Yellow Submarine
- 1968
- Tous publics
- 1h 28m
IMDb RATING
7.4/10
29K
YOUR RATING
The Beatles agree to accompany Captain Fred in his yellow submarine and go to Pepperland to free it from the music-hating Blue Meanies.The Beatles agree to accompany Captain Fred in his yellow submarine and go to Pepperland to free it from the music-hating Blue Meanies.The Beatles agree to accompany Captain Fred in his yellow submarine and go to Pepperland to free it from the music-hating Blue Meanies.
- Awards
- 2 wins & 2 nominations total
Paul McCartney
- Paul
- (uncredited)
George Harrison
- George
- (uncredited)
Ringo Starr
- Ringo
- (uncredited)
John Lennon
- John
- (uncredited)
The Beatles
- The Beatles
- (singing voice)
- (as Sgt. Pepper's Lonely Hearts Club Band)
Paul Angelis
- Ringo Starr
- (voice)
- …
John Clive
- John Lennon
- (voice)
Geoffrey Hughes
- Paul McCartney
- (voice)
- (as Geoff Hughes)
Lance Percival
- Old Fred
- (voice)
Peter Batten
- George
- (voice)
- (uncredited)
Featured reviews
Next to FANTASIA, YELLOW SUBMARINE is one the best animated feature films ever made. We will always remember the sixties pop-art imagery along with some of the best dialog to grace cartoon-land ("I haven't had so much fun since Pompeii....""I'm a born lever puller.") not to mention some of the best music to come from the best set of musicians the 20th century has produced! This is a kid's film at heart (wild adventures in strange distant lands, weird monsters, loud over bearing villians....) My only criticism is in the re-mastering, in 1999. The song "Hey, bulldog..." is added toward the end (A scene where the fab four meet up with a bunch of the Blue Meanies' bulldogs, and defeat them with the power of music.) The scene looks hastily slapped together,like something out The Beatles cartoon series (which was hated by the real life Liverpool lads. That's why they were originally not too thrilled with the announcement of this animated film.) There is a reason why these scenes are deleted, to allow classics like this to flow so easily on the screen. Anyway, a great, great classic.
I will readily admit that I don't watch too many movies,unless I have heard good reviews about them or if it is an art film. While perusing the movies at the local library, I was attracted to the bright yellow case this movie was in. (I didn't know what it was at the moment.) Being a Beatles aficionado(sp?), I checked it out and brought it home. My husband was thrilled as he saw it when he was 5! Oh man. Get ready for a visual feast of color and sound.(and humor!) I was literally glued to the screen for the duration of the film. I mean, if you take your eyes off of it for just a second you will miss something. I love bright vivid contrasting colors so this was great, but it may hurt your eyes if you're into earthtones. I found it a great escape from reality and very light hearted. The art is fabulous. FABULOUS!!! I have seen a great many things in my life but NOTHING like this. Truly unique. Thanks for reading.
This could have been poorly done had it not been for a sense of quality that seemed to be a part of the Beatles and their people. This is the wonderful story of society that develops over time and come under threat. But it is not the usual "save the world" kind of thing but rather the creation of a world like we've never seen. There is a surreal being to it. It is colorful and engaging. Of course, what is most impressive is the integration of Beatles music into the plot. "Lucy in the Sky with Diamonds" is a great example of psychedelic visuals. But overall, it is a movie that never bores. Its images are striking and there is an array of the most wonderful characters.
The music of the Beatles had galvanized an army of very creative artists who have accomplished the impossible, and created the movie that parallels the elegance and beauty of the music that inspired it. Many people feel that this film is a miracle, and I have the same feeling, especially when I'm watching it breathlessly from the beginning to its end.
Similar to the way the Beatles themselves have created many of their masterpieces, this film is the result of a "controlled chaos". Lennon remarked that many of his imagery and lyrics were just conceived off the top of his head, which is precisely the thing that gives them the freshness and spontaneity we adore. Same is with the rich and fulfilling imagery of this film -- it is obviously an outcome of the 'shoot from the hip' approach. It sounds unbelievable, but the film's ending (the most brilliant piece of all), was thrown in during one hectic weekend! Knowing this, it is not surprising to learn that the principal artist who designed the look and feel of the "Yellow Submarine" movie, almost went blind after finishing it (he set a grueling schedule of sleeping only four hours every other night during the making of the film! -- it took him several years to regain his health)
On a personal level, this film works as some kind of revelation for me. It is impossible to put it into words, but the film stirs the deepest, most contradictory emotions in me. It transcends space and time, and has the ability to bring me into the state where the regular, everyday thoughts do not apply. In that respect, it is as strong as the best Beatles songs.
Many criticisms of this movie are sadly missing the point. To criticise the animation as being jerky and unrealistic amounts to criticising Picasso for not painting more photo-realistic canvases. Misses the point entirely. To criticise the understatement-laden dialogue is to miss the finer points of comedy, insisting on the Three Stooges slapstick only. To say that the story line is incoherent is to betray the sitcom-infested mind in the sad state of commercial-induced eating disorder.
I must confess that I had approached the viewing of this film with a huge dose of skepticism. I thought it's going to look and feel lame, with a dated and naive hippy/psychedelia cliches. Boy, was I in for a shock!
