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Taxi Driver

  • 1976
  • 16
  • 1h 54m
IMDb RATING
8.2/10
988K
YOUR RATING
POPULARITY
377
36
Robert De Niro in Taxi Driver (1976)
Watch Official Trailer
Play trailer3:07
9 Videos
99+ Photos
Psychological DramaCrimeDrama

A mentally unstable veteran works as a nighttime taxi driver in New York City, where the perceived decadence and sleaze fuels his urge for violent action.A mentally unstable veteran works as a nighttime taxi driver in New York City, where the perceived decadence and sleaze fuels his urge for violent action.A mentally unstable veteran works as a nighttime taxi driver in New York City, where the perceived decadence and sleaze fuels his urge for violent action.

  • Director
    • Martin Scorsese
  • Writer
    • Paul Schrader
  • Stars
    • Robert De Niro
    • Jodie Foster
    • Cybill Shepherd
  • See production info at IMDbPro
  • IMDb RATING
    8.2/10
    988K
    YOUR RATING
    POPULARITY
    377
    36
    • Director
      • Martin Scorsese
    • Writer
      • Paul Schrader
    • Stars
      • Robert De Niro
      • Jodie Foster
      • Cybill Shepherd
    • 1.6KUser reviews
    • 199Critic reviews
    • 94Metascore
  • See production info at IMDbPro
  • Top rated movie #131
    • Nominated for 4 Oscars
      • 22 wins & 21 nominations total

    Videos9

    Official Trailer
    Trailer 3:07
    Official Trailer
    Taxi Driver
    Trailer 3:13
    Taxi Driver
    Taxi Driver
    Trailer 3:13
    Taxi Driver
    Taxi Driver
    Trailer 2:06
    Taxi Driver
    5 Unforgettable Jodie Foster Performances to Watch
    Clip 1:01
    5 Unforgettable Jodie Foster Performances to Watch
    5 Top-Rated Martin Scorsese Movies to Stream
    Clip 0:59
    5 Top-Rated Martin Scorsese Movies to Stream
    Does 'Joker' Exist in a Scorsese-Verse of Films?
    Clip 2:53
    Does 'Joker' Exist in a Scorsese-Verse of Films?

    Photos652

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    Top cast56

    Edit
    Robert De Niro
    Robert De Niro
    • Travis Bickle
    Jodie Foster
    Jodie Foster
    • Iris
    Cybill Shepherd
    Cybill Shepherd
    • Betsy
    Albert Brooks
    Albert Brooks
    • Tom
    Diahnne Abbott
    Diahnne Abbott
    • Concession Girl
    • (as Diahnne Abbot)
    Frank Adu
    • Angry Black Man
    Victor Argo
    Victor Argo
    • Melio
    • (as Vic Argo)
    Gino Ardito
    • Policeman at Rally
    Garth Avery
    • Iris' Friend
    Peter Boyle
    Peter Boyle
    • Wizard
    Harry Cohn
    • Cabbie in Bellmore
    Copper Cunningham
    • Hooker in Cab
    Brenda Dickson
    • Soap Opera Woman
    Harry Fischler
    • Dispatcher
    Nat Grant
    Nat Grant
    • Stick-Up Man
    Leonard Harris
    Leonard Harris
    • Charles Palantine
    Richard Higgs
    • Tall Secret Service Man
    Beau Kayser
    • Soap Opera Man
    • Director
      • Martin Scorsese
    • Writer
      • Paul Schrader
    • All cast & crew
    • Production, box office & more at IMDbPro

    User reviews1.6K

    8.2987.9K
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    Featured reviews

    Kirpianuscus

    portrait of loneliness

    One of powerful, for its profound honesty, films. A man lost in its loneliness. Desiring love, without social abilities, example of schizoidy and full of noble intentions. Robert de Niro gives more than the role of his life but a precise, realistic portrait of a social victim. A great film.
    10TomC-5

