Section de choc

Colt 38 Special Squad does pretty much everything you would want an Italian crime flick to do - and it does it in style! Like many of the best Polizi flicks, this one takes most of it's influence from Don Siegel's masterpiece Dirty Harry, with the weapon used by Clint Eastwood's disgruntled copper obviously being the main point of interest. As is the case with many of these films, the rising crime in Italy takes centre stage, and the plot is based on the police's attempts to halt the crime through an innovative new means. Hard bitten police captain, Capitan Vanni, is fed up of the way that his city is being run by criminals - "The Black Angel" in particular, whom Vannia has an old feud with. So, he gets clearance from his superiors to set up a 'special squad' - a team made up of four of the police's best shooters, all armed with Colt .38's for maximum impact on organised crime! But the stakes are raised when The Black Angel steals some dynamite, and starts putting his time to good use by blowing up various things within the city...

The film is directed by Massimo Dallamano, who is of course, most famous for his 'Schoolgirls in Peril' trilogy. Dallamano does another excellent job here, as he manages to keep up the fast pace throughout and the film is never boring for a second. The characters are surprisingly easy to get on with, and for an Italian crime flick; it's all rather believable too, which is a bonus. French actor Marcel Bozzuffi takes the lead role and does an excellent job with it. While he is clearly meant to come off a bit like Clint Eastwood in Dirty Harry, Bozzuffi makes the role his own and gives himself sufficient distance from the classic Eastwood character to ensure that he's not just an imitation. The great Ivan Rassimov co-stars and gives another convincing bad guy performance. The Black Angel is surely one of his most interesting roles, and fans of Rassimov won't want to miss this! It all boils down to an invigorating and worthwhile conclusion that does the film justice. Overall, Colt .38 Special Squad is certainly at the top of the Polizi genre and comes highly recommended!

Italian cult cinema can be so deliciously rudimentary and effective from time to time. The whole basic concept of "Colt .38 Special Squad", for instance, is simply to exploit the immense success of the Hollywood classic "Dirty Harry" and expand it by throwing in an entire squadron of ruthless & trigger-happy coppers! Add to that an evil villainous character, a staggering soundtrack by Stelvio Cipriani and a handful of extremely violent sequences and we've got ourselves a bona fide Italian Poliziotteschi cult hit! Chief inspector of police Vanni is on the hunt for über-criminal Marsigliese and shoots his brother during a confrontation. Purely to make a statement, Marsigliese savagely executes Vanni's wife right before the eyes of his 6-year-old son. After this tragic incident, Vanni receives permission from his superiors to put together a special squad that doesn't have to follow the book of instructions and with the liberty of using heavier gun power. The squad immediately has its hand full, as Marsigliese's accomplices just stole a cargo-load of explosives and terrify the city with a number of bloody bomb attacks. "Colt .38 Special Squad" is a highly entertaining and action-packed Italian cop thriller, but personally I don't rank it alongside my absolute favorites of the genre. The reason for this is merely the lack of a monumental heroic character. Even though he starred in the popular blockbuster "The French Connection", lead actor Marcel Bozzuffi plainly doesn't have the tough and invincible charisma of other Italian cop characters such as Maurizio Merli, Luc Merenda or Franco Nero. He himself is a rather inconspicuous guy, and none of his squad team members are anything special either. In fact, they are so bleak and random that I often forgot their faces or mistook them for secondary petty thieves. Ivan Rassimov, on the other hand, is very memorable as Marsigliese and literally everything you expect from a devilish gangster boss! The film also contains multiple moments of uncompromising and shocking violence, like the aforementioned execution, a nasty hit-and-run accident and packages blowing up in people's faces. You can always count on Poliziotteschi movies for gratuitous bloodshed! This was – sadly - the last accomplishment of writer/director Massimo Dallamano before he died in a car accident. To me, Dallamano will always remain the genius creator of the greatest Italian giallo ever made ("What have you done to Solange?), but he also made the excellent psychedelic horror flicks "Devil in the Flesh" and Oscar Wilde's "The Picture of Dorian Gray".

While not the shiniest star in the euro-crime lineup, this film features lots of tense thrills and the most impressive car stunts you'll see this side of William Friedkin.

Marcel Bozzuffi makes for an interesting hero, not having the classic good looks of, say, Franco Nero, Fabio Testi, or Maurizio Merli. He DOES however know how to carry an emotional performance, playing the role perfectly of a motivated police inspector pushed even further to the edge by the cold-blooded murder of his wife.

Bozzuffi imposes a pretty heavy carbon footprint with his 4-man squad of hotshot stuntman policemen on noxious motorcycles. One of them in particular gets to play dashing playboy and involve himself with TWO women of interest who just happen to have a connection to an ex-con (Antonio Marsina) they're trying to catch before he and Ivan Rassimov succeed in blowing up the city with non-nuclear suitcase bombs. Was this hotshot hero aware of these girls' proximity to villains or just fell into relationships with them as part of a heavily unlikely coincidence? The film doesn't really ever tell you, covering up its many plot holes and contrivances with stylish chase scenes, fist fights, a couple gun battles, explosions, and a surprise gore scene for when a poor criminal tries (unsuccessfully) to grab onto an escape car.

