Stay Hungry

For starters, this is not Schwarzenegger's first movie. It is one of his firsts but not the first time he appeared in a movie. Remembered for many things, Staying Hungry is an interesting movie that attempts to be too many things besides a quick comedy. The movie jumps into a drama too often to confuse its audience whether this is just a comedy or a dramatic movie. Although this movie stars Jeff Bridges, he is not the highlight of the movie. The supporting cast, which includes Sally Field, Arnold Schwarzenegger, R.G. Armstrong, Robert Englund, Helena Kallianiota, Ed Begley Jr. and Joe Spinelli not only add to the quality of the movie, but are in fact, the main draw to the story. While Bridges does a good job as the star of the film, he doesn't hold the movie together, the rest of the cast does. By the third act, the movie turns into something completely different than the comedy it opened up to be. A very different, yet interesting movie.

Although "Stay Hungry" feels like the filmmakers made it up as they went along, it still gets you in mainly because of its overall quirkiness and interesting stars early in their careers.

The story centres on Jeff Bridges' character, Craig Blake, and his attempts to buy a gym in Alabama in order to redevelop the site. However he is drawn into the lives of the people he meets including gym receptionist, Mary Tate Farnsworth, played by Sally Field, and Joe Santo, played by Arnold Schwarzeneger, who is training for the Mr. Universe contest.

The story meanders all over the place with many sub plots and characters while everyone goes to town on their Southern accents - all except The Austrian Oak of course.

It's hard to place "Stay Hungry" in a genre; it's a comedy of sorts, but the humour is in the odd situations rather than in funny lines. To be honest, it needed editing; some scenes are interminable. For anyone watching it 40 years later, the appeal must surely be in seeing the stars before their careers really took off.

Arnie is arresting. This was his first speaking part; he looks big chested and powerful, but plays it low key; he's a sensitive guy, no "Hasta la vista baby" or "I'll be back" in this movie. His best scene is when he joins a group in the backwoods and indulges his passion for fiddle playing. Apparently he practiced the violin for months to look convincing.

Sally Field was 29 when she made this (a few years older than Jeff Bridges), but looks as though she would have needed proof of age to get into a nightclub - it actually makes her brief nude scene slightly disturbing. Even now she still looks way younger than her real age; check out 2015's "My Name is Doris" for confirmation.

These days Jeff Bridges looks his years, but like a bottle of Château Mouton Rothschild, he simply improves with age. He has some good scenes in "Stay Hungry", including one where he does a little Appalachian flatfooting.

With memories of Vietnam and Watergate still fresh, filmmakers seemed affected by the mood of disillusionment and mistrust of the 1970's. They came up with some off-the-wall movies, and the chaotic style of "Stay Hungry" fits perfectly into the era.

Short and simple, "Stay Hungry" kept my attention - that is, until the hokey, silly and very disappointing ending.

But up to that point, I was a pure movie fan: watching a young, hot- looking Jeff Bridges as country-club son, looking for his way after losing his parents, I was fascinated as I compared him to the 2010 Oscar Winner for "Crazy Heart." Catching Sally Field in one of her earliest film roles as an emotionally labile gym employee, I was impressed and even blushed a little during a brief nude scene, as I thought of the matriarch currently staring in ABC's "Brothers and Sisters." Roger E. Mosley (T.C. from "Magnum, P.I.") was funny in a supporting role; A young Robert Englund reminded me that he was an actor before he was Freddy Kruger; and a host of other actors that I only know from old TV shows (Fannie Flagg, Ed Begley, Jr. and Joanna Cassidy) put me in trivia heaven.

But it was Ah-nold...Arnold Schwarzenegger who truly surprised me, playing an attractive, low-key, approachable role as an aspiring body builder. There was nothing over-the-top or kitchy about his performance, and I enjoyed every scene he was in. If you can forgive the hokey ending (which made me think of a cheesy Gay Pride parade, although I'm sure that was unintentional), then you can really enjoy this movie.

If you don't enjoy catching actors from the 80's in their early years, might I suggest you be very bored, busy with other household activities and catching it on cable first - or else you'll just hate yourself afterward and wish for that time back.

An interesting tale of "bodybuilding in the New South", "Stay Hungry" was scripted by Charles Gaines and director Bob Rafelson, based on Gaines' novel. Jeff Bridges stars as Craig Blake, product of a rich, upper class Southern family who's gotten mixed up with shady businessmen (among them, guys played by Joe Spinell and Richard Gilliland) in a real estate racket. As part of their latest plan, Craig goes to an old gym to try to convince the owner (R. G. Armstrong) to sell. Instead, Craig finds himself enjoying the company of the regulars. He falls in love with sweet gymnast Mary Tate Farnsworth (Sally Field), and makes friends with fiddle-playing Mr. Universe hopeful Joe Santo (a winning Arnold Schwarzenegger, who gets an official "introducing" credit).

Although the films' second half is less compelling than the first half, this is still an endearing, eclectic mix of comedy and drama. It works largely due to its time-honoured premise of introducing a character to a world he never knew existed. The camaraderie and atmosphere of this world is well realized by director Rafelson, who helped to really bring the sport of bodybuilding to the mainstream (followed by the documentary "Pumping Iron" the following year). There are some decent laughs to be had, and some fairly affecting moments as well.

The music by Bruce Langhorne & Byron Berline is first rate, and the on-location shooting in Birmingham helps a lot. But the principal value of "Stay Hungry" is its talented ensemble. Bridges is ingratiating as usual, Field is simply adorable (and even does a brief nude scene), and Schwarzenegger shows off an easygoing charm; it's no surprise that Arnold would be as good as he is here, since he more or less just has to play himself. I'm sure people who caught this on its first run in 1976 could sense a solid career in the making. This was also a pivotal film for Field, since up to this point she was basically known for her TV roles. Lots of familiar faces in the supporting cast, too: Robert Englund, Roger E. Mosley, Woodrow Parfrey, Scatman Crothers, Fannie Flagg, Joanna Cassidy, Ed Begley Jr., Dennis Fimple, and Dennis Burkley.

"Stay Hungry" is largely cheerful, breezy entertainment, with a refreshingly quirky, character-driven plot and some pretty good dialogue. Good fun, with a priceless climax involving bodybuilders taking to the street and then agreeing to pose for a bevy of amused onlookers.

Seven out of 10.

Craig Blake (Jeff Bridges) is trying to help buy up a whole chunk of the city for a consortium to rebuilt. Gym owner Thor is holding out. Blake gets to know the disparate cast of characters who call the gym their second home. Only he starts to become their friend and falls for Mary (Sally Field) who's working there.

This is a weird little movie. Sally Field is trying to shed her good girl persona and goes out in the buff. Robert Englund is pre-Kreuger. Arnold Schwarzenegger is making a big move acting as a bodybuilder competing in Mr Universe, and playing the fiddle with rednecks. He's a brainy philosophers who gets the title line. And they got Jeff Bridges holding it all together. To top off the weirdness, some 30 bodybuilders have an impromptu pose off in the streets.

I like all these characters, but there isn't much of a story. It's obvious that Blake has befriend these guys quite early on. There doesn't seem to be much of a struggle. The land developer should be doing much more to drive these guys out. There needs to be more tension. The plot needs to flow better, and there is a little too much meandering going on.