Rachel, Rachel

Joanne Woodward delivers a warm, sympathetic performance as a 30-something spinster small-town schoolteacher living with her mom (Kate Harrington) in rooms over the local funeral parlor. Said business used to be operated by Rachels' recently deceased father (Donald Moffat). Rachel despairs over the idea of her life possibly being at least half-over now, and yearns for something more. Possibly she may get a chance for love with a charming big-city teacher named Nick (James Olson).

Woodwards' husband Paul Newman made his creditable directing debut with this interesting choice of material (an adaptation by Stewart Stern of a novel by Margaret Laurence). It's first and foremost an excellent showcase for his wife, who hits all the right notes. Rachel is the kind of character who honestly earns rooting interest; the viewer does ultimately want her to be happy. She does have issues, of course, stemming from her childhood; her best friend Calla (Estelle Parsons) has her own issues as well.

The script truly allows us to get inside this lead characters' head by allowing us to hear her thoughts. We come to see that "reality" in this story is not always to be taken for granted, with some critical revelations along the way that illustrate just how strongly Rachel wants some change in her life. There are some true standout moments, such as Rachels' reaction to a memorable church service, presided over by a reverend (special guest star Geraldine Fitzgerald) and young preacher (Terry Kiser).

Marking the first noticeable movie roles for top character actors Moffat and Kiser, "Rachel, Rachel" does truly benefit from this impressive cast, with Woodward as the glue to hold everything together. It's extremely well shot by Gayne Rescher at some picturesque locations in Connecticut, and nicely scored by Jerome Moross.

This compassionate character study scored Oscar nominations, for Woodward, Parsons, Stern, and for best picture. It's a must if you're a fan of the cast and director.

Paul and Joannes' daughter Nell plays Rachel as a child.

Seven out of 10.

This small, naturalistic film is one of the more honest films to come out of Hollywood. Its portrait of unexceptional lives strikes chords most movies never hear. Woodward and Harrington are superb, and under husband Paul Newman's direction, Woodward gives what is probably her finest performance. Newman has done a first rate job, and his use of photographed thought is particularly effective thanks in large part to Dede Allen's superb editing. The scene at the revival is ,perhaps, overdone but, the rest of the film feels true to life. The film's integrity is in its refusal to romanticize or provide dramatic climaxes. There are no heroes or villains, nothing remarkable happens, yet the film is holding and affecting and it should have been on the AFI's list of The 100 Greatest American Films. It deservedly received Oscar nods for best picture and actress, but director Newman was not nominated. Both the New York Film Critics and the Hollywood Foreign Press (Golden Globes) awarded Newman and Woodward. A gem!

This film is one my all time favorites. It's a strong story about a school teacher who lives with her cranky, dominating mother and who hasn't had (or used!) the chance to take responsibility for her own life. Rachel is a woman of many fears; fears that may seem insignificant and vain from an outsiders point of view but that are everything to her, that actually define the framework for her life. In a little town of conservative values it is hard to take a turn and find the courage to become something you weren't before. Joanne Woodward gives a masterful performance and is the heart and soul of this film. She does the most incredible things with just her eyes and her face, and her voice. She makes Rachel so real it hurts to watch. That's acting. Estelle Parsons as Calla is fantastic, too. This is a beautiful, sensitive movie, highly underrated and way too unknown to most people. For me, it's a classic. Go find it and see it!

Based on the novel "A Jest of God" by Canadian novelist Margaret Laurence, "Rachel, Rachel" is the story of Rachel Cameron (beautifully played by Joanne Woodward), a middle-aged schoolteacher who tries to come out of her shell before it's too late. Her father, recently deceased, was the town's funeral director. She still lives at home with her demanding mother (Kate Harrington). Rachel's friend is Calla Mackie (Estelle Parsons), an equally lonely, repressed fellow teacher who has some issues in her life as well. Rachel has a chance on love when a man (James Olson) returns to the small town in Connecticut from NYC. Rachel has some difficulty handling emotions she's never felt before. She's still haunted by her past and has difficulty coping with reality and fantasy. As Rachel mentioned at the beginning of the film, she's middle-aged, she's lived half of her life, what can she do now?

This was Paul Newman's debut as director. He did a fine job directing his wife Joanne Woodward. He captured the loneliness of this woman without overdoing it as well as the atmosphere of living in a small town that is alternately comfortable and suffocating.

I was also impressed with the supporting cast. Including Estelle Parsons, Kate Harrington and James Olson, Donald Moffat as Rachel's very scary father and two very charismatic performances by Geraldine Fitzgerald as the local reverend and Terry Kiser as a traveling faith healer.

Although it received four Oscar nominations, "Rachel, Rachel" seems to have fallen off the radar screen. Some of the movies that were released in 1968 included "The Lion in Winter", "Funny Girl", "2001: A Space Odyssey", "Romeo and Juliet" and "Planet of the Apes".

"Rachel, Rachel", a mature, well-acted drama, certainly should be considered one of the more under-appreciated films of the late 1960s.

For Paul Newman's directorial debut, a property was chosen that was a real star vehicle for his spouse Joanne Woodward. In a distinctly unglamorous part, Rachel Rachel is about a 30 something spinster schoolteacher who lives with her perpetually sick mother and yearns to have something more out of life. She's inexperienced in a whole lot of different ways.

The script written by Stewart Stern which did receive an Oscar nomination uses the technique of Eugene O'Neill perfected on stage and screen in Strange Interlude. It's confined in this star vehicle to the lead character of Woodward. We get to hear her inner thoughts and see them acted out in her drab existence.

Looming in front of her consciousness is her unseen sister who did leave the nest and got married and started a family of her own. Mother Kate Harrington always uses that example to berate Woodward. At the same time Woodward must not entertain thoughts of leaving mother. The two live above a funeral parlor that was once her father Donald Moffat's business, but now has been taken over by Frank Corsaro who lets them stay on the premises. Not exactly an atmosphere to encourage romance of any kind.

After a night on the town with James Olson who quite frankly was just looking to make an easy score on a sex starved spinster, Woodward has to make a few life altering decisions.

Rachel Rachel got 3 other Oscar nominations for Best Picture, Best Actress for Joanne Woodward and Best Supporting Actress for Estelle Parsons. Parsons has an interesting role herself as fellow teacher and confidante to Woodward. She's got herself wrapped in some fundamentalist church which serves as her vehicle for a social life. But that is far from Woodward's scene.

Purportedly Woodward was miffed that husband Newman got no nomination for Best Director. But I think the one who really should have been miffed is Kate Harrington. A veteran of a couple TV soap operas this was clearly her big screen career role. And she's really the only one who matches Woodward in any scene they're in. She definitely should have gotten some Academy recognition.

Rachel Rachel is a fine character study and a great vehicle for Joanne Woodward. And having it filmed in and around Paul and Joanne's Connecticut home must have been a blessing for both of them.