicted on black people - namely what the slave owner does at the end - someone talks about how white has to come before black (I can't remember the exact line, but it was something like that). As it was, this continued through the 1950s: even though Fulgencio Batista was dictator, he was mulatto and got excluded from an all-white club near Havana. It was only after the revolution that blacks achieved equal status.

For the most part, I recommend this movie. We may have read volumes about slavery, but you have to see it depicted; of course, probably no film can make us truly understand how horrible it was to experience slavery. This movie does what it can. Tomas Gutierrez Alea has turned out some good work.

Aside from a fairly realistic depiction of how a historical slave revolt could have occurred on a sugar plantation, the best part of this film is the interplay between the slave owner and his slaves. The arrogant slave owner, believing himself to be sacrosanct, tries to teach his slaves to accept their lot in life. Not surprisingly, they can't understand his bizarre efforts, which wind up igniting the revolt.

One part I really liked about this movie was the way it showed the different characters of the slaves. Instead of just lumping them together as one downtrodden mass, their individual personalities are displayed.