While genre fans may be disappointed to see so few of the regular stock of Euro-henchmen get whacked this time around, we do find solace in having Ivan Rassimov take up so much screen-time in his most demented role yet as a psychopathic anarchist out to collect a heavy ransom at all costs with no qualms about murdering anyone and everyone in his way or on his own side. He becomes so tied to his detonator murder- mobile (complete with ominous and catchy Stelvio Cipriani theme) that you'll never look at a French Citroen the same way again. Between him, Marsina, and a particularly icky-looking Franco Garofalo, the villains of this film all come off as particularly loathsome, giving the audience plenty to celebrate should they be bumped off.

Fans of motorcycle exhaust, dangerous crashes, colt .38 shooting, and hand-held shots of public bomb explosion aftermath will get a kick out of this movie. Dallamano took this genre seriously and thankfully avoids most of the idiocy inherent among other films of the Italian Motorcycle Cop subgenre. Also be sure to check out the spiritual successor to this film, STUNT SQUAD, which came the next year for more of the same. Unfortunately Dallamano didn't return to direct it... 'cuz he died.

Most notable for its very prescient casting of a pre-famous Grace Jones as a nightclub singer (singing a Stelvio Cipriani song no less, only to later pop up in NIGHTMARE CITY) and far worse dubbing than usual from the regular gang of English language voice actors you'll hear in Italian movies. I suppose it was more difficult to read and match actor lip-movements while they're behind reflective glass via projector in a 1970's Roman soundbooth than it is on an HD television in 2017, so Ted Rusoff and the gang get a bit of a pass from me on this one. His stellar voice performance for Bozzuffi on the English track more than makes up for it.

COLT 38 SPECIAL SQUAD is a typical example of the Italian polizia flick, so if you're wondering what a Dirty Harry-inspired police film from the '70s looks like, then look no further than this. It's a film which exemplifies the best of a genre that's still hidden from most film fans today, who are missing out on the delights of Maurizio Merli and his contemporaries beating the hell out of criminal scum.

Although this film doesn't boast any roles for big Hollywood names or familiar genre fans, it proves to be distinctly above average. That's because it tells a complex, action-packed story at speed, never slowing down for a second. There are robberies, kidnappings, assassinations, terrorism and even a bombing campaign, all delivered in a typically gutsy, as-it-is kind of way, free of sentimentality, the focus on the realism. Massimo Dallamano's camera never sits still for a second in depicting a kinetic struggle between criminals and the police.

The essential story involves Marcel Bozzuffi (THE FRENCH CONNECTION) playing a tough Inspector with a personal vendetta against a criminal gang. He sets up a special squad, all armed with powerful handguns and motorbikes, to track down and take out the criminals, but of course it doesn't go according to plan. Although the way, the haunted Carole Andre gets caught between cops and bad guys, and Ivan Rassimov once again tackles the role of criminal mastermind. It goes without saying that the various action bits – shoot-outs, car chases, you name it – are second to none and miles ahead of most of what Hollywood churns out today.

"Quelli della calibro 38" (1976), directed by Massimo Dallamano, is an Italian crime thriller that packs a punch with its gritty narrative and stylish execution. Earning a solid 7/10, this film stands out as a notable entry in the poliziottesco genre, blending intense action with a keen sense of atmosphere.

Set against the backdrop of a crime-ridden Milan, the film follows Commissioner Vanni (Marcel Bozzuffi) as he battles against a ruthless gang terrorizing the city. Vanni is a classic tough-as-nails cop, embodying the relentless determination and moral ambiguity typical of protagonists in this genre. Bozzuffi's performance is compelling, exuding a raw intensity that anchors the film.

Dallamano, known for his sharp directorial style, crafts a world that feels palpably dangerous and alive. The cinematography captures the urban decay of Milan, with its shadowy alleyways and bustling streets, creating a visually striking setting for the unfolding drama. The film's pacing is brisk, maintaining tension throughout with a series of well-executed action sequences and taut confrontations.

One of the film's strengths lies in its supporting cast. The villains are suitably menacing, with a standout performance by Ivan Rassimov as the cold-blooded gang leader. The dynamic between the characters adds depth to the narrative, elevating it beyond a simple cops-and-robbers tale.

The soundtrack, composed by Stelvio Cipriani, deserves special mention. Its pulsating rhythms and dramatic scores perfectly complement the film's tone, enhancing the sense of urgency and danger that permeates each scene.

However, "Quelli della calibro 38" is not without its flaws. The plot, while engaging, occasionally dips into predictability, relying on familiar tropes of the genre. Some of the dialogue feels stilted, and the character development, particularly of the secondary characters, could have been more fleshed out.

Despite these minor shortcomings, the film succeeds in delivering an engrossing and atmospheric crime drama. It captures the essence of the poliziottesco genre, with its blend of action, drama, and stylistic flair. Fans of Italian crime cinema will find much to appreciate in Dallamano's work, from the gritty realism of its setting to the intensity of its performances.

In conclusion, "Quelli della calibro 38" (1976) is a commendable entry in the realm of 1970s crime thrillers. With its gritty narrative, strong performances, and stylish direction. It's a film that, despite its occasional predictability, manages to grip its audience and deliver a memorable cinematic experience.