A down-on-his-luck New York private eye takes a bodyguard job for the death-threatened mistress of a shady millionaire and gets involved in conspiracy and murder.A down-on-his-luck New York private eye takes a bodyguard job for the death-threatened mistress of a shady millionaire and gets involved in conspiracy and murder.A down-on-his-luck New York private eye takes a bodyguard job for the death-threatened mistress of a shady millionaire and gets involved in conspiracy and murder.
Jane Van Duser
- Elinor Silene
- (as H. Jane Van Duser)
Herb Edelman
- Charlie
- (as Herbert Edelman)
Featured reviews
This was the first 'X' certificate film I was able to see, under the UK title 'New Face In Hell' (at 103 minutes as opposed to the original 109 minutes). I've never forgotten it and have been searching for a copy of it for years. Can anyone explain why it's disappeared and has never been available? It was an exciting, smart, brutal thriller with a great cast, very slickly put together by a respected director. Here are some of the things I remember: a slow tracking shot going up to a white-haired Raymond Burr sitting at a desk as he explains to George Peppard what he wants him to do for him; George Peppard saying there'll be a "New face in hell for breakfast" when threatening somebody; a man being killed, very messily, under an underground train - a guard shouts "Somebody get a first-aid kit", to which George Peppard replies, "You're gonna need a big one"; and a huge splatter of blood when somebody's shot dead in the final scene. Not to mention various vicious fist-fights ... and the gorgeous young Gayle Hunnicutt. This was 'sex and violence' at its best! Come on, Universal, find it in your archives and get it released!
If you've only seen PJ on Television, you haven't really seen it. In the late 60s, censorship was temporarily relaxed: Ratings were "G" for Nothing Offensive, and "M" in case there was anything objectionable. With the wisdom of their breed, Studio execs quickly realized they should try to get away with as much as possible, and films like GUNN, DEADLIER THAN THE MALE and NIGHT OF THE FOLLOWING DAY were filled with raunchy (for those days) sex and violence. However, with an eye to TV showing, the studio execs also had alternate scenes shot for these films and the resulting Tv showings were tepid at best. The movie version of PJ has a seamy, tasteless feel totally appropriate to a cheap Private Eye film.
After years of trying to see the original release version of the film, I finally acquired an uncut copy from a collector and must say I was puzzled with the outcome. There was the original, infamous subway scene intact, as well as the gay-bar beating. There are some really gritty location shooting in NYC, but its mixed with the most banal, studio bound bland scenes. If you can image a film that intercut the "French Connection" with an episode of "The Rockford Files" then you would get a good idea of how this film plays out. Not bad, but a disappointment. Don't even bother watching it if its the TV version, which cut out most of the gritty scenes.
My memories of the gritty but not totally successful private eye drama "P. J." are rather hazy and incomplete. As several other writers have mentioned, the movie was heavily edited for television after the movie's original release. Even as an impressionable kid, I wondered why P. J. (George Peppard) was badly beaten up without knowing who did it and what happened to the guy on the subway platform that threatened P. J.'s life? The two sequences, as well as several others edited scenes, made "P. J." on TV a rather bland and disjointed mess.
On a hunch, I was able to finally see an unedited, pan-and-scan version of "P. J." a few days ago. Regrettably, the movie was not as good as I remembered. This is despite good performances by Peppard and Raymond Burr, who probably relished the offer of playing a bad guy after many years as Perry Mason, as well as Gayle Hunnicutt as the femme fatale.
The musical score by Neil Hefti and the New York locations certainly set the mood. (Some of Hefti's interludes sounded a lot like his score from the movie "The Odd Couple". "P. J." was released a few months before "The Odd Couple".)
I don't consider "P. J." a classic because of some misguided creative decisions by the writers and director and production choices in which scenes that were obviously filmed on the Universal back lot took me out of the story on occasion.
However, I believe that movie studios are doing themselves a disservice to the public by not releasing this and other movies to the web or on DVD. There are horrible movies in the past few years that are on the web or released on DVD but a 1968 film that was not necessarily a classic and did not win any awards is shown illegally on a popular web page. To Universal, release the film on a widescreen format and let the public decide if the movie is worthy.
Update: The film was finally released on DVD and Blu-Ray by KL Studio Classics in October 2020.
On a hunch, I was able to finally see an unedited, pan-and-scan version of "P. J." a few days ago. Regrettably, the movie was not as good as I remembered. This is despite good performances by Peppard and Raymond Burr, who probably relished the offer of playing a bad guy after many years as Perry Mason, as well as Gayle Hunnicutt as the femme fatale.
The musical score by Neil Hefti and the New York locations certainly set the mood. (Some of Hefti's interludes sounded a lot like his score from the movie "The Odd Couple". "P. J." was released a few months before "The Odd Couple".)
I don't consider "P. J." a classic because of some misguided creative decisions by the writers and director and production choices in which scenes that were obviously filmed on the Universal back lot took me out of the story on occasion.
However, I believe that movie studios are doing themselves a disservice to the public by not releasing this and other movies to the web or on DVD. There are horrible movies in the past few years that are on the web or released on DVD but a 1968 film that was not necessarily a classic and did not win any awards is shown illegally on a popular web page. To Universal, release the film on a widescreen format and let the public decide if the movie is worthy.
Update: The film was finally released on DVD and Blu-Ray by KL Studio Classics in October 2020.
PJ was originally released in the late 60s when movies were rated either "G" or "M"; anything with any questionable content was rated "M" and Studio execs, with the wisdom of their breed, realized they might as well put in as much as they could get away with. The result was some delightfully tasteless sex and violence in films like NIGHT OF THE FOLLOWING DAY, DEADLIER THAN THE MALE, GUNN, TONY ROME... and PJ. Unfortunately, when these were released to TV, the studio execs, with the wisdom of their breed, cut out all the best parts and substituted banal "made for tv" scenes. As originally made, PJ contains some really gritty moments that really capture the sleazey aspects of the PI genre. Hopefully, someone will make this available on Video soon.
Did you know
- TriviaSusan Saint James' movie debut.
- Quotes
Maureen Preble: Mr. Orbison would have to be a lot uglier and a lot kinkier before this kid would trade in her nylon nightie.
- ConnectionsReferenced in Otley (1969)
- SoundtracksWelcome to St. Crispin
Music by Percy Faith
Lyrics by Philip H. Reisman Jr. (as Philip Reisman Jr.)
Sung by King Charles MacNiles
- How long is P.J.?Powered by Alexa
Details
- Runtime
- 1h 49m(109 min)
- Aspect ratio
- 2.35 : 1
Contribute to this page
Suggest an edit or add missing content