Embryo

Okay, I'll admit it--you need to suspend disbelief on this one--A LOT of disbelief! But, you have to do this all the time in movies so stretching this just a bit further might enable you to enjoy this film. I know that I went in with very low expectations after reading the IMDb reviews, but it turned out to be a decent little movie about yet another doctor who wanted to play God.

The film begins with a doctor (Rock Hudson) hitting a dog. He takes the pooch home and tries to save it, but he's unsuccessful. But here's the weird part--using some special serum he'd been working on, he injects the dog's surviving puppies to try to save it. That's because the puppy is WAY too young to survive. Speeding up its growth at an astronomical rate enabled the puppy to grow many weeks in a matter of hours and it survives.

A short time later, the doctor decides to play God with a human. Taking a recently dead pregnant woman, he's able to remove the small fetus and grow it in his lab at an even faster rate. The problem is that for some time he cannot stop its fast growth and the fetus ends up becoming a full-grown woman by the time he's arrested the fast growth. At first, things seem great as the woman is a sort of super-woman--with amazing learning skills and intelligence and the ability to be well-coiffed despite being raised in a lab. Plus, and here's the best part, it turns out to be an amazingly HOT young lady (Barbara Carrera). What's next? Well, I'd say more but don't want to spoil the plot. Suffice to say that the lady's moral reasoning abilities are at times VERY suspect...yet hot! Despite the prologue that makes it sound as if this technology is possible, it certainly is not! But, it did make for an interesting film with a few nice surprises (such as at the very end). A word of note--you WILL see a lot of Miss Carrera in this one, so perhaps it's best not shown to your small children or mother!

I think this movie was WAY ahead of it's time. Very few people were aware of the scientific manipulations that could be done for development of new life.

Also it doesn't hurt that the leading actors are absolutely gorgeous. Barbara Carrera has nude scenes that even a woman can appreciate. What a goddess!

If you like sci-fi from olden times that mimics the life we are living now, you'll love this one.

That said, I agree with the other reviewer who noted that it was absolutely ridiculous to put in the scene about the natural language query to a computer that came back with a good answer. I worked with mainframes in 1976, and we were still feeding trays of punch cards into readers to run programs. CRT's were still command line interfaces.

There are a bunch of hater's for this movie for resistance to scientists assuming the role of gods.

I happen to be a Monsanto HATER, ABHORER, LOATHER, DESPISER!

Did ya'll know they "own," legally, but NOT morally IMO, a terminator gene, that renders their seeds unable to reproduce? Imagine if that gene got loose and started mutating flora and fauna. That could be the absolute end of life on our planet. Fortunately, our government, stupid and clueless as it is, has so far denied Monsanto the ability to deploy such a dangerous assault against us.

Watch "Bitter Harvest" with Ron Howard to see some of the corporate antics this toxic multinational corporation gets up to: contaminating (getting loose on) neighboring farms with their genetically modified seeds and pollen, then suing them for stealing their patented stuff. They get away with it, and have put many hard-working people out of business and off their land.

"Embryo" has a touch of "Bride of Frankenstein" plus a pinch of "Lost Horizon", but all in all, I still find it a guilty pleasure.

Dr Paul Hollistan (Rock Hudson) is a genetic scientist who uses experimental growth hormones to speed up the growth of embryos. He has success with a dog, which becomes fully grown in no time at all. He then tries his luck on a human embryo and within a few days has produced a stunning Barbara Carrera. Not bad for his first human. He names her Victoria and sets out to educate her, finding that she absorbs information at a furious pace.

Of course, as devotees of horror/sci-fi well know, these kinds of experiments always have a catch and the growth hormone continues to accelerate Victoria's growth well past the hottie stage into old age; there are tears and screams before the final fade out.

The film has suspense: we wait to see people's reactions when Victoria explores her world and surprises them with her superior intelligence. The film starts stronger than it finishes, it has some interesting bits of pseudo science at the beginning with even a reference to DNA long before the acronym tended to pop up in every second sentence.

The presence of Rock Hudson gave the film a lift. The director, Ralph Nelson, had some big ones under his belt by this stage, and the film is many notches above the standard of many of the science fiction/horror movies that were around at the time.

I think Rock gave it some of the same juice he gave "Seconds" 10 years before; he ends up railing against fate at the end of both. "Embryo" was in that period between his big hits of the 50's and 60's, and before his career had a revival of sorts on television. However he was always watchable and had charisma to spare.

Barbara Carrera is captivating. She played a lot of femme fatales in her time, but that's fair enough; along with a sexy accent, she had a sensuous look that could easily cause turbulence amongst the male population. She works well with Rock, although she looks tiny alongside him despite the fact she was 5'8" (according to IMDb); he sure was a big dude.

"Embryo" is still worth a look even though there have been many variations on the theme over the decades, it doesn't outstay its welcome and the stars make it worth the effort.

This film has aged as gracefully as Mickey Rourke. The special effects are hilariously bad, the lab equipment belongs in a museum and the plot is dubious to say the least. And yet, these are the very things that make "Embryo" such entertaining viewing.

I think it's only fair to judge special effects in old movies by the technology available to the filmmakers at the time. However, even by 1970s standards, the special effects in this film are remarkably unconvincing. The obvious use of dolls for babies, the fluffy toy that doubles for a dog and the mesmerising plastic canine foetus are all memorable. Personally, I find these kind of effects utterly charming. They inject humour into the film (albeit unintentionally) and due to their lack of authenticity, make the subject matter of experimenting on foetuses more palatable.

Technology junkies will love the bus sized computers and pre-historic lab equipment. The film's heartening lack of moralising is almost as much of its time as the outdated hardware. I hate to think how preachy this film would be if it were made today.

This film is a bizarre and amusing time capsule of 1970s technology and morality. See it, if only for the bewildering dog foetus.

Rock Hudson plays a widowed scientist who runs down a pregnant dog whilst driving in a storm. He manages to save the unborn dog by messing with its genes, and decides that if he can do it with dogs, he can do it with humans. He steals a foetus from the local hospital, and uses it to create a female child. Amazingly, the child grows an incredible rate, and is a near-genius, very beautiful woman within a couple of months. Then, Franken-daddy makes his big mistake... he falls in love with his own creation, and gets her pregnant!

The modern elements of The Bride of Frankenstein sit nicely in this disturbing update. Hudson is OK as the scientist, and Carrera as the female he builds is pretty believable. Roddy McDowall has a funny guest appearance as a chess whiz who gets thrashed at his favourite game by the super-intelligent Carrera.

What I dislike about this movie is that as it goes on, it starts to go for cheap shocks and unpersuasive horror touches, rather than maintaining the accent on the science fiction side of the story. It veers off track and ends up like any old exploitation horror flick of the 60s and 70s. If they could have just stuck by the science fiction, then this would have been a top class film. As it is, it's no better than average. Pity, really!