Les Déportées de la section spéciale SS

When one watches exploitation films of this genre, one really wants to see things taken more absurd, but this one takes things too seriously. The train cars having a light bulb in them was a startling puzzle. But then, things got more routine. Severe looking woman guards shouting to make sure there was no talking, and the requisite nudity. The Commandant, Herr Erner/Enner clearly was a monster, as some said, but he didn't act like that. His uniform showed attention to detail and he had an obese aide. They threw in some unnecessary liaisons, and that really interrupted the flow of the movie. Herr Enner had a past history with one of the captives, and had a scenario in mind with her that was all too predictable. I felt that everyone was taking the movie too seriously. If one thinks of some memorable movies of this genre, like in the Ilsa series, or even Love Camp 7, they knew what they wanted to be. I am not sure what this movie wanted to be.

As with all these Nazi exploitation films, this is not for everyone. However, for those who do enjoy the genre, this will probably be perceived as a less engaging sample when compared to "The Beast In Heat," "Gestapo's Last Orgy" or the deliciously erotic "SS Experiment Love Camp."

The story here is extremely thin; women arrive at a POW camp where they engage in frequent lesbianism and a tedious plot to escape. The SWV crowd may respond to the grossness of the girl/girl scenes, but other audiences will find these a massive turnoff. Male/female sex is almost completely absent and is of the very tame "huggy-kissy" variety, rather than softcore humping.

John Steiner easily steals the show as the most charismatic performer. He also gets to do something quite interesting when he forces his manservant to submit to him sexually - revenge sex for the manservant's tryst with Steiner's old girlfriend. As so often happens with these films, the producers go out of their way to make the male coupling grotesque by casting a fat, bald, old and ugly actor as the object of Steiner's lust. Notice they did not cast someone hot and youthful, like Cesare Barro, for the role!

All in all this is a rainy day time-waster, okay if you're in the mood but not as juicy and exciting as some of its contemporaries.

The female body is a work of art, why would anyone want to see a movie where it is not treated well? I guess I'm wondering why entire sub-genres that are little more than a series of female torture and humiliation scenes are so popular (maybe we can be optimistic and say most viewers are just waiting for the 10-minute payback at the end?), but this is a discussion for another time, another place. There are certainly a lot of (often naked, usually beautiful, always natural) female bodies in "Deported Women of the SS Special Section", and the film itself is rather tamer than expected. In fact, for all the atrocities contained herein, the nastiest scene may be the one where the heroine licks the hairy leg of a fat middle-aged man! No no, the nastiest is probably what happens to that same man a little later (other reviews have already mentioned it)....Writer-director Rino Di Silvestro is better as the latter: the direction is almost arty at times (though the DVD transfer is rather murky), but the script is disjointed. As the prison camp's commander, John Steiner chews the scenery up and spits it out, contrasting with Lina Polito's quiet, dignified presence as his object of obsession. The film has its moments, but it is still recommended only to exploitation fanatics. (*1/2)

Falling somewhere between the camp excesses of the Ilsa movies and the grim nastiness of Last Orgy of the Third Reich, Deported Women of the SS Special Section is one of the more enjoyable (not sure if that's the right word to describe a film about war atrocities, but hey ho!) examples of the sleazy sub-genre commonly known as Nazisploitation.

With pretty good production values (for a film of this type), and an uncomplicated story that manages to tick most of the 'concentration-camp cinema' boxes (humiliation and degradation of the prisoners, multiple shower scenes, torture, lesbianism, rape, and murder), director Rino Di Silvestro ensures that fans of this kind of fare don't go disappointed.

Deported Women begins with a group of female prisoners being transported by train to a castle-turned-prison. Once at their destination, the women are processed, examined, shaved (each lady is given a 'Hollywood' free of charge!), and sorted into various groups: some are kept for experimentation; others become 'field whores'; the best looking are saved for the Joy Division—the prostitution wing of the camp.

Amongst these new arrivals is Tania Nobel (Lina Polito), a disgraced aristocrat who, before the war, was an object of lust for the nasty camp commandant Herr Erner (John Steiner, who excels as a maniacal tyrant who makes Caligula look sane by comparison). However, rather than reciprocate Erner's advances, Tania chose to run off with her partisan lover instead—a move which has left the Nazi with mixed feelings about the girl he once tried to woo: poor confused Herr Erner doesn't know whether to punish Tania, or attempt to win her affections.

So he does both.

After locking her in solitary confinement (for trying to escape) and threatening to make her suffer, he does an about-turn, and invites her to dinner, where he tries to impress her by forcing two of his subordinates (a couple of sadistic bitches who regularly abuse the prisoners) to give him a spot of fellatio. Needless to say, Erner's shocking display of power doesn't have the desired effect (perhaps a bunch of flowers and some fancy chocolates would've been a better way to go).

Eventually, Tania tires of Herr Erner's advances and attempts to end her life by starving herself. Admitted to the infirmary, Tania is nursed back to health by a kindly doctor, who, taking pity on his pretty patient, informs her of a secret tunnel that runs beneath the castle. Tania makes plans to escape, along with her fellow prisoners. But first, she has a score to settle with Herr Erner.

Deported Women starts off rather slow, and, to be honest, at first I thought it would be a real chore to sit through in one sitting. But as things progressed, the film got way sleazier and much more trashy, and by the end, I was pleased that I had stayed the distance. Amongst the dubious delights on display are the prolonged scene of hair removal (from all areas of the prisoner), a lesbian 'rape' that turns into a hilarious cat-fight between two of the guards, and a jaw-dropping moment where a frustrated Herr Erner finds temporary sexual release by buggering his henchman Doberman (Giorgio Cerioni).

And best of all is Tania's final act of revenge: she places razors in a cork, pops it up her cooch, and offers herself to the randy commandant... ouch!

For some odd reason I decided to give Deported Women of the SS Special Section a go today and was reasonably pleased. Noticing only one other user comment I felt compelled to give my opinion as well.

The story is fairly easy. A group of women are being held captive in a Nazi prison. Nazi prisons are (as we have all learned in films like Ilsa, She Wolf of the SS and others) is not a happy place. Fortunately you can always take a long soapy shower with your fellow inmates; and they do! I didn't expect much from this one so I became pleasantly surprised. The violence is pretty tame, but the razor blade on a cork in the vagina made me raise an eyebrow as our kinky commandant was about to realize love really can hurt. There's a decent amount of nudity with one of the highlights being the pubic hair shaving, take your time.

Deported Women does remind me to some extent of Salò, although it tends to focus less on the cynical ideology (as most of its kind) giving the whole film a more campy tone. Fine by me. It tries to be a bad boy, but not THAT bad.

In the end I have to say that even though the running time of almost 97 minutes feels a bit too long, the nudity, the violence and the crazy commandant managed to keep me entertained. You could do a lot worse.