    Scorsese's dark masterpiece of urban alienation

    Despite what some might see as limited by technical flaws and/or as an overly simplistic plot, Taxi Driver deserves its critical reputation as a cinematic masterpiece. Some 23 years later, the existential plight of Travis Bickle, "God's lonely man," continues to pack a hard emotional punch. In fact, it's hard to know where to begin when praising the elements of this film - such elements as the dark location shots of a (now gone) seedy Times Square, the cinema verite settings of the cabbies and campaign workers, the magnificent Bernard Hermann score, Paul Schrader's fine script, the memorable performances of Jodie Foster, Harvey Keitel, and Peter Boyle all must be mentioned. However, the brilliance of this film is primarily a result of the brilliance of De Niro and Scorsese, one of the greatest actor-director teams in movie history. This is an unforgettable film and rates a 10 out of 10, in my estimation.
    10TheLittleSongbird

    Still has the power to shock...

    Not only one of Scorsese's best films, but one of the best of the 70s. It is very hard hitting, dark and still has the resonance and power to shock. The cinematography is measured and chilly, yet very atmospheric, while Bernard Hermann's swansong score is superb, yet more proof at how amazing a composer he was. The story is unsettling but wonderfully told, and the script is brilliantly written. Scorcese also directs impeccably, while the acting is just excellent. Robert DeNiro gives one of his best performances, the whole film is worth watching just for his performance, that's how good it is, but that's not to dismiss Jodie Foster, Harvey Keitel and Cybill Sheppard in the supporting cast for they are just as good while Scorsese's own cameo is genuinely frightening. There you have it, another one of Scorsese's best with a brilliant atmosphere and mesmerising central performance. 10/10 Bethany Cox
    Infofreak

    Best movie of the Seventies, and one of the greatest of all time.

    So much has been written and talked about 'Taxi Driver' that it seems almost redundant to add anything more. But watching it again the other night for the nth time I was, as I have been every single time I've seen it, struck by just how perfect this movie is. It is as powerful and disturbing now as it was twenty-five years ago. It has not only NOT aged, it gets better and more relevant every year. This is without doubt a modern classic, and one of the handful of truly great, timeless movies.

    Scorsese and Schrader went on to make other great movies after this, both separately ('The King Of Comedy', 'Light Sleeper') and together ('Raging Bull', 'The Last Temptation Of Christ'), but this is easily the best movie of their careers. And Robert De Niro's too. He has yet to top his stunning performance here as the deeply disturbed and alienated Vietnam veteran Travis Bickle, cabbie and would be assassin. This character has not surprisingly entered movie legend.

    Scorsese surrounds De Niro with a first rate supporting cast, including small but effective roles from Harvey Keitel ('Reservoir Dogs'), Peter Boyle ('Hardcore'), the underrated Victor Argo ('The King Of New York') and Joe Spinell ('Maniac'). Albert Brooks and Jodie Foster are also very good, and even Cybil Shepherd, the butt of many jokes, is fine as Bickle's obsession.

    When you combine these actors, Schrader's outstanding script, and Scorsese's brilliant direction, with the stunning cinematography (Michael Chapman) and haunting score (Hitchcock fave Bernard Herrmann's final effort), you have yourself a truly unforgettable cinematic experience. If you haven't seen 'Taxi Driver' I urge you to do so immediately. It is a masterpiece, pure and simple.
    Michael_Elliott

    A Masterpiece

    Taxi Driver (1976)

