Que faisiez-vous quand les lumières se sont éteintes?

Doris Day has always been fun to watch as she brings her characters to life on the screen. She can play such a broad scheme of emotions, often switching gears in a second. She was particularly delightful as Maggie Garrison, the very happily married wife of Peter Garrison. Then they hit a bump in their relationship--the same night that the the power goes off in New York and the NE part of the country. Maggie retreats to their country home and Peter follows. But this is made more challenging by the loss of power and all the people stranded everywhere. Doris Day is at her funniest when her husband finally does catch up with her and she's so sleepy she can't stay awake. Various coincidences and misunderstandings add up to an amusing and enjoyable film. Also of note is Steve Allen's performance as the Radio Announcer and it was fun to see Pat Paulsen as the Conductor. Both of these characters contributed to the atmosphere during the blackout. It's interesting to note how these New Yorkers in the 1960s handled the power outage, now that we've experienced 9/11.

Only the most ardent DORIS DAY fan could find this one even bearable to watch. When one thinks of the wealth of material available for a story about New York City's most famous blackout, a film that could have dealt with numerous real-life stories of what people had to cope with, this scrapes the bottom of the barrel for lack of story-telling originality.

Once again Doris is indignant because she suspects she may have been compromised on the night of the blackout when she returned to her Connecticut lodgings, took a sleeping potion and woke up in the morning with a man who had done the same, wandering into the house by mistake.

Nobody is able to salvage this mess--not Doris, not ROBERT MORSE, TERRY-THOMAS, PATRICK O'NEAL or LOLA ALBRIGHT. As directed by Hy Averback, it's the weakest vehicle Day found herself in, committed to do the film because of her husband's machinations and unable to get out of it. Too bad.

Stagy adaptation of Claude Magnier's 1956 French play of the same name incorporates the New York City blackout of 1965 into a stagnant roundelay involving an actress, her husband, an agent plus a young embezzler. Dim comedy doesn't even utilize the central calamity for pointed jokes about life in the Big Apple, instead becoming a strained sitcom plunked down in suburbia. Doris Day never lets a bad script get the best of her; even under the most trying of circumstances, the star gives 100% and usually comes out unscathed. Spoofing her own goody-two-shoes image, Doris gets some laughs later in the picture when she's meant to be (comically) sedated; however, Day's male co-stars (Patrick O'Neal, Robert Morse and Terry-Thomas) are not well-suited to her, and neither is the shapeless hairdo she's sporting. For her part, Doris was quick to dismiss the film as "an alleged comedy", noting it was one of several pictures her husband-manager signed her to without her consent. *1/2 from ****

On November 9, 1965 much of the eastern seaboard suffered a power outage and this included huge sections of New York City. To that effect, this film involves several fictional characters who had their lives severely impacted by this development. The first character by the name of "Waldo Zane" (Robert Morse) who works as the treasurer for a large corporation and has just stolen $2 million from it. His escape plan, however, didn't factor in a massive blackout and because of that he winds up at a house in Connecticut trying to get transportation to Boston. In the meantime, an actress on Broadway named "Margaret Garrison" (Doris Day) has had her play cancelled due to the electric shortage and upon heading back to her apartment finds her husband "Peter Garrison" (Robert O'Neal) alone with an attractive journalist by the name of "Roberta Lane" (Lola Albright). Furious at his indiscretion she decides to cancel her planned retirement and heads to her house in Connecticut to consider a divorce. Delighted with this new development her manager "Ladislaus Walichek" (Terry-Thomas) immediately gets in his car and also heads to Connecticut in order to get her to sign a new contract before she changes her mind. Meanwhile, Peter--who is desperate to get back in good graces with his wife--decides to drive to Connecticut to beg for her forgiveness. What he isn't prepared for, however, is the turmoil created when all of the characters show up at his house at around the same time. Now rather than reveal any more I will just say that this was an okay film which had a fairly entertaining plot but was diminished somewhat by rather flat performances by everyone involved. It also didn't help to have the character of Peter Garrison being as unlikeable as he was either. In any case, those interested in a standard comedy from this particular time period might find it amusing to a certain extent and I have rated it accordingly. Average.

The story of this movie seems to be a set up for Doris Day's last film ( she actually had one after it ). Doris plays Margaret Garrison a stage actress who constantly gets type cast as a virgin ( hmmmm any similarity to what happened to Doris in real life??). While giving an interview for playboy magazine Margaret spills the beans that she would like to have a baby.... Well her hubby does something naughty and Doris goes running for the home in the country. Doris Day's performance is engaging.. especially when she is medicated !! Although Doris was forced into this movie by her manager husband ( her husband had lost all of her money in bad investments ) it is a delightful 60's film. So set a Sunday afternoon aside and hope that the lights wont go out when you put in the video!!