She-Devils on Wheels

The worst movie I've seen in a while...and the most entertaining!! While there is nothing really great about this film from the acting to the plot, it's insanely amusing! This is another film that falls into the 'It's so bad that it's good' category. You think the theme song is bad? Wait till you get a load of those 'Maneater' vests! They look like a gang of 9 year olds made them! The plot is almost too simple to even be called a plot. The sex and violence are so fake that it's embarrassing. As usual in these kind of youth-sploitation films, the bad ass teens are totally laughable. With all that said...I still found this movie extremely amusing to watch and I actually enjoyed every minute of it!! It's one of those movies that I'm sure I'll enjoy more each time I see it! So bottom line, when I say it's the worst I've seen in ages, what I really mean is that I loved it! Now go out and watch it!!!

She-Devils on Wheels was. to say the least, disappointing. The title leads you to believe that these female bikers called the Man-Eaters, are hard, fist swingin', booze drinkin' chicks! Nope. They really bland when you see them. Maybe for that time in the 60's, they were something crazy. But when you do a movie about biker women who are supposed to be really tough, why hold back and make it realistic? I think that Hershel Gordon Lewis really held back. There were some good gory moments, the fight scene between the Man-Eaters and the hot roders was pretty good. I just think that these chicks should have been more hard-core. There must have been a tougher gang of biker-chicks that Lewis could have made a movie about.

Classic she-exploitation. What can I say about a film where girls lick blood off each other and kiss as initiation rites into a biker cult? Men are beaten, dragged behind bikes, f*#$ed, and decapitated. Good acting from a few of the leads. Terrible script with no story provides opportunities for humor and visceral violence. No nudity.

Not as gory as other Lewis films, but more fun than most.

Anyone who can't appreciate this CAMPY movie for what it is has no appreciation or knowledge of true 60's B-sleaze-movies. C'mon, folks - it was 1968.. the summer of Love was just barely over, and you still had massive restrictions on what you could, and couldn't show in a film of ANY genre. Enter Hershel G. Lewis. and the Man-Eaters. Part of what's so hilarious about this film is that the real-time, bikerChix of Southern FL (Filmed in a town called "Medley" around an abandoned airport) were bikers 1st, and actors second. Compared to latter-day hip-hop momma's of Brooklyn's PS103, these broads WOULD be a bunch of Daisy-pickin' mommas - but again, this was 1968. The styles, clothes, cars, HAIR!, and other peripherial shots are worth the watching, as is the clumsy acting. Those who lived through 1968 will catch some of the buzz-words of the day, ie: "Where's his PAD, Nick?" and "What's the Action?" And check out that theme song, repleat with the same twangin' guitar sound as (I) remembered being used on late-60's girl Scout commercials! It's hilarious! And the lounge-Music used for the orgies after the girls "Pick" - Not what I'd imagine Ruby Tuesday would have been into in 1968, with her LSD-inspired scraggly hair and shades - but hey, this is the mistique that is S.D.O.W. Even the "Sex" scenes are tame by today, when Janet Jackson can make a cereal commercial with her boob hangin' out - but remember, it was 1968 and the best that 200+ LB. "Whitey" could do sexually was ride some dork's back in a twitchin', twirlin' frenzy. Whoo! The swingin' female-sex kitten-dominatrix theme is nothing new, nor was it when HGL made this film. What WAS new was that he used real bikers, a real Florida town, and the REAL bad acting that made this cult film the classic it is. If you expect more than that - you're missing the point. I can't imagine what a current-day sequel could be. As for Karen - I think she should have left the gang with Rodney Beddell ( the Blond w/the Corvette ) - but that would have been my ulitmate ending: Kick Queenie's ass, send Whitey to jail, befriend HoneyPot before she gets herself knocked-up or raped again, and go back to being a good girl. Sigh* - I can dream.

If ANY of the actors involved with this movie are still breathing, CONTACT ME!

Master exploitation filmmaker Herschell Gordon Lewis tries his hand at the biker genre that really took off the following year with "Easy Rider". Here he gets fair results, with a screenplay credited to his then-wife, Allison Louise Downe. It functions more as a series of bits than a real story, and overall it's kind of mild. Those people expecting the fireworks produced by his renowned gore films will be disappointed.

The Man-Eaters, the all-female motorcycle gang depicted in this non-epic, are never terribly threatening or much of a danger to society. Mostly they love to recite poetry, help themselves to an assortment of studs, and race. One of their number is Karen (Christie Wagner), who joined a while back despite the objections of her boyfriend Ted (Rodney Bedell). Their "mascot" is a sweet faced, upbeat gal named Honey Pot (Nancy Lee Noble). And the official leader of the gang is the swaggering Queen (Betty Connell). They cause trouble for themselves when they rumble with a male gang led by Joe-Boy (John Weymer).

We do see the aftermath of some rather nasty violence, but the only hilarious bit of gruesomeness comes from a decapitation near the end. The movie offers some fun, but it never reaches the lunatic heights of HGLs' best known work. This viewer can see why some trash lovers - even those who are fans of HGL - might consider it boring.

The acting is pretty rough and amateurish, but the performers are entertaining enough to watch anyway. Connell does have some charisma, and corpulent Pat Poston some screen presence.

This is lesser HGL, but even lesser HGL is not completely without entertainment value.

Six out of 10.