La Dernière Folie de Mel Brooks

If you're a Mel Brooks fan, you've probably heard of SILENT MOVIE--and my advice is to see it if you haven't yet.

It's one of his more brilliant and inventive ideas and it gets the wacky screen treatment you expect from Brooks. Naturally, it's not really silent. There is a very well-timed background score (no, not a tinkling piano) and all of the thuds are vigorously heard on the soundtrack. But there's no dialog--you read the silly captions that replace the sound of voices, just as folks did way back when.

Sid Ceasar is a film producer that Mel has to convince to let him do a "silent movie". He agrees provided Mel hires well-known movie stars to give it box-office insurance. That's the gist of the plot which then has MEL BROOKS and DOM DeLUISE scouting around Hollywood for stars like Paul Newman, Liza Minnelli, James Caan and Anne Bancroft to star in the film.

It's full of the usual sight gags, the falls on banana peels, through trap doors, everything that happened in a Keystone Kops comedy. Maybe not the funniest Brooks caper but still loads of fun to watch with a brisk running time of 87 minutes.

Mel Brooks' comedies are made for the pure pleasure of having a good time and to enjoy what the master has decided give us in the way of sheer comic relief. His movies are a riot of visual and witty gags; they are completely insane. Granted, his humor is not for everybody, but those of us that appreciate this great man's talent, truly have a ball watching this picture about the lunacy in the movie industry, again and again.

Mr. Brooks and his sidekicks, Dom DeLouise and Marty Feldman do amazing things. Basically it's all visual, since there's no sound for the viewer to react to what one sees on the screen.

The guest cast is incredible as well. Anne Bancroft, Bernadette Peters, Paul Newman, James Caan, Burt Reynolds, Sid Caesar, and the rest appear to be having the time of their lives as Mr. Brooks pull the strings so we can have a great time.

This is a great film to watch with friends; the more, the merrier!

Of course, only Mel Brooks could have the idea to make a silent movie in today's Hollywood. And silent it is-this isn't one of those films like "City Lights","Modern Times","Bean" or "Playtime" that uses background noises and dialogue. No, aside from the brilliant John Morris score, the film is completely silent. Being that this is a Mel Brooks comedy, this COULD be considered a downside. It is filled with sight gags, from a pregnant woman upsetting the balance of the back of the car; the reaction of the executives to Vilma Kaplan, the sultry spy; the video pong-game on the life support machine; and of course, the fly in the soup. Unfortunately, there are stretches where the action moves very slowly, without sufficient explanation. Also, the music score occasionally has very unpleasant, loud drum crashes to indicate when there is action, and these can be an unpleasant contrast to the surprisingly quietly recorded music score. If you want to hear the music score, you'd best buy the soundtrack, where it is clear of the drum/cymbal crashes. The soundtrack mixes bits and pieces of "The Emperor's Waltz"(Strauss) and "Jalousie"(Bloom-Gade) as well as "Babalu"(Lecuona-Russell). The cast includes six main guest stars, as well as character actors like Chuck McCann, Jack Riley, Howard Hesseman and Fritz Feld. On top of this, Harry Ritz of the Ritz Brothers, Henny Youngman, and even Barry Levinson (DINER,HOMICIDE:LIFE ON THE STREETS) as a movie executive. All in all, it makes for genial entertainment and if nothing else should be seen to gain an appreciation of silent comedy. As a movie, it gets a 8/10. For a Mel Brooks film, it gets 7/10 on the Laff scale.

A team of movie makers, Mel Funn (Mel Brooks), Marty Eggs (Marty Feldman) and Dom Bell (Dom DeLuise) march into a film studio to speak to the chief (Sid Caesar).They've got a marvelous movie idea, that can't fail.They want to make the first silent movie in 40 years.So soon they're into the making process.They have to get the biggest stars there are in the show business.They're after Burt Reynolds, Paul Newman, Liza Minnelli, James Caan, Anne Bancroft (Mel's wife) and Marcel Marceau, the mime.The crook of the story, Engulf (Harold Gould) does everything to stop the movie from being made.Mel Brooks made this extremely funny comedy in 1976.He made it completely silent, except for one little word said by the French mime. The comical work of Mel, Marty and Dom is something you don't have words for.They're not the only people in this film who deserve praises.Caesar and Gould are excellent and so are those who appear as themselves.Then I must mention people like Bernadette Peters, Carol DeLuise (Dom's wife) and Charlie Callas.Film maker Barry Levinson can also be seen there. This movie seems in some points like a real silent movie made in the 20's.Except this one comes with color.Mel and the gang do it as good as did comics like Chaplin,Keaton and Lloyd.The use of music by John Morris is marvelous.There is a huge amount of funny scenes offered in this flick.I almost laughed my lungs out when the trio tried to get in Liza Minnelli's table dressed in armors.That scene is one of many, which makes you howl from laughter and wake your neighbors. Thank God somebody had the courage to do a silent movie after all those years.That man was Mel Brooks.There is a talented young man who will go places.And remember; Silent Movie doesn't mean silent laughter.

When one speaks of Mel Brooks the talk immediately goes to either "Blazing Saddles" or "Young Frankenstein" or "The Producers." How often do you hear mention of "Silent Movie?" After watching this film again just yesterday I can say that this film is also a masterpiece and ranks on the same lines of the previous films.

"Silent Movie" is deceptively simple in plot. A washed up movie director (Brooks) comes up with an idea to make a silent movie to help save the studio that once employed him. Once given the okay by studio chief Sid Caesar, Brooks and his sidekicks Marty Feldman and Dom DeLuise set out to find five superstars to help make the movie a hit. And that's all there is to it - plot wise. What Brooks does is fill every single scene with great ideas. Shots that have absolutely nothing to do with the story are thrown in to get a laugh. Brooks hits the bullseye most of the time. I don't think I went more then a minute without laughing throughout.

Another master stroke is John Morris' rousing score that fills the movie from beginning to end. Without it the movie would have failed. And, yes, it truly is a silent movie save for one spoken word which most people probably are aware of anyway. It's another classic Mel Brooks moment.

"Silent Movie" followed "Young Frankenstein" which followed "Blazing Saddles." It's safe to say Brooks was at his peak during this period. His quality of films began to dip after "Silent Movie" starting with the amusing but overblown "High Anxiety." But we still have this time period to savor when Brooks may have been the best (if not then equal to Woody Allen) comedy director of his time.