IMDb RATING
5.6/10
511
YOUR RATING
A crooked sheriff in a small Southern town frames an ex-convict in a drug bust and takes his girlfriend.A crooked sheriff in a small Southern town frames an ex-convict in a drug bust and takes his girlfriend.A crooked sheriff in a small Southern town frames an ex-convict in a drug bust and takes his girlfriend.
George 'Buck' Flower
- Bull Parker
- (as Buck Flower)
Jack Starrett
- Buford Tyler
- (as Claude Ennis Starrett Jr.)
John Starrett Berry
- Cooter
- (as Starrett Berry)
- Director
- Writer
- All cast & crew
- Production, box office & more at IMDbPro
Featured reviews
I would be lying through my teeth if I said I knew anything about Director Jack Starret. Never heard of him, but must admit that he does not do a bad job of A SMALL TOWN IN TEXAS.
To that end he is helped by a strong cast including Timothy Bottoms - then riding the tail end of his six-year stardom flash beginning with LAST PICTURE SHOW and JOHNNY GOT HIS GUN in 1971, and continuing with THE PAPER CHASE in 1973 - the stunningly sexy British actress Susan George entering her own decline, and Bo Hopkins with yet another striking support part, after THE WILD BUNCH seven years earlier. This time he is not loud, he is just a quietly corrupt copper.
The script by William Norton is this film's weakness. The characters fall well shy of fleshed, dialogue is uneven.
Strong, competent cinematography and editing, by Jessup and Horger respectively.
To that end he is helped by a strong cast including Timothy Bottoms - then riding the tail end of his six-year stardom flash beginning with LAST PICTURE SHOW and JOHNNY GOT HIS GUN in 1971, and continuing with THE PAPER CHASE in 1973 - the stunningly sexy British actress Susan George entering her own decline, and Bo Hopkins with yet another striking support part, after THE WILD BUNCH seven years earlier. This time he is not loud, he is just a quietly corrupt copper.
The script by William Norton is this film's weakness. The characters fall well shy of fleshed, dialogue is uneven.
Strong, competent cinematography and editing, by Jessup and Horger respectively.
This obscure (to me anyway) film has a lot of problems. All the characters are either one dimensional, annoying, or cliched. It's overlong, boring, and has a script that spends the first half meandering around endlessly, then gets hopelessly predictable.
In its defence I will say that it is less dated than many films from the 1970s, and is occasionally entertaining or amusing (mainly me laughing at the dolts who populate this film). And its handful of action scenes are decent...though I suspect they may seem better than they really are because even the most inept stunts would seem exciting compared to the generally mundane tone of the film.
You could do worse, but you could do much better too.
In its defence I will say that it is less dated than many films from the 1970s, and is occasionally entertaining or amusing (mainly me laughing at the dolts who populate this film). And its handful of action scenes are decent...though I suspect they may seem better than they really are because even the most inept stunts would seem exciting compared to the generally mundane tone of the film.
You could do worse, but you could do much better too.
In the 1970s there were a lot of these grade-B, drive-in type movies set in rural Southern locations. Typically, there was a sheriff, a youngish protagonist, lots of car chase action, and some kind of conflict involving the sheriff and protagonist. "A Small Town In Texas" clicks all these boxes. And so the underlying idea here isn't original.
Yet, the down-home rural atmosphere seems fairly realistic, as the movie was filmed in and around small towns near Austin. Male characters are generally good ole boys with minimal education; and the women are fairly inconspicuous. The main character is Poke (Timothy Bottoms), a local hick just out of prison who has a score to settle with Sheriff Duke (Bo Hopkins). The corn pone dialogue is about what you would expect for local yokels. There's some fairly good suspense in the second half. And part of the plot involves corruption surrounding a political event.
The script has several major problems, apart from being unoriginal. First, the inciting incident is postponed too long, so that the plot's first thirty minutes meanders. Second, the scriptwriter overuses the car chase cliché; here there are three, complete with inept cops and screeching tires. Third, the script leaves dangling the subplot involving character C.J. Crane.
Casting is less than ideal. Bo Hopkins seems to have become typecast. Timothy Bottoms looks too young to play a hardened criminal, though his performance here is acceptable. Secondary characters seem more like two-dimensional stick figures. I really like that mournful score, played at the beginning and at the end. Cinematography and production design are okay, but the film's color seems highly muted.
Life in a small, rural town in the American South, combined with some contrived drama sums up the premise of this film. "Macon County Line" is much better. But "A Small Town In Texas" is acceptable if other similar movies are unavailable.
Yet, the down-home rural atmosphere seems fairly realistic, as the movie was filmed in and around small towns near Austin. Male characters are generally good ole boys with minimal education; and the women are fairly inconspicuous. The main character is Poke (Timothy Bottoms), a local hick just out of prison who has a score to settle with Sheriff Duke (Bo Hopkins). The corn pone dialogue is about what you would expect for local yokels. There's some fairly good suspense in the second half. And part of the plot involves corruption surrounding a political event.
The script has several major problems, apart from being unoriginal. First, the inciting incident is postponed too long, so that the plot's first thirty minutes meanders. Second, the scriptwriter overuses the car chase cliché; here there are three, complete with inept cops and screeching tires. Third, the script leaves dangling the subplot involving character C.J. Crane.
Casting is less than ideal. Bo Hopkins seems to have become typecast. Timothy Bottoms looks too young to play a hardened criminal, though his performance here is acceptable. Secondary characters seem more like two-dimensional stick figures. I really like that mournful score, played at the beginning and at the end. Cinematography and production design are okay, but the film's color seems highly muted.
Life in a small, rural town in the American South, combined with some contrived drama sums up the premise of this film. "Macon County Line" is much better. But "A Small Town In Texas" is acceptable if other similar movies are unavailable.
A Small Town In Texas is a film that I put high on the list of genre action films that were a staple at drive-in's during the '1970's and '80's. The car action is great with real stunts. A great cast of film supporting actors and the always cool directing of the late Jack Starrett. Bo Hopkins is great as the sheriff, Morgan Woodward as the corrupt rich local, John Karlen and Clay Tanner as deputies, Susan George as the girlfriend is '70's hot!,Art Hindle is always good and Buck Flower steals the show as a cussin', spittin', tough-as-nails hick who helps Timothy Bottoms against the crooked law man. I hope a DVD release will be in the near future.
Susan George gave an excellent performance in this film, over powering Timothy Bottoms, and Bo Hopkins. Susan George with her excellent British acting background gave class to this SMALL TOWN IN TEXAS. Lots of small town police corruption with daring bike and car racing and a close miss of a train. This film is going to be another classic film collection. It is worth viewing and the Texas locations and photography are fantastic.
Did you know
- TriviaCast members Susan George and Bo Hopkins replaced original cast members Susan Blakely and John Beck in the roles of Mary Lee Carter and Sheriff Duke respectively. The casting of the originals had been announced in the 8th December 1975 edition of show-business trade-paper 'The Hollywood Reporter'. Reportedly, they did not stay with the project and bowed out of the production for reasons which are publicly undetermined.
- GoofsDuring most of the chase scenes, the police cars change alternately from Plymouth Satellites to Plymouth Furys and one changes to an AMC Matador in the final chase scene.
- Quotes
Buford Tyler: [Buford looks at Poke] You just get outta the state pen?
Poke Jackson: How'd ya know that?
Buford Tyler: I recognize your tailor.
- ConnectionsFeatured in Trailer Trauma V: 70s Action Attack! (2020)
- How long is A Small Town in Texas?Powered by Alexa
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