Hoping to sway her unbalanced son into losing his virginity, an oil baroness takes him and several of her decadent friends on a cruise, culminating in an orgy of lust and murder.Hoping to sway her unbalanced son into losing his virginity, an oil baroness takes him and several of her decadent friends on a cruise, culminating in an orgy of lust and murder.Hoping to sway her unbalanced son into losing his virginity, an oil baroness takes him and several of her decadent friends on a cruise, culminating in an orgy of lust and murder.
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This nauseous thriller tells the turpitudes of Mudy (Maud de Belleroche, the French fascist writer), a wealthy owner of a yacht flying the Panamanian flag, cruising in company of a decadent couple acting as her harem, Aldo (Maurizio Bonuglia, Giornata nera per l'Ariete) and Paola (Rosalba Neri, Amuck alla ricerca del piacere).
Aldo and Paola want to get from Mudy an important oil concession, but this should have a price: they have to find the proper way to wake up the mind of Mudy's mentally retarded son Tony (Ruggero Miti, La Rivoluzione sessuale), by awakening his sexual instincts. For the purpose, they have brought aboard the top prostitute Ulla (Edwige Fenech, Cinque Bambole per la luna d'agosto), but Tony is very shy and feels quite ill-at-ease.
Fortunately, or not, the yacht unattended by Aldo is drifted along an isolated island only dwelt by a couple of young yokelish peasants, Andro (Salvatore Puntillo, Il Vero e il Falso) and Beba (Eva Thulin, La Stagione dei sensi). Tony seems attracted by the pretty shepherdess Beba, and becomes talkative with her. Mudy decides to bring aboard the rag-clothed girl and to debauch her so that she could warm up her simpleton Tony, while keeping apart the husband Andro with astounding promises.
But it's never so good for poor people to get mixed up with rich and cynical ones, and playing the Cinderella under such depraved circumstances could actually become perilous: things won't go as they were planned by everybody. Between the dies irae of the opening credits arranged by the composer Sante Maria Romitelli and the Ecclesiastes quotation at the end, the drama, in a precocious Pasolini's Salo-like mood, will tighten up on the protagonists of this hot and stifling seafaring closed circuit. (Viewed in Italian 1h29 version.)
Aldo and Paola want to get from Mudy an important oil concession, but this should have a price: they have to find the proper way to wake up the mind of Mudy's mentally retarded son Tony (Ruggero Miti, La Rivoluzione sessuale), by awakening his sexual instincts. For the purpose, they have brought aboard the top prostitute Ulla (Edwige Fenech, Cinque Bambole per la luna d'agosto), but Tony is very shy and feels quite ill-at-ease.
Fortunately, or not, the yacht unattended by Aldo is drifted along an isolated island only dwelt by a couple of young yokelish peasants, Andro (Salvatore Puntillo, Il Vero e il Falso) and Beba (Eva Thulin, La Stagione dei sensi). Tony seems attracted by the pretty shepherdess Beba, and becomes talkative with her. Mudy decides to bring aboard the rag-clothed girl and to debauch her so that she could warm up her simpleton Tony, while keeping apart the husband Andro with astounding promises.
But it's never so good for poor people to get mixed up with rich and cynical ones, and playing the Cinderella under such depraved circumstances could actually become perilous: things won't go as they were planned by everybody. Between the dies irae of the opening credits arranged by the composer Sante Maria Romitelli and the Ecclesiastes quotation at the end, the drama, in a precocious Pasolini's Salo-like mood, will tighten up on the protagonists of this hot and stifling seafaring closed circuit. (Viewed in Italian 1h29 version.)
Rosalba Neri, Edwige Fenech and Eva Thulin. All in one film and in and out of their clothes, throughout, I barely need to say any more. And yet, all three perform really well, be it barely clothed or nude and the film moves at a decent pace with constant surprises and sharp dialogue. A middle aged woman (who seems to have a preference for women) owns a smart boat and takes a young couple along with her son and a hooker in an attempt to get the son to recover from his madness by having sex with Fenech (the hooker). As you can see she is as mad as her son, but all get it on in various ways and much fun is had. There is also a shepherd and his young wife (Thulin) and an amorous goat who Fenech seems to take a shine to. This is an early film for Fenech, who would go on to make some classic giallo, but at only 21 she certainly gets stuck into the sex scenes even if Neri steals all the other scenes. She is 10 years older here, a veteran of many films already and assuredly takes centre stage, especially when given a gun to hold! Really good fun.
