IMDb RATING
6.4/10
3.2K
YOUR RATING
Two widowed people fall in love and marry, unprepared for the hostile reactions of their children.Two widowed people fall in love and marry, unprepared for the hostile reactions of their children.Two widowed people fall in love and marry, unprepared for the hostile reactions of their children.
- Awards
- 1 nomination total
Herb Voland
- Harry Scott
- (as Herbert Voland)
Vic Tayback
- Truck Driver
- (as Victor Tayback)
Featured reviews
Doris Day's upbeat, cheery, and sunshiny career (with exceptions like "The Man who Knew Too Much," "Love Me or Leave Me," and "Julie") ended with "With Six You Get Eggroll," a film which shows how a father with one daughter gets along with a mother and her two sons, when the parents marry. The courting and romance of father Brian Keith and Doris is rather sweet, but the complications arise after their marriage, as to who moves into whose house and who sleeps where, which causes Brian and Doris to have a fight, and of course it leads inevitably to an outlandish and zany ending. This is one of Ms. Day's not-so-subtle movies, as the laughs come courtesy mainly from the youngest boy and his disposition and his crazy antics dealing with the change forced on him. This seems to have a juvenile sense of humor, but I've never laughed so hard in my life. I give this a '6', only because, while funny, it seems to come with a price of feeling rather uncouth, and maybe an embarrassment to the career of all concerned, including a young Barbara Hershey as Brian Keith's daughter. This came out a year before "The Brady Bunch," so one wonders if this movie inspired it. Directed by "The Andy Griffith Show" 's star Howard Morris, who played Ernest T. Bass, this is one family film that will either be a hit with families laughing at obvious jokes or fall flat with those who demand more from a Doris Day outing.
I saw this as a boy & I loved it! I still do because it's a retro look at life in the iconic 60's. It's full of physical comedy, camp, & the up's & down's of blending a ready made family! Doris Day & Brian Keith are an amazing team together. Keith was a good romantic choice, and a good looking man! I love Doris, what a fantastic multi-dimensional actress, just can't say enough about her! Pat Carroll as her sister & in her debut film, shows off her zany comedic timing as a gifted comedian. This is one of my most favorite movies! Not being a great reviewer, but a good critic I recommend seeing this light, bright comedy, and I think you'll feel better after watching! I gave it a 10 because I love it!
'With Six You Get Eggroll' was yet another film as part of my Doris Day completest quest, being a fan and realising that there were still films of hers to see. Seeing it, with it being notable for being her swansong film, it is pleasant enough but one can see the reviews here are so mixed.
Day certainly made much better films, 'Calamity Jane' and 'Pillow Talk' especially. She also made far worse, some have often cited later efforts for understandable reasons (her best decade easily was the 50s) as among her worst, to me a few of her early films like 'Lucky Me' and 'Starlift' are also strong contenders. 'With Six You Get Eggroll' is somewhat of a middling film for her.
There are numerous strengths with 'With Six You Get Eggroll'. The music has quirky energy and is suitably understated when needed. Some of the dialogue is witty and sophisticated and there are some amusing, if never exactly hilarious, moments. Day driving off in the trailer leaving Brian Keith in his underwear on the road stands out.
Some of the story has an energetic bounce, and there are moments that really charm. Howard Morris directs competently. Most of the cast make the film and their material work. Day comes over as very natural and at ease, she has fun and radiates charm. Keith has lovely chemistry with her and is a likable leading man with a gift for gentle comic timing. Pat Carroll is great fun in support, and it was nice to see George Carlin and a young Barbara Herschey. One mustn't forget the personality-filled dog either.
However, the children are rather annoying (not the first time that's been the case in a Doris Day film), while the production values have a very low-budget feel and looks very made for TV. 'With Six You Get Eggroll' gets rather absurd towards the end and the final scene is a sea of messy chaos.
For all the fun, bouncy and charming parts of the story, there are also a few dull and tired moments that is suggestive of padding things out, and while the predictability is forgivable not so much is including very 60s elements like hippies and an appearance from The Greenshots that just date the film and a rather clumsy effort to make the film current of the time, inconsistent pacing, the messy final scenes and a sense that it would have fared better as an episode for a sit-com considering the relative thinness.
