How much Wood would a Woodchuck chuck... - Beobachtungen zu einer neuen Sprache
- TV Movie
- 1976
- 44m
IMDb RATING
6.3/10
1.4K
YOUR RATING
Herzog examines the world championships for cattle auctioneers, his fascination with a language created by an economic system, and compares it to the lifestyle of the Amish, who live nearby.Herzog examines the world championships for cattle auctioneers, his fascination with a language created by an economic system, and compares it to the lifestyle of the Amish, who live nearby.Herzog examines the world championships for cattle auctioneers, his fascination with a language created by an economic system, and compares it to the lifestyle of the Amish, who live nearby.
Werner Herzog
- Narrator
- (voice)
- (uncredited)
Steve Liptay
- Self
- (uncredited)
Scott McKain
- Self
- (uncredited)
Ralph Wade
- Self
- (uncredited)
Leon Wallace
- Self
- (uncredited)
- Director
- Writer
- All cast & crew
- Production, box office & more at IMDbPro
Featured reviews
Apparently, Werner Herzog was very fascinated with the vocal skills and cadence needed to be a livestock auctioneer. Here, he and his crew attend the livestock auctioneer world championship and seem to record EVERYTHING. While this might have been interesting for 10-15 minutes, at 45 minutes it was a bit of a chore to stick with this one. Just how many fast-talking auctioneers do you need to hear before boredom sets in--I don't know for sure, but Herzog more than surpassed that. Had the film had more back story and information about the participants themselves, the film probably would have sustained my attention longer. In addition, a few little vignettes could have been expanded--such as Herzog and the Quakers trying to communicate in German together. I am no expert on German language, but I could tell that the two languages had diverged considerably over the centuries and I wish this segment had been a bit longer. Or, perhaps he and his folks could have interviewed some of the members of the audience or the auctioneers' families. All I know is that it just felt way over-long.
I watched this in a creative writing class in order to gain inspiration to expand into more experimental writing. I'm not sure it served that purpose, but the documentary does have a very experimental and ballsy feel to it. A documentary about auctioneers is a hard sell, but the true meaning (at least what I got out of it) is pretty excellent, that being communication and art is everywhere. The flow and process of talking at such speeds seems pointless(I honestly had no idea what the auctioneers were saying most of the time), but at the same time the judges and crowd are all giving feedback, and even judging how effectively they were selling the livestock, mainly based on rate of speech. At the same time, it was all about clarity. And I think that is what Herzog was going for. Unconventional, yet understandable.
7/10
7/10
Obviously not Herzog's best, but still definitely worth watching. The theme is classic Herzog-- I doubt that any other filmmaker would have considered cattle auctioneering world championships worth their celluloid. At 44 minutes, this isn't really a major work, but as usual Herzog is able to communicate to his audience what it was that drew him to the unique subject. Like Herzog says, there's something "fascinating and frightening" about what these auctioneers do; it's almost like music or "art" but what purpose does it serve? Cattle gets sold as quickly as humanly possible. If the subject doesn't drive you away, give this a try. Technically, it's quite basic, but the Herzog magic is there.
They talk so fast that you need ears like a super-hawk to really decipher what they're getting at, but it's this speed at going about selling goods that interest Werner Herzog so much. He's said in interviews that it's almost like "the poetry of capitalism", as these high-stakes auctioneers, selling off cattle within a matter of seconds, are in a unique little world unto themselves and their small audience, mostly full of small town yokels and Amish. This doesn't make his documentary on them particularly exceptional, however, as it's a little too long and a little much without a lot of human interest; we don't know who most of these ultra-fast talkers are. It is, however, quite funny at times to see them go this fast, perhaps in a sort of detached way (then again, how can one who's never been to a cattle auction know anything about what it's like to see mouths go at a mile a minute).
