Les rescapés du futur

As "Futureworld" opens, the Delos Corporation is determined to make up for all of the bad publicity they received when the robots of their Westworld environment malfunctioned. They invite several dignitaries, as well as reporters Chuck (Peter Fonda) and Tracy (Blythe Danner), convinced that they've eliminated the bugs in their program. Well, Chuck is suspicious from the start, even more so when he makes contact with a former Delos employee who wanted to spill some vital information. So when he arrives at Delos's vacation resort, he does a lot of snooping around before finding out that there's a nefarious plan being hatched by resort employees. As one can see from this synopsis, this sequel is more in the conspiracy thriller vein than the action movie vein. The summary in the Leonard Maltin paperback is quite accurate when it says "short on action, but intelligently done". It's an interesting plot, to be sure, not developing in the way one might expect it to. The pacing is deliberate, and things never really build to a fever pitch, which could disappoint those viewers hoping for a more exciting experience. It also reduces the memorable character of the robot Gunslinger (Yul Brynner briefly reprises the role) to an afterthought; it's truly disappointing to see it reduced to starring in a dream sequence. Still, this is pretty entertaining stuff that benefits from very good performances. Fonda and Danner are both appealing as always, generating some good chemistry. (One amusing touch is having Chuck always address Tracy as "Socks"!) The excellent supporting cast includes Arthur Hill as Delos employee Duffy, John P. Ryan as stiff and humourless scientist Dr. Schneider, Jim Antonio as upbeat guest Ron Thurlow, and the highly engaging Stuart Margolin as blue collar worker Harry, with bit parts played by the likes of Robert Cornthwaite, Darrell Larson, John Fujioka, and 'Password' host Allen Ludden. The film also has a good look going for it thanks to art director Trevor Williams and cinematographers Gene Polito and Howard Schwartz; the rousing music is courtesy of Fred Karlin. All in all, "Futureworld" isn't going to appeal to people who love a fast pace and major set pieces, but those looking for a more low key sci-fi flick just might want to give it a look. Seven out of 10.

Futureworld (1976)

*** (out of 4)

Sequel to WESTWORLD picks up a couple years after the events in that film as Delos plans on opening Futureworld. A pair of reporters (Peter Fonda, Blythe Danner) are invited into the new theme park but soon they discover that the owners have plans to replace various government officials with lookalikes. FUTUREWORLD doesn't quite reach the levels of the first film but I really give the filmmakers credit for doing something different with the story instead of just delivering a rehash of the first film. With that said, I think the film takes way too long for this story to take place as it really doesn't start to happen until around the 70-minute mark or so and so much of that early running time has us sitting there just waiting for something to eventually take off. It seems that the first half of the film spends a bit too much time with the reporters looking at how good everything in the place is and it just takes too long to get going. I will say that many of the early scenes in the picture are extremely good and especially the stuff dealing with people using the theme park. The jokes about robots that can handle sex were good and I thought there was some other nice humor as well. The performances were also really good with both Fonda and Danner turning in nice work and having some good chemistry together. Yul Brynner is basically here as a cameo but it was still nice seeing the gunslinger again. FUTUREWORLD runs a tad bit too long but the special effects are good and there are several good ideas throughout it.

Futureworld is the sequel to 1973's Westworld. It differed from the first movie in that while Westworld could be genuinely scary, with the gunslinger marching down on everyone, (Almost like an early seventies Terminator) this movie is more like a detetctive story, as Peter Fonda and Blythe Danner try to figure out what sinister things are going on in Futureworld.

Peter Fonda was acceptable, but Blythe Danner's scratchy voice begins to grate on your nerves after a while. Yul Brynner does show up briefly, but in a contrived appearance.

This movies is mainly notable as one of the very first to use computer animation, albeit on a scale that seems laughable compared to today's movies. Worthwhile to see on cable, but don't go out of your way.

Sci-fi thriller set in a park filled with robots.

The problem this movie faces is that Westworld (1973) was just so good and, a bit like Planet Of The Apes (1968), the story begins and ends in one film. Making a sequel to this sort of material is a struggle. Perhaps they should have stopped after one movie?

The other reviewers have pointed out what is wrong with Future World so I will point out what is right with it. There is an oddly touching goodbye scene between a less important park worker and his defective faceless robot pal. This scene and a few other moments make Future World worth watching.

Let's not forget, this was produced in 1976. Elaborate sets and respectable special effects! I urge anyone to take another look. Some of the earliest 3D computer generated renderings I've seen in film. Story wasn't bad and neither was the acting. Decent action and I appreciated the musical scoring as well. Forgotten gem from my humble perspective.