Centre Terre : 7ᵉ Continent

Hi! I'm Doug McClure. You may remember me from such other cheesy adaptations of Edgar Rice Burroughs works as, The Land that Time Forgot and The People that Time Forgot.

This movie is hysterical. Even allowing when it was made, the monsters are just bad, bad, bad, bad, bad! All rubber suited things with people inside. There's even a fire-breathing beastie, but don't look at it's mouth too close or you'll see the flame-thrower nozzle poking out. Couple that with Peter Cushing's wonderfully useless "old professor" routine and Doug's stoic hero performance and you'll laugh the whole way through. Carolyn Monroe plays Dougies love interest, though I did wonder where she got cosmetics from, living deep in the Earth. Perhaps the Avon lady calls there.

The flying monsters at the end are particularly silly. They have all the aerodynamic properties (and believability) of a concrete block. Just a bunch of fat blokes in rubber suits. All they do is sit on a ledge and hypnotise people. It's only when that fails, or it's feeding time, that they "swoop" down to attack. And when I say swoop, I mean someone prods the rubber thingy in the back and it swings down on a cable.

Total B-Movie delight. Watch it and be amused. Be very amused.

The main criticism of AT THE EARTH'S CORE is that it's cheap, the special effects are bad and so on and so forth. Yes, some of the special effects are painfully bad but what a lot of folks overlook about it is that it's actually quite fun, which is very important in my book.

In comparison, just look at the latest STAR WARS films: they have the latest, greatest special effects created by the latest technological advances which are capable in creating stunning visual effects as far reaching as the human imagination can imagine and yet, with all the razzle dazzle, those films were as exciting as a funeral. As Yoda would say, Fun they're not! In other words, who cares if the FX aren't the greatest when the spirit of the film is fast-paced, humorous and clearly set on the side of action. I love everything about AT THE EARTH'S CORE: the contrast between stodgy Victorian England VS the wild other-worldly, colorful setting of Pellucidar, the cast of characters, the concept of a lost underground world, the telepathic Pterodactyls, the human slaves rebelling, Jubal the ugly one (lol!), the inspired teaming of Peter Cushing (who's great!) and Doug McClure, the excellent music (it's really good), cinematography by the amazing Alan Hume and last but not least, Caroline Munro. She's effing sexy in this movie. One of the sexiest B-movie babes ever captured on screen.

Seriously, anyone who doesn't like this movie doesn't know what fun is. Gimme AT THE EARTH'S CORE over any turgid STAR WARS prequels any time! At least it has Caroline Munro, which no CGI fx can ever recreate.

Make no mistake, this is a very silly movie. Peter Cushing knew it; he gives one of his most over-the-top, ham it up performances.

Generally speaking, this movie has awful production values. Flying rubber pterodactyl creatures ruling the underworld. Piggish humanoid servants of said pterodactyls. A vapid, vacant-eyed Caroline Munro. An oh-so-macho leading man who, when you really look at him, doesn't look all that tough.

Still, At the Earth's Core has a charming innocence about it that gives it a bit of appeal. Best viewed by 10 year old boys on rainy Saturday afternoons, it's all in good fun.

Peter Cushing and Doug Mclure, Victorian scientists, piloting an Iron Mole into the Earth's core, what an adventure!

This film from the 70's is undoubtedly dated by today's standards but this film was made at a time when cinema was finding itself, and new techniques were being used to bring strange new worlds to it's audiences. That is exactly what you get in this film, new sights and sounds brought to audiences in a new way. That being said, Star Wars was only released a year away from this film but even low budget films and techniques need to find themselves and explore capabilities.

Finding themselves in a labyrinth of tunnels where psychic bird creatures rule over their slaves of prehistoric man and woman, the scientists have to save the day, stop the oppression, and find a way back to their own part of the world.

OK, so the acting is tongue in cheek ham, the creatures are as rubber as the boulders and walls, and it's pretty inaccurate the majority of the time...what it is is harmless and it's fun. This is exactly the kind of film you can put on any Sunday and just relax without having to engage your brain. Enjoy.

This film begins with a wonderful piece of music and an excellently tense and edge-of-seat sequence in which Victorian scientists (played by Doug McClure and Peter Cushing) drill into the depths of the earth in their 'Iron Mole'. You truly believe you're going to see a great film to rival 'The Land That Time Forgot'. But then the two companions arrive in the underground world and encounter their first monster, which is quite obviously a man in an outfit which looks like a dinosaur with a parrot's face. From here it's downhill all the way as the intrepid scientists encounter ovens with tentacles on strings, fire-breathing critters with clearly visible flame-thrower nozzles and pterodactyl-people who, when they fall down, explode for no apparent reason. It's a shame the special-effects are so awful, as the storyline is quite interesting with some good situations and the music is excellently atmospheric. But what we have here is a good script let down by poor execution. All I can say in this film's favor is it's watchably bad. But I'd have been a lot happier if it was watchably good.