Big Racket

When a powerful gang of extortionists forces the businessmen of an Italian city to pay for their protection, the tough Inspector Nico Palmieri (Fabio Testi) investigates the case; however he is surprised by the racketeers and ends seriously injured. When he is discharged from the hospital, he joins the victims of extortion trying to find a witness to testify in court since the mobsters are always released by the Attorney Giovanni Giuni (Antonio Marsina). Only the restaurant owner Luigi Giulti (Renzo Palmer) accepts the burden; but his daughter is brutally raped by the gangsters and commits suicide later. Nico is pressed by his superiors to drop the case but he invites his friend Pepe (Vincent Gardenia) to help him using illegal methods believing that the end justifies the means. There is a war between the criminals and the police with tragic consequences, and Nico is fired from the police department. Nico decides to join Luigi; Pepe; a marksman that saw his wife being raped and burned alive; the owner of a nightclub that should use brace for the rest of his life; and a felon that wants a passport and destroy the gang in a battle that becomes bloodshed between vigilantes and criminals.

"Il Grande Racket" is a great non-stop action movie, with a violent story of racket and revenge à la Charles Bronson and conclusion à la Spaghetti Western. Of course there are clichés and exaggeration in the situations and shootouts, but in the context they work perfectly well for fans of this genre. The dubbing in English is awful, as usual, and I do not understand why not keep the original language with English subtitles. My vote is eight.

Title (Brazil): Not Available

Guido and Maurizio De Angelis Soundtrack!

Notable actors: Fabio Testi! Renzo Palmer! Orso Maria Guierrini! Romano Puppo! Sal Borghese! Joshua Sinclair! Massimo Vanni! Stefania Girolami! Enzo G Castellari!

Enzo Castellari stands out in an overcrowded market by showing everyone how it should be done - a full on Poliziotesschi, brutal and action packed, but also delivered with that pure Castellari style. This is the ideal starting place for anyone because if you don't like this, the genre probably isn't for you.

A new breed of criminal are moving in on Rome's protection rackets. Fearless, violent and ambitious, they go from shop to shop in the Piazza Navona threatening the patroni but unaware that they are being tailed by cop Nico (Fabio Testi) and his sidekick Sal Borghese. Their smartly dressed boss Rudy (Joshua Sinclair) does notice, however, and the result is Testi having his car rolled off a cliff. With him inside it. Castellari of course introduces Rudy with a serious of quirky edits set to a drum beat and films Nico from inside the car in slow motion while he rolls about in a blizzard of glass. This is in the first ten minutes.

Basically this new gang have the populace terrified and Nico is struggling to find someone brave enough to come forward as a witness. One restaurant owner does (Renzo Palmer) and the result is his daughter getting kidnapped and raped by the gang. Palmer then becomes insane and starts killing any criminals he can get his hands on. This of course lands Nico in trouble with his boss.

A gang this ruthless make a lot of enemies and eventually it's from this pool of bereaved husbands, vengeful fathers, double-crossed gangsters and petty criminals that Nico has to gather a small army to take on the gang, resulting in a gun battle that isn't so much a shoot out as full on warfare that decimates the populace of Rome and leaves it a smoking ruin littered with corpses and burning cars.

There's a lot to recommend this one. Fabio Testi's frustration as the gang constantly wipe out anyone who stands up to them is something to behold. Massimo Vanni as the cocky gangster and his rape-happy mates stand out as they beat shopowners, incite riots and kill without thinking. Vincent Gardenia adds a bit of humanity as the old pickpocket who helps Testi and gets his nephew killed in the process.

Enzo does his usual tricks, from slow motion to unusual camera angles to quick edits, and you've got the usual funky soundtrack by Guido and Maurizio De Angelis. This is one of the best of 1976 and the genre, and although it's the only Eurocrime film Castellari made in 1976, he would also make Keoma the same year, and that's one of the best Spaghetti Westerns ever made. What a guy.

I must however point out that some moron who did the English dubbing decided to sanitise all the swearing, which marrs the film slightly. They all literally sound like Ned Flanders, talking about being in "deep diddly", or "that lousy basket" or "you mucker." Thankfully it doesn't ruin the film.

