Upon attempting to divulge a diabolical plot of the futuristic theme park, Futureworld, an ex-employee is dispatched after he tips off the reporter who exposed Westworld. The reporter and hi... Read allUpon attempting to divulge a diabolical plot of the futuristic theme park, Futureworld, an ex-employee is dispatched after he tips off the reporter who exposed Westworld. The reporter and his ex-co-reporter investigate the situation.Upon attempting to divulge a diabolical plot of the futuristic theme park, Futureworld, an ex-employee is dispatched after he tips off the reporter who exposed Westworld. The reporter and his ex-co-reporter investigate the situation.
- Awards
- 1 win & 3 nominations total
- Dr. Schneider
- (as John Ryan)
- Director
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Peter Fonda was acceptable, but Blythe Danner's scratchy voice begins to grate on your nerves after a while. Yul Brynner does show up briefly, but in a contrived appearance.
This movies is mainly notable as one of the very first to use computer animation, albeit on a scale that seems laughable compared to today's movies. Worthwhile to see on cable, but don't go out of your way.
The problem this movie faces is that Westworld (1973) was just so good and, a bit like Planet Of The Apes (1968), the story begins and ends in one film. Making a sequel to this sort of material is a struggle. Perhaps they should have stopped after one movie?
The other reviewers have pointed out what is wrong with Future World so I will point out what is right with it. There is an oddly touching goodbye scene between a less important park worker and his defective faceless robot pal. This scene and a few other moments make Future World worth watching.
*** (out of 4)
Sequel to WESTWORLD picks up a couple years after the events in that film as Delos plans on opening Futureworld. A pair of reporters (Peter Fonda, Blythe Danner) are invited into the new theme park but soon they discover that the owners have plans to replace various government officials with lookalikes. FUTUREWORLD doesn't quite reach the levels of the first film but I really give the filmmakers credit for doing something different with the story instead of just delivering a rehash of the first film. With that said, I think the film takes way too long for this story to take place as it really doesn't start to happen until around the 70-minute mark or so and so much of that early running time has us sitting there just waiting for something to eventually take off. It seems that the first half of the film spends a bit too much time with the reporters looking at how good everything in the place is and it just takes too long to get going. I will say that many of the early scenes in the picture are extremely good and especially the stuff dealing with people using the theme park. The jokes about robots that can handle sex were good and I thought there was some other nice humor as well. The performances were also really good with both Fonda and Danner turning in nice work and having some good chemistry together. Yul Brynner is basically here as a cameo but it was still nice seeing the gunslinger again. FUTUREWORLD runs a tad bit too long but the special effects are good and there are several good ideas throughout it.
The film gets stimulating in parts , action , chilling twists , thriller , suspense and results to be quite entertaining . It's made big scale and lavish budget but in a serial style of the thirties or forties . Climatic pursuit throughout the corridors of Delos is chillingly mounted and the starring is suddenly confronted samurais and robots , including footage shot at a spacial plant where is displayed dazzling and impressive scenarios . Peter Fonda is perfect as an intelligent and dashing journalist who does jokes with his partner Blythe Danner . Special cameo by Yul Brynner in his final film , he is frightening as the cold android gunfighter who inexorably pursues to Blythe Danner although in dreams but he was killed in the previous film . Director Richard T. Heffron has made an entirely believable scenario which creates the whole images seem admirably exciting , being first live-action movie to use computer-generated 3D imagery . A television series followed in 1980 titled ¨Beyond Westworld¨. Rating : 6 . Acceptable and passable .
Having enjoyed the Jurassic Park rehearsal that was Westworld, I tuned in to this sequel hoping for, at very least, more of same stuff with a clever new slant on it. In defence of the film it does try to do something with the plot and widens it out into a bigger, potentially better conspiracy story but for some reason it fails to really engage. The first half of the film drags like a chain smoker and it seems happy to just bang out sequences that we are supposed to go 'wow' at simply because they involve special effects or robots. This is a terrible first hour because the special effects at best are superimposed men painted red and green to look like holographic chess pieces and, at worst a laughable moment where people sky down the red dust on Mars on rather, they ski down a normal mountain but the whole scene is shot through a red filter! That is not a special effect and even in 1976 I doubt that these 'effects' were enough to stop audiences from getting bored in the first half of the movie.
The second half is a marked improvement but, by then, a lot of damage had been done and a flurry of action and conspiracy was not quite enough to make it a good film. It does have some good scenes but, ironically enough, these feature between the duplicated characters rather than being the effect shots that the producers were clearly banking on being the business side of the film. However, the extent of the threat is never translated to the film and the ending is terrible far too muted to have even the faintest relation to the plot we were being sold just a few minutes before. The film only once or twice has even vague tension and certainly nowhere near the degree that the plot demanded.
The cast are also hamstrung by the material. Fonda looks bemused the whole time and it looks likely that nobody told him what was happening in the film he certainly doesn't look like a man who has just uncovered an evil conspiracy! Danner is also as shapeless and dipsy and she didn't make me care one bit about her. The support cast try hard to look 'evil' and 'conspiratorial' but really they are not given the tools to do the job and just end up scowling! A cameo from Yul Brynner just seems to be totally pointless and resulting in his entire scene just being stupid.
Overall this is a very poor sequel. It tries to repeat the formula from the first film while opening it out into its own plot but it fails in a big way.
The first hour is empty, unspectacular that was meant to be spectacle but wasn't and a second half that has a potentially good plot which is just wasted by a delivery that is so lacking in excitement and tension that you'd think there was no conspiracy or danger whatsoever! Stick to the original.
Did you know
- TriviaThe tram to Futureworld is the tunnel train at Houston Intercontinental Airport (IAH), now George Bush Intercontinental Airport, in Houston, TX.
- Goofs(at around 6 mins) Near the beginning of the film, Mr. Duffy recounts the sequence of events of the Westworld incident. His presentation does not match the events of the previous film. Specifically, the Gunslinger was not the first robot to kill a guest.
- Quotes
Chuck Browning: It's a 400; it's programmed not to stop us.
Tracy Ballard: Are you sure?
Chuck Browning: No.
- Alternate versionsFor its initial television broadcast, an alternate version of the scene towards the end where Chuck Browning extends his middle finger to Dr. Schneider was shot. Instead of extending his middle finger, Browning performs a sanitized "Italian elbow gesture", where the right hand is placed in the elbow crook of the left arm, then the left arm is raised (fist clenched) in a smooth and continuous motion.
- ConnectionsFeatured in The Pixar Story (2007)
- How long is Futureworld?Powered by Alexa
Details
Box office
- Budget
- $2,500,000 (estimated)
- Runtime1 hour 48 minutes
- Sound mix
- Aspect ratio
- 1.85 : 1