Big Racket

When a powerful gang of extortionists forces the businessmen of an Italian city to pay for their protection, the tough Inspector Nico Palmieri (Fabio Testi) investigates the case; however he is surprised by the racketeers and ends seriously injured. When he is discharged from the hospital, he joins the victims of extortion trying to find a witness to testify in court since the mobsters are always released by the Attorney Giovanni Giuni (Antonio Marsina). Only the restaurant owner Luigi Giulti (Renzo Palmer) accepts the burden; but his daughter is brutally raped by the gangsters and commits suicide later. Nico is pressed by his superiors to drop the case but he invites his friend Pepe (Vincent Gardenia) to help him using illegal methods believing that the end justifies the means. There is a war between the criminals and the police with tragic consequences, and Nico is fired from the police department. Nico decides to join Luigi; Pepe; a marksman that saw his wife being raped and burned alive; the owner of a nightclub that should use brace for the rest of his life; and a felon that wants a passport and destroy the gang in a battle that becomes bloodshed between vigilantes and criminals.

"Il Grande Racket" is a great non-stop action movie, with a violent story of racket and revenge à la Charles Bronson and conclusion à la Spaghetti Western. Of course there are clichés and exaggeration in the situations and shootouts, but in the context they work perfectly well for fans of this genre. The dubbing in English is awful, as usual, and I do not understand why not keep the original language with English subtitles. My vote is eight.

Title (Brazil): Not Available

they don't make em like this anymore. i total recommend it to anyone who enjoys guns, car crashes, cheesy dialogue and 70's hairstyles. Fabio testi is better in this than in contraband. also blue undergrounds DVD picture quality is a vast improvement over the UK version. much better than Bronx warriors or the heroin busters, enzo casstellerie other efforts. story moves along at a cracking pace. music is what you would expect from this type of film in this era. the stunts are what make this film. the camera puts you right in the middle of the action, literally! you'll know what i mean when you see it. overall then, go for the blue underground DVD its a quality purchase.

I have now seen quite a few of the Italian crime films made in the 70s. The Big Racket is easily among the better Poliziotteschi I've so far run across. The violent action is non-stop. The film rarely takes a break for the viewer to catch a breath. Fabio Testi stars as Inspector Nico Palmieri, a cop determined to put an end to the protection racket run by a group of local thugs. But the seemingly small time thugs are actually part of a larger group with the goal of spreading their reign of terror to a much larger scale. Nico enlists the aid of a handful of men who have been directly affected by the gang's activities to help him wipe out the entire group of gangsters. But does this small seemingly rag-tag band of misfits stand a chance against a much larger band of killers?

The Big Racket is gritty, violent, sadistic, and nothing is held back. Director Enzo Castellari has crafted some amazing action sequences. The shootouts at the train station and the final battle at the warehouse are some of the better scenes of this type I've seen. And the scene featuring Testi rolling down a hill inside a car is so well done and so realistic that I actually worried about Testi's health. The Big Racket also features a couple of rape scenes that can be difficult to watch, yet they add immensely to the overall feel of the film and supply realistic motivation for the vigilante actions to follow. These scenes are brutal and sadistic and show the depravity these thugs are capable of and why they must be eliminated.

Fabio Testi gives one of his better performances that I've seen in The Big Racket. Unlike The Heroin Busters, where I never bought into Testi's character, he is completely believable in this film. The rest of the main supporting cast is just as good. My favorite supporting performance comes from Orso Maria Guerrini, the marksman who goes mad for vengeance after watching his wife get raped and burned alive. Much of the cast is made up of stunt people who do an adequate job given their limited experiences in front of the camera.

Overall, if you're a Poliziotteschi fan or just a fan of American cop films from the 70s and have never seen an Italian crime film, The Big Racket is a definite must.

Guido and Maurizio De Angelis Soundtrack!

Notable actors: Fabio Testi! Renzo Palmer! Orso Maria Guierrini! Romano Puppo! Sal Borghese! Joshua Sinclair! Massimo Vanni! Stefania Girolami! Enzo G Castellari!

Enzo Castellari stands out in an overcrowded market by showing everyone how it should be done - a full on Poliziotesschi, brutal and action packed, but also delivered with that pure Castellari style. This is the ideal starting place for anyone because if you don't like this, the genre probably isn't for you.

A new breed of criminal are moving in on Rome's protection rackets. Fearless, violent and ambitious, they go from shop to shop in the Piazza Navona threatening the patroni but unaware that they are being tailed by cop Nico (Fabio Testi) and his sidekick Sal Borghese. Their smartly dressed boss Rudy (Joshua Sinclair) does notice, however, and the result is Testi having his car rolled off a cliff. With him inside it. Castellari of course introduces Rudy with a serious of quirky edits set to a drum beat and films Nico from inside the car in slow motion while he rolls about in a blizzard of glass. This is in the first ten minutes.

Basically this new gang have the populace terrified and Nico is struggling to find someone brave enough to come forward as a witness. One restaurant owner does (Renzo Palmer) and the result is his daughter getting kidnapped and raped by the gang. Palmer then becomes insane and starts killing any criminals he can get his hands on. This of course lands Nico in trouble with his boss.

A gang this ruthless make a lot of enemies and eventually it's from this pool of bereaved husbands, vengeful fathers, double-crossed gangsters and petty criminals that Nico has to gather a small army to take on the gang, resulting in a gun battle that isn't so much a shoot out as full on warfare that decimates the populace of Rome and leaves it a smoking ruin littered with corpses and burning cars.

There's a lot to recommend this one. Fabio Testi's frustration as the gang constantly wipe out anyone who stands up to them is something to behold. Massimo Vanni as the cocky gangster and his rape-happy mates stand out as they beat shopowners, incite riots and kill without thinking. Vincent Gardenia adds a bit of humanity as the old pickpocket who helps Testi and gets his nephew killed in the process.

Enzo does his usual tricks, from slow motion to unusual camera angles to quick edits, and you've got the usual funky soundtrack by Guido and Maurizio De Angelis. This is one of the best of 1976 and the genre, and although it's the only Eurocrime film Castellari made in 1976, he would also make Keoma the same year, and that's one of the best Spaghetti Westerns ever made. What a guy.

I must however point out that some moron who did the English dubbing decided to sanitise all the swearing, which marrs the film slightly. They all literally sound like Ned Flanders, talking about being in "deep diddly", or "that lousy basket" or "you mucker." Thankfully it doesn't ruin the film.

A script doesn't necessarily have to be realistic to be good. In my opinion, all it needs its to make sense, to be credible within itself. This movie has it all and its very fast paced. It is a very good attempt to expand the perspective of the action movies back then, and I consider it, along with "Perros Callejeros 1 and 2" the best european action movies of the 70s, the background for much of the filmmaking that we see today as "new", and a great spectacle. The enchant of these movies is that, even though some special effects are not credible at all (some of the shot wounds don't bleed at all), those that do required cars to be burnt and some stunts to expose themselves are better than those the new computarized hollywood movies have.It doesnt make you feel like you are watching cartoons. I admit that the beauty of movies is fantasy. But when i compare this movie to any action movie from hollywood, I come to the conclusion that fantasy doesn't necessarily have to please anybodies wishes nor to be custom made for a certain public, but to show different prespectives than those that public has.

the only problem...Real hard to find