Objectif lotus

And it's in my top ten best films. Hilarious from the very start, with Lord Southmere hitching a lift from the yeti ("Thanks for the lift old boy - I don't think you're abominable at all!") and then escaping from the villains in the Natural History Museum disguised as a baby. It may be racist in the same way as Carry on Up the Khyber (most of the Chinese are occidentals in terrible eye makeup) but it's certainly feminist, celebrating the power of women in grey stockings fuelled only by nice cups of tea. (What if this great beast should fall on us, Hetty? Then we would be the first people in two million years to be killed by a dinosaur!) xxxxxx

English slapstick comedy spy caper definitely a must for fans of that genre. Director Robert Stevenson (Mary Poppins, The Love Bug) dresses up the scenery with nice old British cars, trucks and storefronts (watch for one called THE RELUCTANT DRAGON a tip of the hat to an old Disney animated classic) and his usual trademark special effects which includes a neat little stunt where a group of men stand on each other's shoulders to see above a fog filled street. Fans of Agatha Christie movies will note Peter Ustinov (who played Hercule Poirot) and Helen Hayes and Joan Hickson (who both played Miss Marple). A final note regarding some ill-placed, ill-thought out comments about Peter Ustinov's performance that was meant to be broad comedy. Ustinov (an Englishman) also portrayed a Belgium (Hercule Poirot), a Russian, and a Frenchman in other films without any comments about their appropriateness. From Peter Sellers who played a wickedly unflattering portrayal of a Frenchman in the Pink Panther series to Ben Kingsley's stately performance as Ghandai to Jews playing Christians (sometimes unflattering) what the heck...it's called acting. If you don't like the performance that's one thing, but to call it racist then all these performances should be called racist and ALL performances that require an actor to play someone not himself would be on some level bigoted. Don't you think? To those who would call Ustinov's performance racist you are wrong and you should sue your parents and teachers for raising an idiot. By the way. I am Chinese. If I do a good Texan accent no one would think me a racist. If I do a bad Texan accent all it means is that I do a bad Texan accent. Yee Haw!

Clearly any film nearly 30 years old is going to have flaws by today's standards and I know many people knock this film because of the now very politically incorrect portrayals of the Chinese.

However (and I am part Chinese myself) I regard the performances as pure pantomime or affectionate parody and not offensive. Besides - the bumbling British upper classes hardly fare any better.

I watched this on DVD last night and I still find it funny. Nostalgia of course plays a big part - I was 8 when it came out, still into palaeontology and visiting the Natural History Museum regularly.

But it still has some cracking dialogue, great slapstick and visual humour and of course the incomparable Helen Hayes and Peter Ustinov.

So if you want a chuckle and to escape back to a gentler (albeit fictitious) time - you could do a lot worse than spend 90 minutes watching this.

This was one of the most memorable films of my childhood, and I hadn't seen it since it came out in the cinema in England when I was seven years old, until I was given a DVD of it again today, thirty-one years later. Although today it didn't have me rolling in the aisles or have me doing Peter Ustinov impressions for hours afterward like it did back then, it still was a charmer, and it was simply just fun to watch. It deliberately encapsulates a bit of the paradoxically innocent yet bigoted flavor of England back in those times, and there are many little delicate touches for those with an appreciation for the idiosyncrasies of the English. Peter Ustinov is perfectly cast to be given license to run amok with his non-politically-correct character, considering he was one of the most well-read, culturally-sensitive intellectuals of his generation. (Check out HIS Bio!) It's certainly all about him. Overacting? I'd say "playing it broad" instead, and yet with real skill. Ustinov was a master raconteur on many subjects: political, cultural, and musical, and his comedic timing was also very acute. I think it shows. Is this film racist? Well, it certainly couldn't have been produced by Walt Disney in today's social climate, but I'd say rather that it is really a grand romp in satire, made at a time when we could more easily laugh at ourselves and each other, and forgive a little easier too. Sure it's completely "wrong" that the Chinese guys are actually played by Europeans in make-up. But the very joke lies in just how much a parody this "Chinese" make-up actually is, and how no-one is remotely intended to be fooled. Paraphrasing lines of Ustinov's (Chinese) character explains this perfectly: "How can you tell Europeans apart? They all look the same...those eyes." The film left me with the wistful feeling and hope that here was the England and these were the kinds of adventures that we had when we were children. (How dearly I would still love to run around with a squad of Great British Nannies or Chinese Agents looking for a microfilm on the Diplodocus in the Natural History Museum.) It's a wonderful time to look back to, even if it probably only ever existed in imagination. Sadly, the once-free-to-wander-in- during-our-summer-holidays Natural History Museum now charges a hefty admission fee. And that's a fact.

This is possibly the best film ever. The story of a group of British nannies and a captured spy and their conflicts with the Chinese secret service over the recipe for the mysterious "lotus x" produces a miraculously silly slapstick festival of idiocy that is probably the most watchable film ever to come from Britain. Forget the grossly overrrated "The Full Monty" - One Of Our Dinosaurs is Missing is the funniest film ever to escape our sceptered isle. Of course the British actors playing Chinese characters are unconvincing, but this isn't about realism or diplomacy; it's about non-stop tomfoolery, which it supplies in bucketloads.

This is what British films should be about! Not dark, brooding council estates; tower-blocks filled with the destitute; or the collapse of industry; instead, the power of self-belief and good honest values overcoming adversity.

An absolute film classic, sadly overlooked at the Oscars, this deserves a cinema re-release at some point. Failing that, buy the video - you won't regret it!