A sexy vixen Edwige Fenech stars as a prostitute hired by the overbearing,vaguely incestuous mother of a shy,mentally-retarded 20-year old named Tony. Fenech is meant to claim Tony's virginity on a sea cruise,also attended by sexy Paula and her slimy husband Aldo,who incessantly try to curry the wealthy mother's favor.Ewa Aulin shows up as an island girl who dies when the dull-witted Tony accidentally strangles her,leading her husband to board the ship,where he is quickly dispatched by the rifle-toting Neri."Top Sensation" is a perfect example of Eurotrash cinema.There is plenty of sleaze and fantastic lesbian sequence between Edwige Fenech,Rosalba Neri and Ewa Aulin.The film is cheaply made,but highly entertaining.Give it a look.My rating:9 out of 10.
Unlike what you may think going into this one, it only barely qualifies as a thriller and is more an erotic drama with some thriller elements. There's really no suspense generated at any point, even if the plot-line does move onto murder in its latter half. No, this one's focus is more squarely on other things for the majority of its screen-time. This is not exactly a bad thing though, as it means The Seducers is perhaps slightly less generic than a lot of its contemporaries. I was definitely brought to mind of Roman Polanski's psychological drama Knife in the Water (1962) though, with its group of unsympathetic characters playing out their melodrama and mind-games on a private boat cruise. But then again, I was also reminded of the outrageous Greek exploitation extravaganza Island of Death (1976) on account of that one's scene of goat-based bestiality – in The Seducers we move into a similar basic ball-park, albeit of a decidedly less disgraceful variety. Unlike in Island of Death where we have a male sociopath roger an unfortunate animal, here we have the lovely Edwige Fenech really only getting up close and personal with it. It's a mixture of the questionable, the erotic and the outright bizarre – a properly strange scene whichever way you look at it.
The story takes place on a luxurious yacht cruising in the Mediterranean. A wealthy woman of questionable motives hires three people – the seducers of the title - to deflower her mentally-deranged son. Add an innocent farm girl to the mix and you have the recipe for much sexploitation shenanigans.
This one is notable for both being a very early screen appearance from cult icon Fenech but is of additional note in that it pairs her up with another of the hottest actresses working in Italian genre films at the time, Rosalba Neri. In actual fact this film is owned by Neri mainly. Kitted out in a leather bikini, carrying a rifle and throwing dynamite into the sea, she is a bad girl par excellence in this one. I've seen Neri in a number of movies but this may very well be her definitive moment here, as her assertive sensuality is a perfect fit for this character. In any case, her and Fenech together in an erotic set-up is never going to be a bad thing, in actual fact they even at one point indulge in a three-way girl-on-girl-on-girl romp with the farm girl they bring on board.
All-in-all, this is a bit of an unheralded gem. I only saw it when a very kind fellow IMDb user sent me a copy which suffered from pretty ropey sound quality. It's definitely a movie, though, that is crying out for a proper transfer, it definitely deserves that kind of care and is one that Euro-cult enthusiasts will definitely lap up.
The story takes place on a luxurious yacht cruising in the Mediterranean. A wealthy woman of questionable motives hires three people – the seducers of the title - to deflower her mentally-deranged son. Add an innocent farm girl to the mix and you have the recipe for much sexploitation shenanigans.
This one is notable for both being a very early screen appearance from cult icon Fenech but is of additional note in that it pairs her up with another of the hottest actresses working in Italian genre films at the time, Rosalba Neri. In actual fact this film is owned by Neri mainly. Kitted out in a leather bikini, carrying a rifle and throwing dynamite into the sea, she is a bad girl par excellence in this one. I've seen Neri in a number of movies but this may very well be her definitive moment here, as her assertive sensuality is a perfect fit for this character. In any case, her and Fenech together in an erotic set-up is never going to be a bad thing, in actual fact they even at one point indulge in a three-way girl-on-girl-on-girl romp with the farm girl they bring on board.
