La petite fille au bout du chemin

Unique suspense film made in Canada in the mid-1970s. It's a shame that no one has ever really noticed this little film. Well, TBS sure did and I first watched it on there in 1987 or 1988. Since, I have found it in a couple of video stores and eventually taped it off of TBS in 1990 or 1991. Nonetheless, it is a truly wonderful thriller featuring a spectacular performance from a young, gifted Foster. Sheen and Smith are quite nasty as her enemies, and Shuman and Jacoby are good as her friends. Altogether, a remarkable suspense film that has not received the praise it deserves.

This film was made in 1976, when thriller/suspense still had to have some semblance of a plot; innuendo rather than special effects; decent acting rather than explosions and violence.

And for that it is to be appreciated. Jodi Foster is very good as Rynn, a mysterious 13 year old who lives alone in a seaside town, somewhere off the coast of Massachusetts. Martin Sheen, as always, is excellent as a neighborhood creep, interested in Rynn, (he has some sort of criminal history against children).

Scott Jacoby is her peer, trying to help her live alone, and stay in the house her father has provided, although her father and mother have both mysteriously disappeared.

All in all an interesting theme, with some beautiful landscapes of the New England, and the beaches during winter. 8/10.

I could rate this movie a 9 or a 4, or something in between. It's very, very difficult to decide. What a strange movie! From the first to the last minute There is always a dark, bizarre, disturbing air. The plot is strange, but it grips you. The performances are spectacular. Jodie Foster and Martin Sheen are Amazing, really. But it's definitely not the kind of movie I would recommend to anyone, so I leave the warning that, in order to enjoy the movie, you have to be open-minded to something strange and disturbing. I repeat: it could be evaluated with a 4 or a 9, depending on the mood of the viewer.

Went into this film expecting a horror flick, for that is one of its genres according to IMDb. "Horror" does not fit this movie. "Creepy", perhaps?

Anyway, wrong expectations can lead to disappointments. Luckily, this film was not. Solid picture with strong performances from Jodie Foster and Martin Sheen.

Great Suspense and Atmosphere. This movie instantly became one of my all-time favorites and is difficult to describe without giving too much away. More than most movies I can remember, reading too many comments about it's content beforehand can detract from the viewing experience (and a great one at that!) and ruin the suspense. I will try not to give too much about the film away beforehand.

First of all, I loved the production quality, atmosphere and locale. It would be a great movie to see on Halloween night for example, at least in my opinion. It really can be watched anytime however and will be just as great. The acting was high quality, all the way around but especially with Jodie Foster and Martin Sheen and the direction and score are excellent as well.

I had a problem with the plausibility of Jodie Foster's character behaving essentially as an adult. It was a little tough for me to buy into a 13 (or newly turned 14 year old) cooking gourmet meals, serving fine wines, listening to Chopin and generally acting much older than her chronological age.

Even taking into consideration the events in her life which apparently had shaped her personality, she seemed too mature for her age. If you put that concern aside however and accept it as a given premise of the movie you can sit back and enjoy the fun of trying to figure out what's going on.

And trying to figure out what's going on really *is* fun in this movie. Figuring out what's going on with her mysterious father is enough to keep you occupied in itself (if you think you've figured out what's going on with him you will find later that you probably haven't) and that's only one aspect of this complex scenario.

I hate when movies this good are not in general circulation any longer. Brian de Palma's "Sisters" and many other excellent movies also fall into this category. I can't figure out why studios can't figure out ways to continue to make them available to the public, after all...they went to the trouble to make them in the first place.

If you do get a chance to see "Little Girl Who Lives Down the Lane" however, jump at it. You aren't likely to be disappointed.