In conclusion, not awful, not great, somewhat mixed instead. 6/10 Bethany Cox
Day certainly made much better films, 'Calamity Jane' and 'Pillow Talk' especially. She also made far worse, some have often cited later efforts for understandable reasons (her best decade easily was the 50s) as among her worst, to me a few of her early films like 'Lucky Me' and 'Starlift' are also strong contenders. 'With Six You Get Eggroll' is somewhat of a middling film for her.
There are numerous strengths with 'With Six You Get Eggroll'. The music has quirky energy and is suitably understated when needed. Some of the dialogue is witty and sophisticated and there are some amusing, if never exactly hilarious, moments. Day driving off in the trailer leaving Brian Keith in his underwear on the road stands out.
Some of the story has an energetic bounce, and there are moments that really charm. Howard Morris directs competently. Most of the cast make the film and their material work. Day comes over as very natural and at ease, she has fun and radiates charm. Keith has lovely chemistry with her and is a likable leading man with a gift for gentle comic timing. Pat Carroll is great fun in support, and it was nice to see George Carlin and a young Barbara Herschey. One mustn't forget the personality-filled dog either.
However, the children are rather annoying (not the first time that's been the case in a Doris Day film), while the production values have a very low-budget feel and looks very made for TV. 'With Six You Get Eggroll' gets rather absurd towards the end and the final scene is a sea of messy chaos.
For all the fun, bouncy and charming parts of the story, there are also a few dull and tired moments that is suggestive of padding things out, and while the predictability is forgivable not so much is including very 60s elements like hippies and an appearance from The Greenshots that just date the film and a rather clumsy effort to make the film current of the time, inconsistent pacing, the messy final scenes and a sense that it would have fared better as an episode for a sit-com considering the relative thinness.
In conclusion, not awful, not great, somewhat mixed instead. 6/10 Bethany Cox
Along with "Yours, Mine and Ours" (Lucille Ball, Henry Fonda) this film marked the start of the "let's-create-a-family-by combining-each-of-ours" genre and soon several variations of the theme plowed their ways into theaters (including the much forgotten "Mulligan's Stew" where childless parents adopt a variety of ethnic representatives). It was a way to have "modern" family dramas survive in the ever changing marketplace. Looking like situation comedies found on television it was no surprise that they influenced what TV families of the 70's would look like. There was a chance to examine the ever increasing reality of divorce (disguised as widowship), yet still have a complete family unit. Of those that survived on television, "The Brady Bunch" and "Eight is Enough" are perhaps the most well known. No wonder abortion became popular! Soon these shows would be replaced by the examination of same sex parents (disguised as "good heterosexual friends") in such shows as "My Two Dads," and "Kate and Allie." Shows such as "The Cosby Show," "Home Improvement," and "Family Matters" brought television full circle so perhaps the 21st Century will see more single parent television and in another ten years a remake of "With Six You Get Eggroll." Of course the title would have to change for political correctness. How about "With Sex You Get Kids?" No wait, the pro-life groups won't like that. Ahhh, the sixties.
"With Six You Get Eggroll" is a light comedy-romance with a very familiar theme by its date. Widow and widower with kids still at home meet, fall in love and decide to tie the knot again, only to be challenged by their respective offspring. But, Doris Day and Brian Keith carry it off fine, with the help of her three sons and his daughter. Doris plays Abby McClure and Brian plays Jake Iverson. The cast are all good, and there are some very funny scenes especially in the beginning, when Abby and Jake meet up for the first time at a party she throws.
This was Doris Day's last movie. She made only 42 films in her entire career and retired from the screen and TV early. Except for her last few films, arranged by hubby Martin Melcher to bail out the estate he had poorly managed for years, Doris Day's star shone bright for movie and TV audiences alike for 25 years. Many, many fans and movie buffs would have loved to see Day in more films. After Melcher died in 1968, Doris hit it big with her own TV series, The Doris Day Show. It ran for five seasons, and after her last episode on March 12, 1973, she ended her performing career for good. She was just 50 years old.
