Jack l'Éventreur

Although this movie is completely historically inaccurate as far as Jack the Ripper goes, it's surprisingly well made for a Franco movie. It's one of the few horror movies, however, that could actually benefit from some more cuts as the gore sequences, besides being nasty and misogynistic, are also just plain stupid and inept. The sequence with Kinski and a young Lina Romay (Mrs. Jesus Franco, for the uninitiated)is one Franco's best and one of Romay's best performances (especially considering she has her clothes on for most of it), but it is almost ruined in the end by an extremely gruesome and completely pointless bit of gore. Still, this is one of the few Franco films that has a more or less coherent plot to go with the occasionally impressive visuals. It definitely won't please the "Ripperologists", but it's worth a look, especially if you like Franco, Romay, or Kinski.

A serial killer (Klaus Kinski) whose mother was a prostitute starts killing streetwalkers as a way of paying back his mother for her abuse.

How do we know this is a Jess Franco movie? Because it has a character named Dr. Orloff and features his muse, Lina Romay. Beyond that, I have not quite figured out what his directing trademarks are... his films range from decent to abysmal, so it is hard to pinpoint a running theme.

This happens to be one of the better ones. The copy I watched was taken from a terrible print and the dubbing is awful, but the overall mood and atmosphere is good, and the effects are above average (the eye is nasty, some of the gore is a bit gross). Maybe the one from Image Entertainment is better...

German/Switzerland/Spain co-production dealing with a serial killer -Jack the Ripper- in London executing his some grisly killings and starred by Klaus Kinski giving overacting , in a really psychotic interpretation , as he knows the schizoid territory thanks to his other usual performances . Murders committed by Jack the Ripper terrorize Whitechapel neighborhood . He's a respected pysician by day , and a murderer at night . As a doctor is as a tenant at a house owns a landlady but by night he becomes Jack the Ripper . Kinski stars a man who checks into a boardinghouse and becomes the object of scrutiny when a series of murders plague the area . As in the Whitechapel slum , a hulking figure prowls in the obscurity , a woman's screams , while the camera stares blindly into a music hall . Jack is out of control , as he transforms into the ominous killer dismembering London prostitutes by night . He searches for his prey in the London streets , as prostitutes at night and eventually at a brothel until the local Inspector's girlfriend (Josephine Chaplin) goes undercover to catch him . Close your eyes and whisper his name... Probing eyes that marked the woman he loved for death! The Story of Jack the Ripper . Psycho is over the edge !. Pyschopatic, pure evil, perverted!.Terror...To freeze Your Heart ! Romance ...To Warm it! Fascinating beauty ...that marked her for Death ¡

This is a moving and horrific story about astonishing oddly murders in Whitechapel whose elusive killer results to be the famous Jack the Ripper. Grim and scary film with chills , thrills , sleaziness , ugly scenes, nudism and lots of blood and gore . Peculiar thriller remains as a special piece on surprises , showcasing the unique visual , zooms and ordinary stylistic tricks that would mark Jess Frank 's work . Resulting to be a tense film about murders with chills , suspense , gory scenes and an amazing final . This intriguing and thrilling story based on a script by prestigious Jean Claude Carriere , though uncredited , and Jess Frank himself . One of the outlandish evocations of this strange Spanish director , this time in the fogbound London of Jack the Ripper . Kinski gives a creepy , remarkable portrayal of perverted sexuality and a psychologically unstable man. . Along with Kinski here appear some familiar faces as Josephine Chaplin, Charles Chaplin's daugher , Herbert Fux , and of course , Lina Romay .This is one of the rate movies in which everything pulls together to create a weirdly compulsive atmosphere with plenty of fog , darkness , lights and shades , well shown on the photography . The production design is acceptable and passable interpretations , but the film is neither for squeamish people , nor for the easily queazy . There are also available several and unrated versions . The motion picture was professionally directed by prolific Jesus Franco, though it has some zooms , flaws , gaps and failures . In many of the more than 200 films he's directed he has also worked as composer, writer, cinematographer and editor. His first was "We Are 18 Years Old" and the second picture was ¨Gritos en la Noche¨ (1962) , the best of all them , also titled "The Awful Dr. Orlof" , it's followed by various sequels such as El Secreto del Dr. Orloff (1964) aka "The Mistresses of Dr. Jekyll" , " Orloff y el hombre invisible (1970) aka "Dr. Orloff's Invisible Monster" and finally "Faceless" (1987) . He also directed to the great Christopher Lee in 4 films : "The Bloody Judge" , ¨Count Dracula¨, ¨The Blood of Fu Manchu¨ and ¨The castle of Fu Manchu¨ . Jesús's influence has been notable all over Europe .

