Le Crocodile de la mort

Eaten Alive is a truly bizarre film with an almost nightmarish quality to it. I can't say I particularly loved it, because the lack of lighting often makes it hard to see what is happening. Yet at the same time, the lack of lighting also adds to the murky atmosphere. The motel owners performance is slightly over the top and annoyed me a bit, although he does play his part very well. There are some tense and disturbing moments such as when he's chasing the two women, which are excellently done. However the claustrophobic feel of the film got a little boring in parts and made it slightly hard to follow.

Overall, if you like your horror films creepy and bizarre, then this is for you. It has a similar grainy feel to The Texas Chainsaw Massacre, so if you loved that then this will be right up your street.

Well, if you saw The Texas Chainsaw Massacre and were impressed with director Tobe Hooper, your next move might be to view his second film Eaten Alive. I searched all over for a print and finally was lucky enough to find one and see this somewhat forgotten picture. One reason for its seemingly firm place in the ranks of oblivion is its numerous title changes. Notwithstanding all this I found the film and watched it. The film is interesting, bizarre, unbelievable, and disturbing. The setting is just a trifle too unimaginative to be taken for real as is the central character of Judd (for the most part deftly played by Neville Brand). The plot too seems to be making its viewers accept too much for granted without really giving any knowledge of why Judd is the way he is, etc... Despite these shortcomings, the film has some of the truly most horrific scenes filmed. The scene in which Judd tries in vain to goad a young girl from under his hotel out is sheer terror. Other scenes in which he dispatches some of the hotel guests are equally effective. The film has a lot more going for it than its oblivious nature would suggest. It has fine performances, an eerier setting and score, and the taught, tuned terror Tobe Hooper realized in his first great film.

Toby Hooper's follow up to his classic Texas Chainsaw Massacre (1974) was this atmospherically bizarre horror oddity.

Deep in the swamps, a crazed hotel owner is keeping a monster crocodile in his yard and occasionally feeding offensive people to it!

As with Texas Chainsaw Hooper gives this film lots of spooky atmosphere, but he really puts it into over-drive with Eaten Alive. The story is a bit disturbing and far more gruesome than Texas Chainsaw. The characters that parade through this film range from back-woods yokels to warped weirdos! Hooper gives the whole movie a kind of garish and bleak style that adds all the more to its off-beat weirdness.

The cast is good, Neville Brand makes for an especially convincing madman. Horror fans will see lots of familiar faces in the cast - Marilyn Burns (Texas Chainsaw Massacre), William Finley (Sisters), Robert Englund (Elm Street movies), Janus Blythe (The Hills Have Eyes), and young Kyle Richards (Halloween).

While Eaten Alive doesn't reach the nightmarish heights of some of Hoopers other films, it is a good B horror picture. For those looking for a twisted horror film it will more than suffice!

*** out of ****

`The Texas Chainsaw Massacre' (of course) and `Death Trap' (less obvious already) are the only two films Tobe Hooper should be really remembered for as a horror director. They both are raw and chilling explorations of the angry rural America. The location of this film looks like a giant swampy area, homed by underdeveloped perverted rednecks and other freaks of society. Neville Brand terrifically portrays Judd, the isolated owner of the Starlight Hotel. Judd suffers a bit from the incapability to communicate with people and the guests at his hotel are doomed to die as soon as they enter his facility. He also has a pet crocodile swimming underneath the porch of his hotel, which is a pretty convenient method to get rid of human leftovers… A poor, rejected prostitute is the first to undergo Judd's murderous rituals. Her relatives soon come to search for her and are doomed as well. In the meantime, the croc feeds on some more unfortunate by passers. Although I regard this as Hooper's second best film, it doesn't come close to the power of TCM…Which kind of gives you an idea of how great I think TCM was! The settings and photography of Horror Hotel (one of the film's a.k.a's) look nasty and utterly cheap. Just as it did in TCM, this actually increases the macabre atmosphere and you constantly feel something wicked is about to happen. The characters – although pretty imaginative – aren't as convincing as the Sawyer family but they too seem to come running straight out of a freakshow as well! There's Judd of course, but also a very memorable Robert Englund who plays a retarded yokel with an obsession for anal sex. The scream-queen prototype Marilyn Burns returns as well before disappearing into actress-oblivion forever. The crocodile as well as most other horror scenery looks really cheap, but to me, this only increases the trash-fun value of this film. Highly recommended viewing as far as I'm concerned.

I love EATEN ALIVE.

The film is bizarre: bizarre colors, bizarre sets, bizarre characters, bizarre music, bizarre dialogue, bizarre editing, bizarre camera angles, etc. This film simply reeks of insanity, which is what Hooper is great at. The atmosphere is really creepy and the film is one of a kind. Though it's not as scary as TEXAS CHAINSAW MASSACRE, it is disturbing and has some difficult to watch death scenes, even if you catch yourself laughing at the wonkiness of it all. Today, many films are lauded for having so-called "twisted" or "eccentric" artistic expressions (see David Lynch's films) but Hooper created these kind of films before they were respectable.

BTW, Neville Brand gives one of the weirdest performances ever put on film.