It's great to see when he's interviewing one guy and he starts explaining how he auctions, and at first in regular speed soon as a sort of reflex goes off into his ultra-fast speaking voice. I also liked getting into the groove of the competition, as it were, seeing how despite it being still at lighting speed with numbers and calls it can be understood which ones are the slower ones. Although Herzog fares a lot better using the auctioneer in his fiction film Stroszek- Scott McKain is the one featured in the scene where Stroszek's items are sold off in an immediacy that is purely staggering and, as it's so unexpected following the pace of that film, is one of the most hilarious scenes of the 70s in cinema- it's a fine little portrait of a group that is somewhat representative of the fun that's missing in more run of the mill acts of commerce. You're not going to see this kind of auction at an art gallery in midtown New York, only in a Herzog film.
It's great to see when he's interviewing one guy and he starts explaining how he auctions, and at first in regular speed soon as a sort of reflex goes off into his ultra-fast speaking voice. I also liked getting into the groove of the competition, as it were, seeing how despite it being still at lighting speed with numbers and calls it can be understood which ones are the slower ones. Although Herzog fares a lot better using the auctioneer in his fiction film Stroszek- Scott McKain is the one featured in the scene where Stroszek's items are sold off in an immediacy that is purely staggering and, as it's so unexpected following the pace of that film, is one of the most hilarious scenes of the 70s in cinema- it's a fine little portrait of a group that is somewhat representative of the fun that's missing in more run of the mill acts of commerce. You're not going to see this kind of auction at an art gallery in midtown New York, only in a Herzog film.
How Much Wood Would a Woodchuck Chuck? is a typically strange documentary from German film-maker Werner Herzog. His films practically always focus on the fringes of society. Strange characters and unusual topics abound. This film is no different. It takes place at the 1976 World Championship of Livestock Auctioneering held in Lancaster County, Pennsylvania. In this contest contestants compete to see who can talk the fastest, as they auction a succession of cattle at super-fast speeds.
This is a very basic film not only in terms of technique but also with regard to content. It really is not about the people themselves but solely about the fast talking, the way it sounds, the way it has a certain rhythm. To an average listener these people speak a mystifying language that sounds like comical nonsense. It's funny because no one finds it funny – everybody at the show takes it completely at face value and completely normal and clearly understand this bizarre and seemingly unintelligible form of communication. As is normal for him, Herzog does not make fun of his documentary subjects and, in this case, simply observes. It's quite funny up to a point but overlong and repetitive given that the vast majority of it is simply a succession of auctioneers talking at high speed. The lack of material makes it almost quite an abstract documentary, one which is not so much about informing the viewer and more about engaging their senses. How much this will work for you is entirely down to what extent you get into the rhythms of these fast talking auctioneers. I personally found it amusing up to a point but a bit tedious at the same time.
This is a very basic film not only in terms of technique but also with regard to content. It really is not about the people themselves but solely about the fast talking, the way it sounds, the way it has a certain rhythm. To an average listener these people speak a mystifying language that sounds like comical nonsense. It's funny because no one finds it funny – everybody at the show takes it completely at face value and completely normal and clearly understand this bizarre and seemingly unintelligible form of communication. As is normal for him, Herzog does not make fun of his documentary subjects and, in this case, simply observes. It's quite funny up to a point but overlong and repetitive given that the vast majority of it is simply a succession of auctioneers talking at high speed. The lack of material makes it almost quite an abstract documentary, one which is not so much about informing the viewer and more about engaging their senses. How much this will work for you is entirely down to what extent you get into the rhythms of these fast talking auctioneers. I personally found it amusing up to a point but a bit tedious at the same time.
Did you know
- TriviaHerzog has said that he believes auctioneering to be "the last poetry possible, the poetry of capitalism."
- Alternate versionsThe German version includes additional narration by Werner Herzog.
- ConnectionsReferenced in My Dinner with Werner (2019)
Details
- Release date
- Country of origin
- Languages
- Also known as
- How Much Wood Would a Woodchuck Chuck...
- Filming locations
- New Holland, Pennsylvania, USA(main location)
- Production companies
- See more company credits at IMDbPro
Contribute to this page
Suggest an edit or add missing content
Top Gap
By what name was How much Wood would a Woodchuck chuck... - Beobachtungen zu einer neuen Sprache (1976) officially released in Canada in English?
Answer