    **** (out of 4)

    Scorsese's masterpiece is a raw, powerful and nerve wrecking look at depression and loneliness. The film centers on taxi driver Travis Bickle (Robert De Niro), a man clearly with his own demons who finds a purpose in life when he meets a 12-year-old hooker (Jodie Foster) who he plans on saving from her pimp (Harvey Keitel). To me this is one of the richest films ever made and it's one that can easily be overlooked in some circles if you don't really connect to what the film is trying to say. I didn't care too much for the movie the first few times I watched it because I was too young to really understand depression and loneliness. After I understood what those things could do to a person is when I fully became aware of the power in this film and today it remains one of the most powerful films ever made. To me the entire film is pretty much about Travis trying to find someone to fit in with but of course it never really happens until he meets the hooker. He tries fitting in with the Cybill Shepherd character but falls flat on his face. He tries fitting in with his co-workers but that doesn't work out too well. No matter what Travis tries he keeps ending up alone and as he put it, he's God's lonely man. This film works on so many levels but I think the psychological one is where it's best at. Getting us into the mind of Travis works for many reasons but the biggest keys are the direction by Scorsese, the brilliant music score by Bernard Herrmann and DeNiro's groundbreaking performance. Putting those three things together is what makes this a classic but we can also throw in the screenplay by Paul Schrader, which rightfully gives the movie the time and patience to let the Travis character grow right in front of our eyes. DeNiro's performance is certainly one for the ages, although I think he would get even better with Scorsese's RAGING BULL, which would follow in four years. His performance here is nothing short of amazing because you can't help but be terrified by this guy because of the look in DeNiro's eyes. You can't help but feel sorry for him at the same time because there are countless moments where he embarrasses himself because he simply doesn't know how to fit in. The word anti-hero gets used a lot and perhaps that's a good term but I think it's something much deeper than that. DeNiro hits all the right marks without a false note anywhere. Foster is also impressive in her few scenes in the film as is Keitel as the pimp. Shepherd is also good as his Albert Brookes and the underrated Peter Boyle who has one of the best scenes in the movie where he's trying to talk some sense into Travis. The visual look of the film is mighty impressive and Scorsese's directing style is nothing short of amazing. The slimy looking streets and the dark atmosphere are one of a kind and something many films tried to copy but could never get it as perfect as it is here. This here remains one of the greatest American films ever made and I'm really not sure any movie could top it in showing the effects that loneliness can have on a person.

    What Scorsese Film Ranks Highest on IMDb?

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    Storyline

    Edit

    Did you know

    Edit
    • Trivia
      Robert De Niro has said that despite having won an Oscar for Le Parrain, 2ᵉ partie (1974), he was still a relatively unfamiliar face, and was only recognized once while driving a New York cab during his research for this film.
    • Goofs
      In an earlier version, Iris's timekeeper discovers a weapon on Travis, disarms him, then returns it to him as he's leaving. The scene was edited out, but the gun is still in the timekeeper's hand when he looks at his watch.
    • Quotes

      Travis Bickle: Listen, you fuckers, you screwheads. Here is a man who would not take it anymore. A man who stood up against the scum, the cunts, the dogs, the filth, the shit. Here is a man who stood up! Here is...

    • Crazy credits
      The original television version of the film featured the following disclaimer before the closing credits: "To our Television Audience: In the aftermath of violence, the distinction between hero and villain is sometimes a matter of interpretation or misinterpretation of facts. 'Taxi Driver' suggests that tragic errors can be made.- The Filmmakers."
    • Alternate versions
      Original UK cinema and video versions suffered a very brief 1 second sound cut to the scene where Iris unzips Travis's fly in the bedroom. The BBFC finally restored this cut in 1993.
    • Connections
      Edited into Aristokraticheskiy kinematograf: Episode #1.1 (2011)
    • Soundtracks
      Late For The Sky
      Written and Performed By Jackson Browne

      Courtesy of Asylum Records

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    FAQ

    • How long is Taxi Driver?
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    • What is 'Taxi Driver' about?
    • Is 'Taxi Driver' based on a book?
    • What does the cab personnel officer mean by "break my chops" and ''take it on the arches'?

    Details

    Edit
    • Release date
      • June 2, 1976 (France)
    • Country of origin
      • United States
    • Official site
      • Official Site
    • Languages
      • English
      • Spanish
    • Also known as
      • Taksista
    • Filming locations
      • 87 Columbia Heights, Brooklyn, New York, USA(Travis is buying guns at an apartment in Brooklyn Heights)
    • Production companies
      • Columbia Pictures
      • Bill/Phillips
      • Italo/Judeo Productions
    • See more company credits at IMDbPro

    Box office

    Edit
    • Budget
      • $1,300,000 (estimated)
    • Gross US & Canada
      • $28,262,574
    • Opening weekend US & Canada
      • $116,458
      • Feb 19, 1996
    • Gross worldwide
      • $28,737,520
    See detailed box office info on IMDbPro

    Tech specs

    Edit
    • Runtime
      1 hour 54 minutes
    • Color
      • Color
    • Sound mix
      • Mono
    • Aspect ratio
      • 1.85 : 1

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