L'île du maître

Robinson Crusoe is an extremely important work of literature, being one of the very earliest novels ever written in the accepted "novel" form. However, it is also extraordinarily racist. To understand its racism, one has to consider the attitudes that prevailed at the time when the book was published. Were it written nowadays, it would probably be banned. Within its historical context, though, it is rightly hailed as a classic. The makers of this film have realised that there is a strong case to revise this essentially racist book, and have made encouragingly open-minded and thoughtful attempts to re-do the story for a multi-cultural audience.

Man Friday is a reasonably engrossing story of how Crusoe, shipwrecked for years on a barren desert island, befriends a savage and names him "Friday". As time goes by, Crusoe attempts to change Friday into a good, decent Christian, but is shown to be more irrational and ignorant than the supposed savage. In the end, Friday proves himself to have a far more wise, perceptive and knowledgable personality than Crusoe.

The film is hindered by a few mis-judgements. There was no need for the handful of songs that have somehow made it into the script. If those misplaced bouts of singing were removed, the end product would doubtless have been better. Also, the pacing is a bit erratic, and much time seems to be meaninglessly wasted over the course of the 115 minute duration. The point could've been made efficiently in 90 minutes, and audiences might have felt the moral of the story more sharply. However, all in all, this is a worthy film, well acted and thought-provoking throughout, and significant for its recognition that the source material needed to be revised.

This half-baked version of the brilliant novel "Robinson Crusoe," is ruined by shoddy production values, poor plotting and woeful dialogue. Peter O' Toole - one of the greatest actors of his generation - should have been offered a better film than "Man Friday." Richard Roundtree (a flash in the pan) was making poor film after poor film. There may be some good photography but that can only compensate for so much.

Absent the Pandemic, this turns into a brilliant parody of post-George Floyd America and Anarcho-Capitalism. Meant to see it at age 32 and accidentally found it on YouTube, age 82. Yea, O'Toole's slightly hammy but not gratingly. I knew of Richard Roundtree only as the Blaxpolitation-era SHAFT.

Crusoe explaining money and wages to Friday might have been lifted from a Democratic Socialists of America introduction to Karl Marx's theory of indentured labor. The Hang Glider scene doesn't work and didn't then but otherwise MAN FRIDAY has aged itself into front page 2020 relevance.

I wasn't expecting much when I decided to take a look at this underrated film, one of Peter O'Toole's forgotten works. Well, I think it's great. The ideological consistency of this reinterpretation is definitely more welcome than a "classic" adaptation of Defoe's novel.

What strikes me is the movie's relevance after all these years. It's amazing how little has changed from those days, when racism and slavery were widely accepted as "normality". I mean, the laws have changed of course, manners have improved - we live in the era of "political correctness" and all - but in terms of how we FEEL about the Other, nothing has changed, unfortunately. Robinson Crusoe is in fact the typical Englishman. This deep rooted idea of superiority still exists today, even if it doesn't manifest itself in the same ways."Man Friday" makes a powerful statement about human nature, about man's failure to communicate, to understand and respect others.

Various themes are explored, like religion, sexuality, freedom, xenophobia, capitalism, multiculturalism, moral relativism and so on. The movie succeeds in making some good points, sometimes with a great sense of humor, and sometimes with a tragic feel. Crusoe's relationship with Friday, its development and psychological implications are very interesting.

Peter O'Toole is splendid as the nasty and arrogant Englishman, while being sympathetic to some extent due to his human frailty. Not even those funny-looking furry boots and outfits can diminish his aristocratic elegance, and it's a pleasure to listen to his beautifully spoken phrase. O'Toole's Crusoe has the tragic aura of a Shakespearean hero, and this superb performance is the movie's highlight. Roundtree also does a very good job.

The absence of a remastered DVD transfer must be the only reason why "Man Friday" remains basically unknown, and that's a shame.

I discovered the film while switching through the channels and I had to keep watching it to the end because I was fascinated. First of all I was fascinated because I had no clue that the original story by Defoe is so full of racism. Then I noticed that this version is told from Friday's point of view which turns it into a whole different thing.

The whole situation and Crusoe's behaviour now seems really absurd: The way he tries to rebuild his kind of England on a small island. He has a need to reproduce things which are completely unnecessary and useless in this surrounding. He also sticks to his old rules and schemes and is not able to adapt new attitudes to survive and to get by.

First of all Crusoe is not willing to see Friday as a human being who has the same rights and the same possibilities as he has. He also believes that he himself might have more advantages threatening Friday and to let Friday work for him. Or maybe it is his deep belief that this is the only way to be and that he is in fact really fair and being nice to him.

Crusoe is not able to see that there is no need to put his negative attitudes on Friday, his fear of God (he seems to struggle with God because he struggles with himself), his shame and the need to punish. He sees shame anywhere and he does not listen to Friday who can see clearly that there is no need for shame.

Peter O'Toole is just perfect for portraying that ignorant Englishman who can be really nasty but at the same time the viewer feels sorry for him because he is trapped and torn inside.

Richard Roundtree is great as Friday, being very natural and being relaxed and concentrated at the same time. He is made to be the more attractive one in that team. The film was done four years after his success with "Shaft" and you can find typical blaxploitation elements in it.

Like other IMDb users said before: The songs are a bit disturbing but they cannot ruin a good film.

The plot is a very good starting point for a philosophical discussion on how people can live together and what might be a good basis for an intact society.