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Gerry Anderson was the creator of 'The Thunderbirds' and several other hugely successful children's SF/adventure puppet shows that enthralled generations of British and Australian kids and kept them glued to their TV sets. Anderson eventually grew tired of the format and wanted to branch out into live action drama. He made the hugely underrated movie 'Journey To The Far Side Of The Sun' in 1969, and used several members of the supporting cast in his next project 'UFO', most notably the super cool Ed Bishop. Bishop had a small role in Anderson's movie, and had previously had a bit part in '2001', but he became the central character of 'UFO', playing Com. Ed Straker leader of SHADO a secret organisation fighting a group of mysterious and hostile aliens. Anderson believed the series would lead on to bigger and better things for Bishop and make a major star, but sadly this was not to be. Watching 'UFO' now is a very strange experience because it combines lots of hilarious kitschy moments with some quite serious dramatic touches e.g. characters actually die, even children, and many episodes have very downbeat endings, something not all that common in say, the usually optimistic (original) 'Star Trek'. Despite being continually told we are watching events set in 1980, there are many bits of 1960s fashions, hair style and attitudes on display. This is particularly amusing in one episode where Col. Foster (Paul Billington) is on leave and goes to a party where everybody is frugging and grooving to The Beatles 'Get Back', or another great episode where two hippies take acid and meet a couple of spacemen. The whole series mixes and matches styles from the time it was made with ideas of what it was going to be like ten years in the future , which of course, is now over twenty years ago... This means that 'UFO's 1980 is very unlike OUR 1980! So the show has a unique retro-futuristic feel, quite unlike anything else before or since. Another odd thing about the show was that the supporting cast changed back and forth without a word of explanation. Early on the extremely foxy Gabrielle Drake (sister of doomed cult singer Nick Drake!) is in charge of the moonbase, then it's Foster, then someone else. And Straker (Bishop)'s second in command changes from the craggy faced George Sewell (Col. Freeman) to the more aesthetically pleasing Wanda Ventham (Col. Lake), and nothing is mentioned about it. Fans of British TV and movies from the 1960s will see several familiar faces as semi-regulars or guest stars, including David Warbeck, Steven Berkoff, Anoushka Hempel, Lois Maxwell, Shane Rimmer, and others. Also keep an eye out for 60s cult babe Ayshea, who is in just about every episode but hardly says half a page of dialogue throughout the whole series. She mainly wanders around holding a clip board and looking beautiful. The real sex symbol of the show however was the utterly gorgeous Gabrielle Drake, complete with silver jumpsuit and purple wig. Hundreds of middle aged men around the world are still in love with her I'm sure. I know I am! The early episodes of the series are sometimes a bit uneven, but the quality improved as the series went on. Unfortunately the series didn't continue, but Anderson went on to make 'Space 1999', a more commercially successful series, but not necessarily a better program. 'UFO' is highly recommended to all SF fans, especially those that dig the 1960s. It is by no means as mind-blowing and innovative as 'The Prisoner', or as consistently enjoyable as 'The Avengers', but personally I still prefer it to original Trek.

Everything you need to know about the show is contained in the opening credits; and they're some of the most eye popping and in your face since "Hawaii 5-0". Lots of quick cuts, flash frames, printouts and action shots showing you that aliens are attacking and that SHADO, Supreme Headquarters Alien Defence Organisation are on the case. All this is set to a thumping and groovy Barry Gray theme tune.

As a child, we loved the models, the action and the gimmicks. Sometimes we'd go to anywhere where there was a tube (like a waterslide or even a building site) and imagine us going down the chutes to enter our interceptors like the SHADO pilots did. As an adult, I never realized that under the mod fashions and shiny sets, there were some grim and downbeat stories in that show. Ed Straker was probably the first truly mean bastard to be a TV series main character. There was nothing he wouldn't do to stop the aliens, sacrificing his troops and even his family for the cause. Gerry Anderson said that Ed Bishop was the most talented actor he's ever worked with, and Bishop certainly is powerful in the role of Straker. Michael Billington was the man who might have been James Bond; he tested for the role 4 times and certainly you can imagine him in the part when you see him as Paul Foster here. Poor old Foster, every other week he was being set up by one side or the other.

