Ode to Billy Joe

If this is truly supposed to be an adaptation of the Bobbie Gentry song, it makes utterly NO sense. I'm gay, so I'm usually sensitized toward picking gay references out of pop culture, but to make Billy Joe in the film struggle with his sexuality is fairly ridiculous.

If you read the lyrics to Bobbie Gentry's song, it seems pretty darn obvious that what the narrator and Billie Joe are throwing off the Tallahatchee Bridge is their out-of-wedlock baby.

Just Google search the lyrics, listen to the song, and see if that interpretation doesn't make much more sense than how the movie presents the story.

This comment is provoked by one made earlier by someone who seemed to feel the film unsalvageable. It might not be a masterpiece, or even particularly memorable, but this Southern boy had little trouble identifying with a boy trying to cope with his deepening feelings for a lovely young lady in the arch-conservative South, and of the young lady whose family opposed the union with the appalling callous intolerance and ignorance that seems epidemic in deep rural South. It's worth the rental fee if you find it at the video store.

It has been a long time since I saw this movie. I always read very negative reviews of it, but I always thought that the photography and sound were beautiful. It was my impression that Max Baer Jr. was making a movie about how beautiful the rural South is. Of course a movie based on a rather enigmatic song is doomed to storyline problems, but as a mood piece, I think it was a great success.

Yes, it's the film of That Song. No movie can ever hope to to justice to the enigmatic, doom-laden 1967 Bobbie Gentry hit, or come close to capturing the stifling Southern atmosphere that the song evokes so well, but as a film in its own right, this prettily-photographed tale is not at all bad. The locations are all genuine Mississippi, and cinematographer Michel Hugo has done an excellent job of evoking the exuberance of high summer.

And talking of the 1960's, remember Jethro Bodine and his sixth-grade education? Well the actor who created Jethro (and is also the son of the heavyweight boxing champion), Max Baer Jr., produced and directed this quirky little offering.

It is Mississippi in 1953, and the pretty adolescent girl Bobby Lee is having fantasies about boys. Billy Joe McAlister begins to court her, but as their mutual affection blossoms, darker currents are swirling beneath the Tallahatchee Bridge ...

A careful, almost literal rendering of the song, the film is a commendable effort which gets stronger and more assured as it goes along. If it is somewhat heavy with Deep South cliche (plenty of "ah dew declayer" and "raaaht neighbourly"), it really couldn't have been otherwise. The song itself is overloaded with similar stuff. I personally did not like Bobby Lee's poem, which struck me as to syrupy and too slow.

Bobby Benson is adequate as the haunted Billy Joe, but the film's real success is the performance of Glynnis O'Connor as Bobby Lee. She handles the range of emotions with aplomb, and virtually demands that the viewer identify with her. The final scene on the bridge confirms that Bobby Lee has grown as a person and has emerged from the tragedy stronger than the adults around her.

Bobby Lee's huffy soliloquy on the country road is very good, with its subtle edge of self-deprecating humour, and the long courting-scene which follows it is nicely-judged. The rueful interregnum after Billy Joe's disappearance is beautifully done, dominated by the delightful Michel Legrand piano score. The rag doll floating in the water is a striking symbol, both of Billy Joe and of the abandonment of childhood.

Verdict - If a film version of the Bobbie Gentry song is going to be done, this is probably the best way to do it.

Tragic movie.

The backstory on this 1976 film is interesting. 10 years earlier the country music singer Bobbie Gentry had written a song with the same title which tells of a young man committing suicide by jumping off the Tallahatchie Bridge. But Gentry's lyrics never reveal why the fictional Billy Joe killed himself and in interviews about the song she was very coy and unrevealing.

So, they made a movie about it. Robbie Benton, teen idol of the 70s, plays the title character although this movie is really about the young girl who loves hm: Bobby Joe Hartley, played by Glynnis O'Connor. I thought these two young actors were incredible in their roles and they held this otherwise flawed movie together. The subject matter can feel a little strange at times (there aren't many movies these days that delve into the sexual desires of a 15 year old girl) but if you can get past that, I think you'll enjoy this movie. It's not an all time great one but just for Benton and O'Connor's acting alone, it was worth watching.