Shalako

The idea behind Shalako is not as preposterous as it sounds. Lots of European nobles came here for hunting parties during the American wild west period. As was pointed out in the beginning of Shalako among others was the Grand Duke Alexis of Russia where Buffalo Bill served as a guide to his party.

That being said I'm sure none of them were as dense as Peter Van Eyck who when warned of Indian danger, refuse to leave an area. Quite frankly those Indians should have wiped those blockheads out and would have if not for the efforts of intrepid Indian scout Shalako, played by Sean Connery in a cowboy suit.

Connery looks real nice, but if he wanted to play a western a better script would have done for him. Sean knows this thing is a turkey, but if you had the opportunity to work with Brigette Bardot, would you pass it up.

Stephen Boyd is the best one here as the turncoat guide of the Europeans. Boyd was a good looking man with a trace of arrogance in his screen persona that made him right for a part like Messala in Ben-Hur, but wrong for Livius in The Fall of the Roman Empire. He's back in his proper element.

And I can't give the ending away, but folks take my word for it, it is ridiculous.

Still if you want to see some unfamiliar faces for westerns, this is a good movie to see.

SHALAKO is a movie that often appears in peoples least favourite western lists and looking at this page many people have said how much they dislike it but as someone who doesn't like the genre all that much I can't say it's all that bad First of all the premise is fairly simple without being threadbare which while not being a guarantee you'll be watching a great movie is often a guarantee you won't be watching an awful one: A bunch of European toffs on a hunting trip arrogantly wander into an Indian reservation and after being warned to leave by former army scout Shalako decide to ignore his expert advice which leads to some nasty consequences .

It's not a great story but it does allow for some character conflict and some serious violence . It might seem tame today but this movie was produced in 1968 when audiences were still being treated to war films where when people were shot they give a pained expression , clutched their wound and slowly sank to the ground like a dying swan . The somewhat sadistic violence is probably the main talking point of SHALAKO especially the scene with the sand and the necklace , you'll know the scene when you see it

Yeah it's flawed film . One point is the many accents used which makes it rather difficult to understand the dialoguein some scenes which probably annoyed an American audience while many of the characters remain somewhat underwritten , I kept forgetting senator Henry Clarke was in the story until he appeared on screen in an infrequent manner . As for the casting Eric Sykes seems to be doing his comedy routine while Apache chiefs shouldn't be played by African Americans

But all in all SHALAKO isn't as bad as some people would have you believe

Given its director (Edward Dmytryk) and its cast (Sean Connery and Brigitte Bardot) it is rather odd that 'Shalako" (1969) is such an obscure film and that so many of the comments/reviews are totally negative. "Spaghetti" westerns (filmed in Italy or Spain) were quite the rage in the late 1960's and "Shalako" is about what you would get if "Hombre" (1967) had been given a mild "Spaghetti" treatment.

While not even remotely on the level of Monte Hellman's stuff, "Shalako" is an entertaining and comprehensible western that most viewers will get into and enjoy until about the ¾ mark when the wheels fall off and it drags along to a less than spectacular resolution.

Dmytryk was a veteran action director who occasionally ("Eight Iron Men" and "The Young Lions") even did a good job of directing actors for the camera. This was one of his last efforts and he seems to have stayed focused on the action and paid little attention to the performances themselves.

Connery plays the title character, an experienced frontiersman who (like Paul Newman in "Hombre") is forced by circumstances into guiding a bunch of clueless civilians to safety. "Hombre" had Newman (a white man raised by Indians) in the moral dilemma of having to assist a group of people for which he has total contempt. Shalako ' s situation is simpler: he must extract a European aristocrat's hunting party who have ticked off the Apache's by coming onto their reservation and who have been betrayed by their cowboy hunting guides. Although he has little use for most of this group he has developed a grudging respect for a plucky countess (Bardot). There is decent chemistry in the early Connery-Bardot scenes but it does not sustain itself as the relationship begins to turn romantic.

As in "Hombre" there is an interesting twist with the young wife (Honor Blackman) of one of the aristocrats deciding to leave her husband for the dangerous cowboy (Stephan Boyd) who has just placed the group at the mercy of the elements (and the Indians). Blackman is excellent in this part , the only really challenging role in the production.

Dmytryk does an excellent job with his first three action sequences, including a surprisingly credible dawn attack on the camp of the hunting party and a more traditional stagecoach chase sequence. But as already mentioned, the film is extremely front-end loaded and he has dissipated all the tension before the climatic sequence even begins.