My rating: 11 out of 10
Similar to the way the Beatles themselves have created many of their masterpieces, this film is the result of a "controlled chaos". Lennon remarked that many of his imagery and lyrics were just conceived off the top of his head, which is precisely the thing that gives them the freshness and spontaneity we adore. Same is with the rich and fulfilling imagery of this film -- it is obviously an outcome of the 'shoot from the hip' approach. It sounds unbelievable, but the film's ending (the most brilliant piece of all), was thrown in during one hectic weekend! Knowing this, it is not surprising to learn that the principal artist who designed the look and feel of the "Yellow Submarine" movie, almost went blind after finishing it (he set a grueling schedule of sleeping only four hours every other night during the making of the film! -- it took him several years to regain his health)
On a personal level, this film works as some kind of revelation for me. It is impossible to put it into words, but the film stirs the deepest, most contradictory emotions in me. It transcends space and time, and has the ability to bring me into the state where the regular, everyday thoughts do not apply. In that respect, it is as strong as the best Beatles songs.
Many criticisms of this movie are sadly missing the point. To criticise the animation as being jerky and unrealistic amounts to criticising Picasso for not painting more photo-realistic canvases. Misses the point entirely. To criticise the understatement-laden dialogue is to miss the finer points of comedy, insisting on the Three Stooges slapstick only. To say that the story line is incoherent is to betray the sitcom-infested mind in the sad state of commercial-induced eating disorder.
I must confess that I had approached the viewing of this film with a huge dose of skepticism. I thought it's going to look and feel lame, with a dated and naive hippy/psychedelia cliches. Boy, was I in for a shock!
My rating: 11 out of 10
"Yellow Submarine" is a great film but it's not because of the plot or even the whimsical, non-sequitur filled dialogue. "Yellow Submarine" works best as a series of loosely connected music videos that pre-date MTV by 12 years.
If you grew up with MTV and you think that most music videos consist of 80's Hair-Metal bands "in concert" or rappers in hot tubs with women in bikinis, take a look at some of the musical numbers in "Yellow Submarine".
You have "Only a Northern Song" which is presented with Andy Warhol style pop-art images. "Nowhere Man" is a whimsical, trippy, rainbow colored cartoon. "When I'm Sixty Four" is illustrated by a "Sesame Street" style numerical countdown. Even "All Together Now", for which The Beatles themselves actually appear on screen, contains little camera tricks and quick cut edits that are common tools of more recent music videos.
The two best segments in the movie, in my opinion, are "Eleanor Rigby" and "Lucy in the Sky with Diamonds". "Eleanor Rigby" uses black and white still photos of what is apparently Liverpool rotoscoped with occasional splashes of color to illustrate the dreariness of the lives of "all the lonely people." The full-color rotoscoped images for "Lucy", such as the can-can dancing chorus line and the horse running in the field, are beautiful.
If you are a fan of The Beatles, great animation, or music video, this film is for you.
If you grew up with MTV and you think that most music videos consist of 80's Hair-Metal bands "in concert" or rappers in hot tubs with women in bikinis, take a look at some of the musical numbers in "Yellow Submarine".
You have "Only a Northern Song" which is presented with Andy Warhol style pop-art images. "Nowhere Man" is a whimsical, trippy, rainbow colored cartoon. "When I'm Sixty Four" is illustrated by a "Sesame Street" style numerical countdown. Even "All Together Now", for which The Beatles themselves actually appear on screen, contains little camera tricks and quick cut edits that are common tools of more recent music videos.
The two best segments in the movie, in my opinion, are "Eleanor Rigby" and "Lucy in the Sky with Diamonds". "Eleanor Rigby" uses black and white still photos of what is apparently Liverpool rotoscoped with occasional splashes of color to illustrate the dreariness of the lives of "all the lonely people." The full-color rotoscoped images for "Lucy", such as the can-can dancing chorus line and the horse running in the field, are beautiful.
If you are a fan of The Beatles, great animation, or music video, this film is for you.
Did you know
- TriviaIn summer 1967, director George Dunning brought German artist Heinz Edelmann to London to work as production designer on this movie. The script wasn't ready, and Edelmann wasn't given a specific assignment. After two months of inactivity, he decided to quit. He vented his frustrations by drawing a series of villainous characters, which ultimately became the Blue Meanies, the Apple Bonkers, and The Glove. Dunning loved the sketches. From then on, Edelmann was a guiding force in the production, designing most of the characters and backgrounds and helping to develop the story. He let his imagination run rampant and cultivated a style of "visual overload" (his words) to cover the plot holes and maintain interest. Many viewers assumed Edelmann got his ideas from using hallucinogens. He said, "I had never taken any drugs. I'm a conservative, working class person who'd stick to booze all his life. And so I just knew about the psychedelic experience just by hearsay. And I guessed what it was."
- GoofsThe Beatles spot five Apple Bonkers taking apples off a tree. Only four Bonkers march and sound off before a Meanie Squad Leader.
- Crazy creditsThe lyric "All Together Now" is shown in several different languages while the song plays at the end.
- Alternate versionsThe American version had several alternative shots during the "All You Need Is Love" song, among others: the population of Pepperland moves in at the Blue Meanies; Paul McCartney doing a somersault, a brief scene of Old Fred and the Mayor dancing together happily. The UK version featured alternate footage, like George floating down from Sgt Pepper's head, saying "It's all in the mind, you know".
- ConnectionsEdited from Le Tourbillon de la danse (1933)
- SoundtracksYellow Submarine
Written by John Lennon and Paul McCartney
Performed by The Beatles
Published by Apple Records
Courtesy of Apple Records
Details
- Release date
- Countries of origin
- Language
- Also known as
- The Beatles' Yellow Submarine
- Filming locations
- Twickenham Film Studios, Twickenham, Middlesex, England, UK(live-action scene)
- Production companies
- See more company credits at IMDbPro
Box office
- Budget
- £250,000 (estimated)
- Gross US & Canada
- $992,305
- Opening weekend US & Canada
- $107,105
- Jul 8, 2018
- Gross worldwide
- $1,273,261
Contribute to this page
Suggest an edit or add missing content