Petulia

I saw this film when it opened and recently bought the video and watched it again.

I remembered being very moved by the characters and the pairing of Julie Christie and George C Scott. Christie was so young and Scott was also still quite young as well. They had great chemistry. I didn't know that Shirley Knight was nominated for an award for her role. She's very good. Her scene with Scott where she's trying to appease him and he loses his temper is electric. She says more in her look, using her eyes to convey her hurt and confusion, than most actors say in too many words.

Julie Christie has always had a way of getting under your skin. She is able to make you care for her (a lot like she did in "Darling") despite the fact that her character initially comes off as flaky or "kooky." It starts out light and amusing then turns dark and insightful. I remembered this movie for years until I was able to buy the video. It is very 60's in sensibility. So, if you weren't around during that period, see this movie. It captures the sixties in way few films have done as well.

San Francisco looks beautiful in 1967.

I adore this film and I'm so surprised that it doesn't have a higher score for user votes. I stumbled on this film on cable and was mesmerized. It's truly is fabulous - if it sounds like I'm gushing over it, it's because that's precisely what I'm doing. Julie Christie is just awesome in this film. She so kinetic, and of course, beautiful. The biggest surprise for me was watching Richard Chamberlain. I always thought of him as just the King of Television Mini-Series, and he was so utterly different in this than what I grew up thinking him to be. The film is so stylistic - wonderful the way it plays with time and images. Petulia is the best hidden surprise that I've stumbled on in the last 5 years. Now if someone would only release it on DVD - PLEASE!

I could not give a wide range recommendation for this film. If you don't like abrupt flashback edits and a story that unfolds slowly, then this is not for you. However, if you can hang with the film you will be rewarded for your effort with some truly bizarre moments. There are images from the film that really stuck with me. The absurdity of situations seemed to come back to me days after having watched it. I remembered the gift of the Tuba, the hospital staff trying to explain the 'dummy teevee' procurement procedure, and of course, George C. Scott making his way into not only a 'Big Brother and the Holding Company' concert, but also a 'Grateful Dead' show. Huh?

Added to that you have Richard Chamberlain in all his dandy elfin fabulousness, Joeseph Cotten collecting a paycheck and a very young Howard Hesseman(Dr. Johnny Fever) in a cameo that really served no purpose that I could fathom.

A lot of cat and mouse love affair nonsense between the beautiful Julie Christie and the 'throat lozenged' George C. Scott....what?......it could happen. A lot of obsession and a bit of denial make up the bulk of the movie.

It is interesting to see Scotts' character change throughout the film.

Richard Lester has made many, many great films. And although this film doesn't carry the Richard Lester stamp, it is still one of his best films. I loved it. 9/10.

But really, George C. Scott at a 'Dead' show? Trouble ahead, trouble behind indeed.

Clark Richards

Petulia is a movie of suggestion and inference, something rare for movies of its time. The aimlessness of its cast only hints at darker, neurotic motives. It seems the players' purposelessness is the point; not so. Characters have plans but don't know or admit them. This film uniquely rides on nuances, from reflections to innuendo.

Chamberlin's the most overt character, with his barely-contained lust for the little boy. 'Petulia' has appetites, but for not what she knows. Ditto Scott's restless character.

The graphics are subtle and rich at the same time. Overall, seems to me this film was ahead of its time in concept and execution. Hope it makes its way to dvd...

Petulia opens with a shot of a middle-aged woman in a wheelchair, then cuts to a sixties' rock club featuring a very young-looking Janis Joplin. The sixties counterculture definitely torpedoed middle-aged women. Their husbands, like Archie, the middle-aged doctor played by George G. Scott, have the luxury of deciding they're "tired" of being married and jumping into affairs with younger women. This is a cause of continuing sadness to his ex-wife Polo, wonderfully played by Shirley Knight. Archie becomes involved with Petulia (Julie Christie), a clichéd "kooky" young woman of a type that often appeared in films of this period. Petulia is married to an abusive, wealthy husband, David, played with suitable evil by Richard Chamerlain. Christie is such a good actress that she gives some dimension to the role, although she's far outshone by Knight as Polo, the wounded wife. In its technique and attitude it really is a European or British film shot in San Francisco with American actors. There are interesting cultural references to the sixties, that may have seemed daring at the time, but now seem more innocent than anything else. The film is really about Archie and men of his generation and their bewilderment at the changing cultural mores represented by Petulia. On one hand they're delighted to feel that they can have sex with no responsibilities, but Petulia, for all her charm brings nothing but chaos into Archie's life. Was it really worth for him to be involved with her? And he ends up stuck with a high maintenance greenhouse in his apartment.