"Hombre" on the other hand withheld its best sequence until the end and managed to pack some nice irony into its resolution. You won't find this in "Shalako", in fact the final 20 minutes are so listless your mind begins mulling over the plot holes. Like how did Boyd's character manage to walk all the way to the top of the plateau without being detected by the Indians? When you have to insert a detailed verbal explanation for something totally inexplicable (that has happened "off" camera) a competent editor knows that it is time for some major trimming and a focused director begins revising his script.

Then again, what do I know? I'm only a child.

DIRECTOR: Edward Dmytryk. WRITERS: Louis L'Amour (novel) and Clarke Reynolds (screenplay). CAST: Sean Connery, Brigitte Bardot, Sephen Boyd, Honor Blackman, Jack Hawkins, Woody Strode and Valerie French. RUNTIME: 1 hour 53 minutes. LOCATIONS: Spain. COUNTRY: UK/West Germany.

THE STORY: A pompous group of European nobles on a hunting vacation in New Mexico are beset by a band of Apaches who don't appreciate them trespassing on their lands. After the Europeans are abandoned by their guides they are helped by an intrepid loner named Shalako (Connery). Can they make it out alive?

As you can see, this European film has a lot going for it. It's based on a Louis L'Amour novel and has a great cast. Yet, it bombed when it was originally released, but it's actually a very good realistic Western. Besides, how can you go wrong with Sean Connery and Brigitte Bardot?

Disregarding the horrible title song, the opening is reminiscent of "Duel at Diablo" and the rest of the film resembles "Hombre," which were both released in the late 60s as well. "Shalako" has the same tone, so if you like those films you'll probably appreciate "Shalako."

Although there's a lot of good Western action, including one excellent long battle sequence between the whites and the Natives, there's quite a bit of drama. As such, I encourage you to utilize the subtitles due to the heavily-accented dialogue; it helps you to keep up with the story and characters. There's also some good character definement.

The film is a story of arrogance and betrayal -- the arrogance of the Europeans who have no respect for the "lowbred" cowboys or "savages," and the betrayal of the American guides, headed excellently by Stephen Boyd (Messala in "Ben-Hur"). But, to my pleasure, "Shalako" is mostly a survival story. I love survival stories, like "Sands of the Kalahari" and "Flight of the Phoenix." This brings to mind other survival-themed Westerns like "Escape from Fort Bravo," "They Came to Cordura" and "Duel at Diablo." "Shalako" stands well with these films.

Can you believe Woody Strode, a black man, is cast as the main Native American antagonist? It works, believe it or not, as he looks convincingly Indian.

THE BABE REPORT: Of course, Brigitte Bardot is one of the most beautiful women to ever grace God's earth. With the exception of one bathing scene she's dressed to the hilt throughout. But -- man -- she has such a cute, pouty face and incredible locks of full blond hair. Interestingly, she was chosen to play Bond's love interest in "On Her Majesty's Secret Service" (the only non-Connery Bond picture of the 60s with George Lazenby as Bond), but she was ironically booked with Connery doing this movie. Honor Blackman, who played Pussy Galore in "Goldfinger," is also on hand. I never thought she was all that beautiful, although I like her as an actor.

Of great interest to me was the appearance of the underrated brunette Valerie French. She played the hottie in "Jubal" (1956) when she was 28. "Shalako" was her final film and she was 40 at the time of release. She's mainly a background character but she does have some lines and you'll catch quite a few good glimpses of her. She's almost as beautiful as Bardot, albeit brunette. And, no, it makes no difference that she's 40.

FINAL ANALYSIS: I fully expected to not like "Shalako" due to the bad or lukewarm reviews, but I was pleasantly surprised. The critics are way off. This is a really good late-60's Western. Those with ADHD might not like it 'cause there's a lot of character-defining drama, but I found it worthwhile for all the above reasons.

Some criticize the ending as ridiculous, but I liked it. Would it likely happen in real life? Probably not. But I didn't find it all that unbelievable. In other words, the filmmakers pulled it off. It's a good MOVIE ending. That's why they went with it.

GRADE: B+

The caste alone is worth the admission: Connery, Bardot, Hawkins,Steven Boyd, Eric Sykes, Honor Blackman, Woody Strode, others ... Mostly European (actors) - strange for a Western - but not unrealistic to the times. Hawkins and Boyd - both recently out of starring in Ben Hur. A coterie of fine acting talent and charismatic screen artists. Proves my theory as to why Western Film will never die: Every Actor and every Director want to make a Western at some point. Connery and Bardot have some nice interplay in sharing the bulk of the screen time. Meanwhile here's some decent action here in what is a pretty well a straight up Western adventure tale. Possibly a Western that will enjoy greater appreciation with time.