L'oiseau bleu

The Blue Bird (1976)

** (out of 4)

George Cukor directed this USSR/USA co-production of the classic story about two children who set out to find the Blue Bird of Happiness. The all-star cast includes Elizabeth Taylor in four roles including the Mother, Witch and Queen of Light, Jane Fonda as The Night, Cicely Tyson as Tylette and Ava Gardner as Luxery. THE BLUE BIRD has been filmed countless times over the years and this one here has the reputation as being one of the worst. It's strange to see all the talent that is wasted here but at the same time I think fans of the weird and surreal will probably want to check this out and they might get a few kicks out of it. This version here is completely weird from the opening scene to the last but I think this here is what keeps it entertaining. For the most part the performances range from poor to average but with a cast like this you expect much better. Taylor seems out of place in all four of her roles but I will admit that I got a kick out of her playing the witch. Fonda seems like she's caught up in a bad dream as she never feels in place. Gardner is wasted in her small role as is Robert Morley. Poor Tyson comes off the worst with a rather embarrassing performance. I'd say that the majority of the visuals are quite nice and we're given some good cinematography but all of this is pretty much wasted since the story never fully takes off. The dance sequences really don't add anything either and in the end this here is just a strange mix of fantasy and drama.

On a level of polished film making, this is possibly one of the shoddiest big-budget films ever made, but for viewers with the right (admittedly warped) perspective, it's terrifically entertaining. Most bad movies are merely ineptly made and therefore boring. But this film reaches such a surreal level of ineptitude that the viewer can only wonder, "What did I just watch? Was that a movie or was I hallucinating?" The script here is so disjointed and bizarre, it gave me the impression of what Ed Wood might have done if he had tried to make a children's film and had access to real stars. The plot is indescribable, so I won't try. Some golden moments are Will Geer and Mona Washbourne as the children's grandparents singing a song about how boring it is to be dead; Robert Morley decked out as Father Time in a slightly morbid Land of Unborn children; and my favorite, Ava Gardener in the Palace of Luxury, pointing out to the young boy all the luxuries (all grotesquely personified): the luxury of eating when not hungry, the luxury of loving one's own looks, etc. When the kid asks Ava, "Which luxury are you?" she leers at him and says, "You'll find out about me when you get a bit older."

I saw this film when it was first released. The ad campaign had made it sound like a charming children's fantasy, and the fact that it was filmed in the USSR brought out all the liberal parents and their kids. By the end of the screening, the theatre was empty except for my friends and me, rolling in the aisles with laughter. So, if you like inexplicable bad movies, the ones that make you wonder just what in the world the filmmakers thought they were doing, don't miss "The Blue Bird".

I watched this last night, taped it off a TCM showing. This film is a lot better than reviewers said. I'd say it's a must-see for Elizabeth Taylor fans. She obviously enjoyed her roles. Patsy Kensit is simply adorable in this. The film has deep, yet surreally portrayed concepts involving life and death, sin and love. Certainly perfect for young children with a strong moral philosophy. The story is fantasy, some sets are better than others, it's all very colorful and has an early 19th century feel. If you are a student of set construction, choreography, ballet in film, or escapes to alternate realities, you will enjoy this perhaps more than you think you should.

When my son was approximately 7-8 years old, he loved watching this movie. At that time he was really into watching the Saturday afternoon monster movies, Ultra man etc. My daughters watched it a couple of years later and they both loved it too. Elizabeth Taylor is beautiful, but the storyline was nice too. Actually anything that held my son's attention had to be really good. As an adult, I watched it with the kids a couple of times and then that was enough for me, so I think it is really for the kids. I'd like to get a DVD of this movie because now I have two granddaughters. The four and half year old would really enjoy it. It would probably be another year before my other grandchild would sit still to watch it. I recommend this story for children, if you let them watch make believe and magical movies.

In childhood, I adored it. Seeing it after serious decades, the emotion was the same. The memories were only small crumbs. The larger - impressive presence of Ava Gardner. Today, the freshness of old play by Maurice Maeterlinck redivivus. The acting, the cast, the development of familiar story, the children, the balet moments. And, sure,the Soviet - American coproduction , în direction of George Cuckor. In short, just lovely, especialy for not so young public, a fantaisy respecting the play spirit and a seductive rediscover of a Hollywood age. Superior to version from 1940, în competition with seductive version of 1918, the nostalgia remains its basic gift.