L'Affaire Thomas Crown

This is a very stylish and cerebral film that's meant to stimulate your mind rather than your senses: it isn't fast-paced, there are no explosions or big "special effects", and it doesn't have a formulaic happy ending. But it will keep you guessing (and thinking)... that's what makes it so good.

The Thomas Crown affair begs the question. What do the rich think of when they are bored? Norman Jewison decided to answer that question with a subtle, but over the top version of cops and robbers. Thomas Crown (suprisingly, but adroitly played by Steve McQueen) is a bored, millionaire who asks, "Who do I want to be tomorrow?" To that end, he decides on 'kicks.' In what seems like an absentminded challenge to himself, Crown designs and implements a down to the minute bank robbery. The plan is fantastic. He selects and hires five total strangers at random, instructs them on their part of the Bank robbery, then sets them in motion. What follows is perhaps the finest cat and mouse crime game between two intelligent and sophisticated players. Faye Dunaway plays Vicki Anderson, a top notch insurance investigator who for ten percent of recovered loot promises the capture of her agile quarry. Standing by to arrest the elusive Crown is Paul Burke, who plays Lt. Edward 'Eddy' Malone. Jack Weston portrays Erwin Weaver the get-a-way driver who could jeopardize Crowns Perfect crime. With the famous, "Windmills of your Mind" theme song, the viewer is hauntingly allowed into the mind of a sympathetic man and one cannot help but root for the thief. This film was McQueen's favorite. *****

Not what I expected. I expected a movie centered around Steve McQueen pulling off a heist. But actually it's a movie where the (brief) heist occurs early and the rest of the movie is about an insurance investigator played by Faye Dunaway trying to snare McQueen. The leaps of logic that allow Dunaway to get on McQueen's trail strain credulity even more than the implausible heist. The plot leaks like a sieve but the flashy direction and charismatic performances by the leads keeps you interested. McQueen and Dunaway definitely had chemistry. Hard to believe that terrible theme song won an Oscar. It's a good film so give it a shot, especially if you're a fan of "the king of cool" Steve McQueen.

The original "Thomas Crown Affair" directed by Norman Jewison is one of the coolest movies ever made and great fun for all of its 100 minutes - a clever bank-heist caper combined with the sensual romance where both participants (the brilliant bank robber and his match, the sultry and shrewd insurance investigator) are sophisticated, quick-witted and oh so cool. The split-screen technique really works well in this movie and I should mention the song "The Windmills of Your Mind" by Michel Legrand that very deservingly received an Oscar - and it does not happen often in the best song categories.

The chess game between "King Of Cool" Steve McQueen and 27 year old Faye Dunaway in the most provocative dress possible is one of the sexiest and most exiting without actual sex involved (my favorite kind of scenes - let my imagination work, let everything happen in my mind) scenes ever filmed. IMO, the 60s was one of the best dressed decades ever with the first wave of mini (and I mean it) skirts and elegant suits and dresses.

From Faye Dunaway's interview to "USA Today" about working with McQueen, "We had the most magical spark. Our hearts and souls combined. There was no romance off screen but on screen it was like a smack."

The Thomas Crowne Affair is a joy. It's a smooth, smart crime thriller and romance. Norman Jewison does a great job by having Steve McQueen and Faye Dunaway underplaying and by having a script that's very light on dialogue. Those two choices allow the focus to be on close-ups, facial movements, and silence, which communicate beautifully the mystery, the enigma, at the heart of Thomas Crowne and also allow Faye Dunaway to evolve her character credibly, to fall in love, all the while doing her job and being increasingly, and deeply, conflicted. Dunaway and McQueen are a great couple. Jewison also did a great job of using, and not over-using, the split screen technique which was new and trendy at the time. That allowed him to communicate lots of the story in very short, silent bursts, and keep a cool 60s vibe at the same time. And the famous music was just right. Great stuff.