Along with Fernando DiLeo and Sergio Martino, Enzo Castellari is one of the Italian genre directors whose work has really been rehabilitated lately thanks to people like Quentin Tarantino. And, however, you feel personally about QT, it's hard to fault his tastes. Castellari, whose father (Marino Girolami) and uncle (Romolo Guerreri) were also respected Italian directors, made many films in many genres, including Westerns ("Any Gun Can Play"),gialli ("The Cold Eyes of Fear"), and horror flicks("Sensitiva"). His two most famous films were "The Last Shark", which never shown in the US because of an injunction brought by the makers of "Jaws", and "Inglorious Bastards", which Tarantino recently (and very loosely) remade. This movie is not one of his more famous, but it is definitely one of Castellari's best.

Fabio Testi plays a cop who is taking on a big, mafia-connected protection racket that is shaking down businesses all over Italy, and using disgruntled left-wing university students, including a tough female ( ) to do it. Frustrated by the limitations of the law, Testi eventually puts together a gang of victims of the racket including Vincent Gardenia, a small-time crook who lost his nephew to the gang, an Olympic champion skeet shooter who lost his wife, and perhaps most touching, a restaurant owner who went crazy after the gang raped his young daughter and she killed herself. Together they plan an improbable, but not entirely unbelievable, campaign to take down the entire racket.

This movie has a lot of the elements of a police thriller, but also of a rape-revenge/"Deathwish"-type movie. I wouldn't really call it "fascist" though because it really doesn't glorify violence (not too many people are left alive by the end of this). The protagonists, especially Testi's character, are flawed, three-dimensional, and vulnerable rather than being just a heroic super-cop types. And this has downbeat, noirish elements like some of the early American police thrillers of that period (i.e. "Dirty Harry", "The French Connection", "Deathwish"), but that were definitely lost by the happy-fascist Reagan era. These aren't self-righteous, fascist crime fighters, but decent people driven to extremes in a violent, decaying society. Of course, as an action movie this is still very entertaining, but the realistic violence and three-dimensional characters always keeps it from simply degenerating into another cop-worshipping cartoon. Recommended.

While not the bloodiest film per-say, this is easily one of the most violent, as in most death/action vs. running time ratio of any crime movie I've seen in recent memory. On top of that, it's got a good multilayered story of several men disenfranchised by a protection mob, who all team up to take out the trash in one massive vigilante-style raid. Most are very good characters too, especially Orso Maria Guerrini who goes from an average Joe skeetshooter to a silent assassin once the thugs rape and murder his wife. Renzo Palmer's transition is a little less subtle, and his vengeful character gets a little irritating. Vincent Gardenia is good as a very suave pickpocket and wise-guy, while Testi is his usual pretty-boy self who of course looks so handsome that in some shots he looks more like an Anime cartoon character than an actual human.

Despite the bad profanity-censored English dubbing (which substitutes 'basket' for 'bastard', 'dung' for the S-word etc.), this is otherwise a solid film. Before John Woo, this was as stylish and as violent as action movies got. There's at least 3 major shootouts, two of which are real standouts, and all of which have their fair share of amazing shots. For instance when Fabio Testi kills the thug who kills his partner – a slow motion shot of the thug flailing around in the foreground and Testi in the background shooting at him – you can see each exit wound corresponding to Testi's gunfire. Another amazing shot is film from inside Testi's car as it rolls down a hillside (complete with Testi inside trying to shield his eyes from the flying window-glass). Castellari demonstrates a solid eye for detail and is an expert at transitions – plenty of slow motion too. Big Racket also features some surprisingly good dialog in the case of most of the thug's threats, and then again near the end when the evil crime boss rants and raves about how to run a protection mob (and then turns out to be a total coward when guns are pointed at him).

An excellent comic book crime/action movie – let's hope that promised uncut DVD comes out soon in the US.

A script doesn't necessarily have to be realistic to be good. In my opinion, all it needs its to make sense, to be credible within itself. This movie has it all and its very fast paced. It is a very good attempt to expand the perspective of the action movies back then, and I consider it, along with "Perros Callejeros 1 and 2" the best european action movies of the 70s, the background for much of the filmmaking that we see today as "new", and a great spectacle. The enchant of these movies is that, even though some special effects are not credible at all (some of the shot wounds don't bleed at all), those that do required cars to be burnt and some stunts to expose themselves are better than those the new computarized hollywood movies have.It doesnt make you feel like you are watching cartoons. I admit that the beauty of movies is fantasy. But when i compare this movie to any action movie from hollywood, I come to the conclusion that fantasy doesn't necessarily have to please anybodies wishes nor to be custom made for a certain public, but to show different prespectives than those that public has.

the only problem...Real hard to find