Josey Wales hors-la-loi

Having grown up with Josie Wales as a household name and being a big fan of westerns, I have to agree with the just about everyones previous comments in describing it as excellent. It represents what a true western is. The story line is captivating and intense. The lead character played by Clint himself could be played by no one else. What some may call "lack of acting" because of lack of dialog only lends itself to the desirability of this film. You find yourself hanging on his next words. Clints one liners are still household expressions nearly thirty years after the movies release. In short this film is one of the best westerns made period. There have been others that Clint has made including the spaghetti westerns and his Oscar winning Unforgiven that add to his credibility as a great actor and film maker. But not many films touch so many levels of emotion. The only letdown to this film is that it had to end and no sequel was followed by Clint. Lastly, it's too bad for the film industry and Eastwood fans like myself that the man has to get old. His take on what entertains an audience is uncompromising. Films like The outlaw Josie Wales and what it represents to the American Culture will be enjoyed for many years to come.

"The Outlaw Josie Wales" was made by Clint Eastwood at a time when westerns were out of favor and the public wanted more of Clint as Dirty Harry. This film as it turned out, was one of Clint's best and certainly ranks up there with the more popular "Unforgiven" (1992).

Josie Wales (Eastwood) is a dirt farmer in Missouri during the American Civil War. One day a group of yankee raiders led by Captain "Red Legs" Terrill (Bill McKinny) attacks and burns his farm and murders his wife and young son while leaving Josie for dead. As Josie ponders what to do next a group of southern raiders led by "Bloody Bill" Anderson (John Russell) takes him into his gang to seek his revenge.

After the South surrenders, a fellow southerner, Fletcher (John Vernon) offers the remaining members of Anderson's gang amnesty if they will swear allegiance to the North. All but Wales agree. Unbeknownst to Fletcher, the men are suddenly murdered by the Union soldiers led by Terrill and in spite of Josie's efforts, only he and a young soldier names Jamie (Sam Bottoms) escape. Terrill and Fletcher are sent to hunt down the fugitives.

Jamie soon dies from his wounds and Josie is left alone. He makes for Mexico but is joined first by Lone Watie (Chief Dan George), then Little Moonlight (Geraldine Kearns) whom Josie rescues from a trading post and finally Laura Lee (Sondra Locke) and Grandma Sarah (Paula Trueman) who he rescues from a gang of Commancheros.

The group makes for Texas where Grandma Sarah's son has left her a ranch. All the time Josie is being pursued by Terrill and assorted bounty hunters. Josie dispatches several of them with his brace of Colt 45 horse pistols.

Finally at the ranch, the group sets up a home and Josie begins to fall for Laura Lee. Fearing an Indian attack, Josie rides to meet with Chief Ten Bears (Will Sampson) and makes peace with him. But finally Terrill and his group of "Red Legs" tracks Josie down and..........

Eastwood who also directed the movie, plays Wales with his usual grim faced persons. He's not afraid to pull his pistols and dispose of anyone who stands in his way. Interestingly enough, Eastwood cast all of the principal Native roles with native actors and treated them as equals and not in the old Hollywood tradition.

An excellent western in every way.

Love, hate, revenge, forgiveness, sorrow, life, death, emargination, racism, the uselessness of war, betrayal, redemption, solidarity, friendship. Not many films manage to deal competently with even just one of these topics. This masterpiece deals with all. Within the first 4 or 5 minutes (even before the opening credits) one has already been exposed to more force and emotion than most films can pack up in 90 minutes.

By the end of the 2 hrs 10 minutes of this film one would have lived through tour-de-force highlighted by memorable climaxes and showdowns featuring some of the most striking dialogue in cinematic history... "dying ain't no way to make a living". Eastwood's character doesn't speak much but utters a handful of memorable lines.

The central character played by Eastwood is given fine support by an excellent ensemble cast including Chief Dan George, Sondra Locke, Bill McKinney and most of all John Vernon. John Vernon plays a character called Fletcher who turns out to be one of the most complex characters I have ever come across. His motivations and true intentions are never quite clear. He comes across as a bit of a Judas figure and yet he still retains his humanity as the script and Eastwood as the director never truly judge Fletcher, leaving the viewer to judge for him or herself. Almost every character is memorable and every performance fits in place.

The action is sudden and explosive and not always expected. The film takes many twists and turns, yet every twist is a natural consequence of the situations and characters in the film. Ultimately one is left with a truly rich cinematic experience which should appeal to more than just fans of the Western genre. Its themes of suffering and the consequences of evil acts is still sadly relevant in today's world - a world in which not all wars are won by the good guys and in which the good are sometimes persecuted by those who win these wars.

When thinking of the best pre-credit sequences ever forget most others... this should be your best bet.

Strikes all the right notes of humor, adventure, gun fights and most of all, authenticity. Eastwood is impressive in front of and behind the camera. The script stays reasonably close to the book (Gone to Texas).

Chief Dan George is truly a treasure and was perfectly cast. The great Will Samson is imposing and utterly believable as Ten Bears. Bill McKinney (from the "Eastwood acting collective") is great as Terrill. Although, Sandra Locke is typically forgettable in an otherwise well cast film.

This along with Unforgiven will forever be branded classic "Cowboy" movies in my mind. I still recall Orson Welles on the Tonight Show telling Johnny he had just seen "the greatest Western ever made" after viewing The Outlaw Josey Wales. Brilliant film.

Clint Eastwood has directed, played in or starred in a lot of westerns. We all have our favorites and this my favorite Eastwood western, along with the more set-in-modern-day western, "Bronco Billy." (The latter is really a drama more than a western.)

This is simply an extremely entertaining story with two lead characters - played by Eastwood and Chief Dan George - who were fascinating to watch. Also, as in most westerns, I enjoyed the good photography and was surprised, considering the year of release, that the language was pretty tame.

George has always been a favorite Native American actor for many people. He gets choice roles playing likable guys, and "Lone Watie" character here is no exception. Eastwood, as " Josey Wales," reverts successfully back to his "Man with no name" persona: you know, the strong silent and somewhat mean type. He's a lot like the characters John Wayne played late in his career. He best portrays this with scenes like the one in which he spits tobacco on his dog!

In addition, there are some solid actors in minor roles, people like John Vernon, Sondra Locke and Bill McKinney, Will Sampson, Sheb Wooley and Sam Bottoms, among others. I was surprised Locke, Eastwood's girlfriend or wife at the time, didn't have a bigger role. With her youthful looks and great big eyes, she looked prettier than I've ever seen her, although she never was a glamor girl or got many good parts.

At 136 minutes, this is a bit long but it never drags. This is one of the very few movies I ever watched twice within two weeks and enjoyed it immensely both times....and each time since.