Probably no other actress with such a bleak background and problem- filled personal life has done more to lift peoples' spirits by her talents. Doris Day was indeed a bright spot in the entertainment world. She was equally adept at dramatic and mystery roles, but her endearing talents shone best in her musicals and comedy-romances. She was one of a rare breed of screen, stage and TV stars who could act, sing, and dance and who excelled at comedy. She never won an Oscar but was nominated nine years for Golden Globes as the favorite female film star in the world – winning three times, in 1958, 1960, and 1963.
Brian Keith's background is very different. Except for a few uncredited parts in movies since childhood, his acting career didn't get started until the early 1950s when he appeared in several TV series. His first male lead came in a 1956 movie, "Storm Center," with Bette Davis. After that, he had many roles in films, TV movies and TV shows, and continued acting until his death in 1997 at age 75. He was in more than 160 films and TV shows.
"With Six You Get Eggroll" is a simple, light comedy-romance that most should enjoy. It's a good family film that may be a little slow for kids of the 21st century.
This was Doris Day's last movie. She made only 42 films in her entire career and retired from the screen and TV early. Except for her last few films, arranged by hubby Martin Melcher to bail out the estate he had poorly managed for years, Doris Day's star shone bright for movie and TV audiences alike for 25 years. Many, many fans and movie buffs would have loved to see Day in more films. After Melcher died in 1968, Doris hit it big with her own TV series, The Doris Day Show. It ran for five seasons, and after her last episode on March 12, 1973, she ended her performing career for good. She was just 50 years old.
Probably no other actress with such a bleak background and problem- filled personal life has done more to lift peoples' spirits by her talents. Doris Day was indeed a bright spot in the entertainment world. She was equally adept at dramatic and mystery roles, but her endearing talents shone best in her musicals and comedy-romances. She was one of a rare breed of screen, stage and TV stars who could act, sing, and dance and who excelled at comedy. She never won an Oscar but was nominated nine years for Golden Globes as the favorite female film star in the world – winning three times, in 1958, 1960, and 1963.
Brian Keith's background is very different. Except for a few uncredited parts in movies since childhood, his acting career didn't get started until the early 1950s when he appeared in several TV series. His first male lead came in a 1956 movie, "Storm Center," with Bette Davis. After that, he had many roles in films, TV movies and TV shows, and continued acting until his death in 1997 at age 75. He was in more than 160 films and TV shows.
"With Six You Get Eggroll" is a simple, light comedy-romance that most should enjoy. It's a good family film that may be a little slow for kids of the 21st century.
Did you know
- TriviaThe final scenes of this film feature Doris Day teary-eyed, wearing a housecoat and slippers. When her husband of 17 years Martin Melcher died suddenly just after production was completed, gossip magazines at the time used stills of Day from this movie, looking distraught and out-of-sorts, to accompany their articles about Melcher's death.
- GoofsThe nightclub scene has a mismatched cut of Doris: in a three-shot, her chin is in her hand; cut immediately to a close-up, her hands are clasped together in front of her.
- Quotes
Molly the Maid: [in front of Jake, Abby's date for the evening] Mrs. McClure! Now I need to put the meat on broil but your hair is on bake. Which should I do first?
Abby McClure: [humiliated] I think the *hair*, Molly.
Molly the Maid: False hair, false eyelashes, false bosoms. In my day women were flesh and blood, now they're 70% nylon and 30% foam rubber.
- Crazy creditsThe opening credits are animated in the style of a series of children's crayon drawings. The Art Director credit is misspelled, comically and deliberately as "ART DER," scratched out, misspelled again as "ART DUR," scratched out again, the entire page is crumpled, and the credit finally appears, correct and not animated, on the following screen.
- ConnectionsFeatured in Biography: Doris Day: It's Magic (1998)
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Details
- Release date
- Country of origin
- Language
- Also known as
- With Six You Get Eggroll
- Filming locations
- Toluca Lake, Los Angeles, California, USA(street scenes)
- Production companies
- See more company credits at IMDbPro
Box office
- Budget
- $2,727,000 (estimated)
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