The Jack the Ripper character has been adapted on several occasions for cinema and television from the silent as ¨Pandora's box (1929) ¨ , multiple versions of ¨Lulu¨ a prostitute killed by Jack , ¨Murder by Decree¨ (1979) by Bob Clark with Christopher Plummer, James Mason , Anthony Quayle , John Gielgud , Susan Clark ; ¨Edge of Sanity¨by Gerard Kikoine with Anthony Perkins , Glynis Barber , Claudia Udy ; ¨From hell (2001)¨ by Albert Hughes with Johnny Depp , Heather Graham , Ian Holm and for TV in which appears as character in numerous series as ¨Jack the Ripper (1988)¨ played by Ray McNally and recently in ¨Sanctuary ¨ played by Christopher Heyerdahl , ¨The Lodger¨2009 by David Ondaatje with Simon Baker , Alfred Molina , Hope Davis , and several others .

In several respects, this movie seems to be a little untypical for a Franco movie. Since Franco proposed the subject himself, the film seems to be a rather personal project. Nevertheless, it is one of his most conventional movies. One could say that it is a rather tame slasher movie.

Sexual perversion is still a subject, but in "Jack the Ripper" it is confined to the madmen and is not the general background. There is also some gore which - at least on some occasions - would have better been left out.

What is equally untypical for a Franco movie are the production values. One can see that Franco worked on a higher budget. The film plays most of the time during the night, and the night photography is carried out in an excellent way. The scene when Lina Romay is killed in a foggy park is certainly one of the best Franco has ever filmed. A funny fact here is that apart from a few exteriors (like Big Ben), all the movie was shot in Zuerich Switzerland. It is much fun to see how Franco has transformed this into London (especially if you know the places in Zuerich Franco used). The interiors are also nice and colourful, and this is complemented by the costumes. Finally, the great plus of the movie is that is has Klaus Kinsky in it. Kinsky was one of the few actors who could create a certain ambiance by their mere presence. Of course, Kinsky's acting is also very subtle. Especially, his transformations from philanthrop into madman and back.

The only thing which spoiled my viewing of "Jack the Ripper" a bit where some stupid beginner's mistakes by Franco. The two most obvious ones are: 1) Klaus Kinsky standing at the wrong side of the car when he "meets" the inspector's girl friend; 2) When Lina Romay is killed, the puppet used for the (cheap looking) gore effect is lit in a completely false color (maybe this is the producer's fault who might have insisted on including some gore). One less obvious mistake occurs at the beginning: The first hooker which is killed walks (on her way home!) back half the way she came.

All in all, "Jack the Ripper" is an atmospheric, unpretentious, and well directed slasher movie with a formidable Klaus Kinsky as the madman.

One of the remarkable elements about this improbably interesting, intelligent and engaging fictionalization of the Jack the Ripper story is the fact that the amazing Klaus Kinski is not the only reason the film held my interest. Basically, this is a rather graphic horror film with a lot of perverse sexuality (all of which is too disturbing to be interesting from any prurient perspective). Yet this is not Jesus Franco's standard garbage, but rather an interesting Freudian interpretation of Jack the Ripper, which deviates far enough from the actual historical facts to allow for a few surprises along the way.

The cinematography is generally good. The editing and pace are decidedly unamerican, and will turn off mainstream audiences. the film proceeds at a steady pace, but features dialog which is more oriented toward driving the plot than elaborating the characters. The cast is pretty uneven, but strong support comes from Menkopff, Chaplin and Fux. Kinski's role, though not much of a challenge for him, is interpreted with the great actor's usual intensity. The sets, though not particularly London, and a tad anachronistic at times, are detailed and enjoyable in their own right.

What the film does successfully - and again, it's not all Kinski - is to create a tense and disturbing atmosphere, punctuated with occasionally graphic scenes of sexual and bloody violence. Along the way, the director presents an interpretation of Jack the Ripper which is straight out of Freudian pop psychology. The effect is powerful, and the film is memorable. Perhaps Franco's best work, though I've not seen them all (for good reason!)