Enfants de salauds

Play Dirty (1969)

You almost have to see this anarchic, nasty, selfish, brutal WWII movie as a comment on Vietnam, and on war. It's 1969. At first you think Michael Caine, for all his talent, is miscast, but the odd displacement of his character among a lot of very hardened, serious men is part of what works.

This is not like any WWII you've seen. It's an odd mixture of hardship, tedium, humor, and straight up masculine grit. It's set in the Sahara, so dunes and sand and dry nasty weather rules. There is a mission at hand, and these men have to be unorthodox and ruthless to succeed. But there are long stretches of just traveling and conquering the desert, of going day after day through storms and lack of storms. There is also fighting amongst the men, a somewhat horrifying (and unnecessary) attempted rape, some bloody carnage of natives, and of Germans, a long twenty minutes of Fitzcarraldo heroics with some cables, and so on.

But in the end, it really does capture something essential of war, including the nonsense of some of it, and the lack of rules, and the lack of personal safety that comes from chaos, and the difficulty of companionship and trust.

Tough, macho Nigel Davenport matches wits with firm English captain Michael Caine as they team up to kick axis butt in this two-fisted war movie that will keep you glued to the screen.

The harshness of the unforgiving desert and the danger of combat is expertly presented by director Andre de Toth. The storyline is intelligent and the characters believable whereas the battle scenes are excellent as well as a scene in a desert windstorm that is my favorite. Nigel Davenport is an underrated actor and the tension between him and Michael Caine is nicely understated, which gives it more power. One of the top war movies from its era.

"Play Dirty" is one of those rare films that reassures you that some filmmakers are willing to try something different with a tired genre. The World War Two epic has been done a thousand times, but this one is different. Michael Caine is his brilliant self, supported ably by Nigel Davenport and Nigel Green in this film which has drawn comparisons to the "Dirty Dozen" but, I believe, strikes ground of its own. Andre de Toth directs with a style that was well before its time, giving this film something others lack - longevity. A top flick worth seeing. *Three and a half stars*

Prescient, dark slice of a desert war campaign -- a band of jaded misfits is sent on a critical dangerous mission -- that you will not be able to erase from memory. The tension De Toth creates in one scene of a booby-trapped way-station, with long patient shots and close ups of sweat beads, surpasses any but the most masterful of Hitchcock. Michael Caine's role as a reluctant oil executive tagged on to the mission is a study in ambivalent survival. The characters are some you'd never expect.

De Toth is among the most interesting directors no one has ever heard of. His distaste for the studio system has meant that many of his movies have been overlooked. His style of storytelling is terse and sparse, almost unfinished, leaving the viewers to fill in their own ideas. Probably unsatisfying to some, but fascinating in his contrast to so many over-explaining movie makers.

Syriana owes much to the tenor of this story. It is the flip side of Band of Brothers. A story that today holds more lessons than ever.

Somewhat similar to "The Dirty Dozen," in that its plot features a group of convicts recruited for a deadly mission during WW 2, this fast paced war epic is much more stylish and unpredictable than that crudely made, if undeniably entertaining, Robert Aldrich blockbuster. With great performances from Michael Caine and Nigel Davenport, as well as able support from a cast of fabulous British actors, the film features one terrific action sequence after another, with plenty of surprises in store. To say anything more would surely ruin many of those surprises for the unsuspecting viewer, but it should be noted that the story comes to a screeching halt with what is possibly the greatest and most hilarious "Ooops!" in film history.