Cérémonie secrète

This movie is a tad pretentious and muddled, but it'll get under your skin. All the characters are either so deluded (crazy rich girl Mia Farrow), desperate (middle-aged hooker Liz Taylor) or demonic (scummy pedophile Robert Mitchum) that watching it is like spending two hours in a psych ward with no attendants on duty. Also gripping is the atmosphere created by director Joseph Losey, who was considered as a genius in the 60s and is pretty much forgotten today. With wide-angle shots and a minimum of noise, Losey reinforces his characters' isolation and solipsism by making London, one of the most crowded cities in the Western world, seem as empty and quiet as a tomb.

The plot is a psychological inversion of the classic haunted house story -- Liz and Mia take shelter from an outside world that threatens their relationship. And that relationship is, to put it mildly, weird. Mia lures Liz into her huge, empty home because she resembles her late mother. Liz indulges Mia's fantasy because as a homeless prostitute she's in need of shelter, plus, she lost a daughter who looked a lot like Mia. This arrangement could be sweet to the point of treacly if these two grown women didn't enjoy doing things like bathing together and discussing ex-lovers. And Mia has a particularly repulsive ex-lover in Mitchum, her former stepfather who started molesting the girl in her early teens. Though the experience clearly ripped Mia to shreds, the creep still has some power over her and the film becomes a battle of wills between Taylor and Mitchum. Along the way there's a fake pregnancy, a nightmarish seaside holiday and a visit to Mia's two horrid old-maid aunts. The movie isn't particularly pleasant or coherent, but it does pull off the impressive feat of telling its story the way its characters are experiencing it, and that's pretty damn disturbing when you're dealing with a bunch of warped people. See it, then watch a romantic comedy or something so you're able to sleep that night.

After winning an Oscar for her role as the shrieking, voluptuous, vicious harridan in "Who's Afraid of Virginia Woolfe?", Elizabeth Taylor felt encouraged enough to look for riskier parts where her beauty and star power were deliberately played down. In SECRET CEREMONY, she had one of her most cutting-edge, risky role as the aging, down-trodden prostitute whose little daughter drowns. She meets a strange, mad girl, Cenci (Mia Farrow) who's convinced Liz is her recently dead mother, Leonora and takes her home where both women play a game: Elizabeth becomes Leonara and Cenci has found her mother alive and well. Director Joseph Losey creates a sumptuous world where most of the action occurs in this fabulous Victorian mansion, jammed with striking lamps, toys, dolls, furniture, lighting,etc. IT all contributes to making this an A Plus horror film where madness rules. A haunting musical score, outstanding lighting and camera-work and an unforgettable wardrobe for the star all combine to make this a true cult movie--which was lambasted by critics and audiences at the time of release but has since grown in stature as a treasured art-house classic.

I saw "the girl in the park" yesterday and although it featured Sigourney Weaver's moving performance ,I couldn't help but be struck by the similarities with Losey's forgotten movie: Sigourney Weaver was in search of a long lost daughter whereas Mia Farrow is in need of a mother.Farrow is impressive in her performance which was outstripped by the success of "Rosemary's baby" -in which she is terrific too-.As soon as we see her ,we feel how irrational she is.Her smiles,her gentleness ,her tenderness have something spooky.Ther's also an attic where the characters try to invent a brand new past for themselves.Liz Taylor and Robert Mitchum are as good as Farrow and the movie is one of Losey's sleepers,almost in the same league as his overlooked "Monsieur Klein" (another case of mistaken identity)

Joseph Losey's brilliant psychological drama follows the strange relationship between a prostitute(Elizabeth Taylor) and a waif-like girl(Mia Farrow) who resembles her deceased daughter. Taylor also bears an incredible likeness to Farrow's deceased mother, enabling the two women to create a world of their own where they can live as mother and daughter. Their secret world is disrupted, however, when Farrow's lecherous stepfather(Robert Mitchum) enters the scene. "Secret Ceremony" features expert performances from all, but it is Elizabeth Taylor who walks away with the honors, delivering a truly moving portrayal of an emotionally broken woman searching for some stability in her life. It's one of her most daring roles, and Miss Taylor handles it like the consummate actress that she is. The screenplay is by George Tabori, based on the prize-winning short story by Marco Denevi. (Universal later cut footage from the film and added extra scenes to make the picture acceptable for a television audience. Luckily, the video version is the original, uncut theatrical release).

"Secret Ceremony" was critically lambasted on its release - undeservedly so. Having come on the heels of another Elizabeth Taylor/Joseph Losey collaboration - the truly awful "Boom" - I suppose the critics were sharpening their knives again.

Admittedly, "Secret Ceremony" is probably an acquired taste. I first saw it on network TV in its mutilated form, with new non-Losey scenes filmed to supposed "explain" what was happening. Nevertheless, what remained of the original film was good enough that I sought out the uncut original.

The story is bizarre but consistently intriguing, and the Taylor/Farrow combination works. Taylor is very good in this film; I think it's one of her best performances (her scene at the very end is excellent). I highly recommend this film for those with eclectic, adventurous tastes.