The show has it's faults, what show doesn't? But UFO was a darker series than it's contemporary, Star Trek, because it had major characters arguing with each other, episodes where the aliens beat SHADO, personal tragedy and downbeat endings; all of which caused problems. A second series was going to be made, and the new moonbase sets were designed, new craft called "Eagles" were made when the network said that sci-fi set on Earth was a thing of the past; from now on it had to be about space exploration and lots of different aliens. So series two of UFO was canned and we got "Space:1999" instead. Ever feel short changed? The end credits of UFO were genuinely chilling which left the viewer feeling even more down! In the end, shows like "Blake's 7", "Babylon 5" and the new version of "Battlestar Galactica" owe a lot to Ed Straker and SHADO, with its charismatic yet ruthless characters, its interpersonal conflicts and humanity. My favourite episode? "Court Martial". Favourite line? Straker: "I'll listen to any reasonable suggestion, then I'm going to tell you how it's going to be"

UFO was one of the most ambitious science fiction series ever produced for television. The array of hardware ran from a base on the moon with interceptor space ships to submarines with a jet aircraft that could detatch itself from the bow & rocket through the ocean depts & into the sky. In between the S.H.A.D.O. organization had S.I.D., the satellite in space to detect enemy/alien saucers, to mobiles that were futuristic tank-like vehicles,and much, much more.These were all employed by the secret Supreme Headquarters Alien Defense Org. which was a collection of earth governments whose mission was to defend the planet from an unknown & hostile alien race invading us.Gerry Anderson created an epic series for TV that I doubt could be done these days for television due to what would be an enormous cost. If this premise is ever revived, it would be better served as a multi-million dollar feature film.I can't think of many U.S. series that had so much hardware, models, & fx all going on in them. To be sure it had its flaws.The Shado h.q. hidden beneath an operating movie studio hardly seemed the best choice for covert ops.The Interceptors, the first line of defense against the alien saucers, only had one missile to fire with no other weaponry on board,& the design for the alien saucers made it look more like a kid's toy.But you certainly got your money's worth & then some every week with this show.

For many years the Anderson team wowed us with many cutting edge development in the movie arts.

First there was SuperMarrionation (sic) with the Thunderbirds, Captain Scarlett, Joe 90 etc. These combines with great miniature special effects gave Gerry and Sylvia many of the skills necessary to launch themselves into live action TV.

And Launch they did with UFO. Catchy sound track, futuristic special effects, story lines, and a great supporting task they stunned TV watchers with their vision of the future.

At that time 2001 a Space Oddysey was out and a lot of the set and concept ideas from there were incorporated into UFO.

Looking back there are some humorous moments (Like purple wigs and a moonbase) but hey - for that time it was visionary. Since it was only set 10 years into the future from its filming great detail was taken to make it 'advanced' but not beyond the realms of possibility.

Many of the concepts re special effects were developed further into Space 1999.

Do watch it and remember that this was a turning point in quality SciFi TV from the UK.

I had vague memories of this show from when I was a kid. No one I asked could remember it and I wasn't sure it really existed. Fast forward to now and a search of the good ol' IMDb and there it was. even more surprising was it was (is) available on DVD. I rolled me own smokes and didn't buy any video games for the month of July and half of August. I bought a pre-paid VISA and ordered it. Oh, happy happy joy joy!! It arrived on a Friday, allowing me to hole up and spend the weekend with it. WOW! It was worth every crappy self-rolled cigarette. Some complicated characters, great writing, and lots of fun make it more than a treat. It also shows black characters as members of the team, no more and no less. Isn't that what equality is all about? Anglophiles, sci-fi buffs, and wanna-be film makers (myself included) should watch every minute. The models are great and the fashions for 1980 are hip, slick, and cool. By all means, check it out. You won't be disappointed.