Les Hommes du président

A central problem for all thrillers is that the need to find twist after clever twist means that stories escalate quickly into realms of implausibility; an apparently boring tale of low level corruption soon brings down the President of the United States. Which gives 'All the President's Men' a huge advantage over most thrillers, because this film (based on the Watergate incident in 1972) can tell such a story and support it on the basis that all of it is true. Director Alan Pakula, something of a conspiracy thriller specialist, here does a great job in adapting the book written by the journalists who broke the story: the film is never overly melodramatic, but is always tense, and although it has pair of heroes, we're left in no doubt of their selfish motivations as they work potential witnesses any way they can in their bid to nail the truth. Unlike most clichéd detective thrillers, the true nature of the crime is unknown (and arguably, remains unknown to this day), so even though we know what happened, there's an air of unpredictability to the story; reporters Woodward (played by Robert Redford) and Bernstein (Dustin Hoffman) don't know what they are looking for, even though they are certain that (somewhere) it is there. The plot is nicely paced, and even dares to skip lightly over the eventual vindication of the journalist's hunches, preferring to concentrate on how it felt for them, chasing this huge story, over a mere historical reconstruction of President Nixon's demise. Indeed, although Nixon appears in this film, it's only on television, and played by himself. This means that what we don't get is a wider analysis: a theory as to the true motive of Nixon's actions is hinted at but nothing more; nor does the film tell us whether it regards his behaviour as a disgrace to modern politics, or an mere symptom of them. In this respect, Oliver Stone's (more fanciful) 'Nixon' makes an interesting companion piece. But as a complex, gripping and understated thriller, 'All the President's Men' has few equals. Truth is stranger than fiction indeed.

ALL THE PRESIDENT'S MEN (1976) **** Dustin Hoffman, Robert Redford, Jason Robards, Jane Alexander, Martin Balsam, Jack Warden, Hal Holbrook, Ned Beatty. Superb adaptation of Washington Post's scathing historical expose by intrepid reporters Bob Woodward and Carl Bernstein (played with energetic paranoia by Golden Boy and Dusty to perfection) on the infamous Watergate break-in and the ultimate downfall of the Nixon presidency with cover ups, cloak-and-dagger informant `Deep Throat', conspiracies and Washington as a fixed metaphor as a quagmire sucking down America's freedoms with only the dynamic duo as our only hope! Robards won a richly deserved Best Supporting Actor Oscar for his portrayal of crusty yet fair editor Ben Bradlee. Suspensefully directed by Alan J. Pakula. Look sharp for Polly Holliday (aka tv's `Flo') as a repellent secretary. Also won Oscars for Best Screenplay Adaptation by William Goldman, Art Direction and Sound. Alexander was nominated for Best Supporting Actress.

After the flawed but fascinating 'Parallax View', Alan J. Pakula learns from his mistakes, and delivers a more logical and satisfying story in 'All the Presidents Men'. Everything about this movie is of the highest quality. Another bravado turn from cinematographer Gordon Willis creates a world of intensely glaring lights and ominously inky shadows. Subtle and realistic performances from the entire cast create a believable pressroom atmosphere of rivalry, idealism and integrity.

The story has been the prototype for every conspiracy thriller since, establishing all the motifs that would eventually be exhausted by 'The X-Files' and become cliché. The narrative flows smoothly, and Goldman does an excellent job of reigning in a potentially incomprehensible plot line, a feat that won him a much-deserved Oscar. The story does, however, slow down in spots, becoming repetitious, and could have benefited from a little judicious pruning.

An excellent movie, that not only sheds light on a historic episode without the usual glossy spin, but highlights the pitiful condition of modern journalism, a fall from grace that in time will prove to far more terrifying and long reaching than anything perpetrated by Nixon and his cronies.

We're in June 2017 and "All The Presiden's Men" from 1976 reminds us that film, sometimes, is the strongest historical document we've got. The Washington Post raising alarm signs then and now. Alan J Pakula is one of the greatest directors of his generation. Jane Fonda during her AFI Lifetime Achievement Award told us that working with Alan J Pakula was like dancing with Fred Astaire. Here the chemistry between Robert Redford and Dustin Hoffman is such that, at times, it feels like a romantic comedy, warts and all. Astonishing. Hal Holbrook as Deep Throat gives the feeling of "thriller" to this incredible story. We know how the story ends but that doesn't diminish our nervousness that it's perhaps a bit of impatience, just like now in 2017, to see justice be done.

In today's world, "All the President's Men" is as timely as ever. And it's a great look at the importance of journalistic integrity at a time when it was important to be right, not first.

A meticulously made film, and Redford and Hoffman were at the heights of their careers and both so adorable! The cast was perfect, with Hal Holbrook as Deep Throat, Jason Robards as Ben Bradlee, Jack Warden - all brilliant.

The break-in, as we see, was a mess. In preparation for the break-in, someone had gone around the Democratic headquarters and put tape on all the doors so they wouldn't lock automatically. One of the first things you see is a guard finding one of the taped doors - that was the actual guard, and he was considered the hero of the night.

One of the Republican plans was that during the convention, a yacht with prostitutes would be nearby; the Republicans would lure delegates onto the yacht and then blackmail them later.

The interesting thing is how all of the people involved had no problem committing actual felonies - blackmail, embezzling, perjury, and one of the most powerful moments in the documentary is the TAPE of Nixon saying he knew where he could get a million in cash to pay people off. It was all like something out of The Sopranos, with John Mitchell threatening to put Katherine Graham's tit in a wringer if anything was published about him. Astonishing. And this was The White House.

Woodward and Bernstein were like dogs with a bone, beautifully shown here as they continually pursue a story originally thought of as a waste, later called a witch hunt, and finally above-the-title news.

I'm older now, obviously, than when Nixon resigned. It was hard for me to see him as a person then. Later on, transcribing his speeches and an interview - I realized that he was an amazing speaker, and his career had been absolutely brilliant. I pity him that he felt he had to do what he did. And then I remember his comments about Jews and artists on those tapes. A very complicated man who let his dark side take over.

The film doesn't dwell on that, but on what Redford wanted - the mechanics of the investigation itself, the grunt work that went into getting the story.

Some trivia: After this film, there was a large increase in the number of applicants to journalism schools. I'd like to point out that this took place after the movie - not the book.