All-in-all, this is a bit of an unheralded gem. I only saw it when a very kind fellow IMDb user sent me a copy which suffered from pretty ropey sound quality. It's definitely a movie, though, that is crying out for a proper transfer, it definitely deserves that kind of care and is one that Euro-cult enthusiasts will definitely lap up.
When I heard this was the film where Edwidge Fenech gets friendly with a goat, I thought she just fed it some oats, maybe gave it some fresh straw to sleep on. Boy, was I wrong! Although I guess she did feed it something...
This hugely daft pile of crazy nonsense called Top Sensation is yet another giallo set on a boat where the female cast lounge around in tiny bikinis. The entire plot of this one seems to be set around getting shy, possibly autistic son of an oil heiress laid to make him a man, but he just wants to play with his toy racing car (that's not a euphemism). Neri and her husband have hired Fenech to do the job but nothing's getting him interested.
Also, the heiress has CCTV in her boat so she can watch folks getting it on, but then Neri's husband can watch her getting it on with Neri (and he gets it on with Fenech). It's a sixties film. They probably all had crabs.
The boat of course crashes on a sandbank and that's when our mob of nymphs find a local goat herder, a lucky goat, and the goat herder's wife, who raises the interest of the heiress's son! It's about this time when Fenech makes a remark about how rough a goat's tongue is...Plus, they have to get that lady herder spruced up for the strange son...and Rosalba needs some sun cream rubbed on her chest...
Of course, this not being a hardcore porn film everything is implied and there's very little by way of nudity, and the plot kind of deviates away from all the sleaze (save for the last five minutes). It's an enjoyable film, not least due to the strange story and the actresses involved, and for a film involving murder, it's all so light hearted.
I wonder if Edwidge's grandkids have ever watched this one? And I also wonder if the subsequently made it illegal for Fenech and Neri to star in the same film (or put the moves on another woman at the same time - my blood pressure!).
This hugely daft pile of crazy nonsense called Top Sensation is yet another giallo set on a boat where the female cast lounge around in tiny bikinis. The entire plot of this one seems to be set around getting shy, possibly autistic son of an oil heiress laid to make him a man, but he just wants to play with his toy racing car (that's not a euphemism). Neri and her husband have hired Fenech to do the job but nothing's getting him interested.
Also, the heiress has CCTV in her boat so she can watch folks getting it on, but then Neri's husband can watch her getting it on with Neri (and he gets it on with Fenech). It's a sixties film. They probably all had crabs.
The boat of course crashes on a sandbank and that's when our mob of nymphs find a local goat herder, a lucky goat, and the goat herder's wife, who raises the interest of the heiress's son! It's about this time when Fenech makes a remark about how rough a goat's tongue is...Plus, they have to get that lady herder spruced up for the strange son...and Rosalba needs some sun cream rubbed on her chest...
Of course, this not being a hardcore porn film everything is implied and there's very little by way of nudity, and the plot kind of deviates away from all the sleaze (save for the last five minutes). It's an enjoyable film, not least due to the strange story and the actresses involved, and for a film involving murder, it's all so light hearted.
I wonder if Edwidge's grandkids have ever watched this one? And I also wonder if the subsequently made it illegal for Fenech and Neri to star in the same film (or put the moves on another woman at the same time - my blood pressure!).
Did you know
- TriviaThe film was refused a UK theatrical certificate in 1970. It was finally passed fully uncut for DVD in 2016.
- GoofsEnglish version? This is one of the worst examples of a supposed English version of an Italian film slipping constantly into untranslated Italian dialogue, no subtitles.
- Quotes
2nd Final Title: [Italian TV version] Do not consort with sinners and remember, divine wrath is swift. Ecclesiasticus 7-16
- Crazy credits2nd Final Title: [Italian TV version] Do not consort with sinners and remember, divine wrath is swift. Ecclesiasticus 7-16
- Alternate versionsThere is an English version in which the opening titles are cast over scenes of Aldo and Paola cavorting about the yacht. Otherwise the background for the credits is a plain blue screen.
- ConnectionsFeatured in Gelegenheit macht Triebe (2013)
- How long is Top Sensation?Powered by Alexa
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