La Femme des neiges

As a big fan of Kwaidan I was really excited to see a new version of this. In Kwaidan the Snow Woman sequence is only about forty minutes, but here it's a full movie! So how does it compare! It blows the sequence away (even though I prefer Kwaidan as a whole) The woodcutters are expanded, and you get to see the Snow woman in more action sequences; sometimes it even resembles a slasher movie. What a fantastic idea! You got a ton of creepy atmosphere in the form of the scares and the Japanese folklore feel. I highly recommend you get Radiance's 4k release of this, a ton of character, alot of spookiness!

I recently watched the Japanese film Ghost Story of the Snow Witch (1968) on a streaming service. The plot follows a wood craftsman caught in a snowstorm while searching for the perfect tree. Seeking refuge in an abandoned home, they encounter a witch who kills the craftsman and strikes a deadly deal with the apprentice, promising a return if the pact is ever broken.

Directed by Tokuzô Tanaka (Zatoichi the Fugitive) and featuring performances from Shiho Fujimura (Zatoichi's Cane Sword), Akira Ishihama (Harakiri), Mizuho Suzuki (Akira), and Taketoshi Naitô (Lone Wolf and Cub: Sword of Vengeance).

The portrayal of the witch is remarkably impressive for its time, with intense and well-crafted eyes giving her an almost owl-like appearance at times. 🦉 The witch's allure is gorgeous, even surpassing human form flashback scenes, adds to the film's appeal. The unfolding backstory captivates, and the cinematography, particularly during the era, stands out. The depiction of the snowstorm and landscape shots left a lasting impression. The storyline weaves several intriguing twists until a satisfying conclusion.

In summary, Ghost Story of the Snow Witch offers a unique and engaging witch narrative well worth your time. I'd score this a 7.5-8/10 and strongly recommend it.

In a certain area of Japan there was a legend of a powerful ghost living in the mountains known as the "Snow Woman" who would kill those she happened to come upon. One particularly snowy day a master carpenter and his apprentice were traveling in the forest looking for a tree to make into a statue for their local shrine. They found the tree but that night the Snow Woman appeared and killed the master as he slept. His apprentice, "Yosaku" (Akira Ishiham) witnessed the whole thing as he lay there completely horrified. She then uncharacteristically tells him that she will spare him as long as he never mentions her or what happened that night. He swears and she leaves. Not long afterward, a beautiful woman named, "Yuki" (Shiho Fujimura) shows up in his village. Yosaku falls in love with her and they get married. Anyway, rather than spoil the story for those who haven't seen it, I will just say that this was a pretty good ghost story which is very Japanese. As such, those who are able to enjoy films from another culture (with English subtitles) will probably find this movie quite interesting. Others may not. Personally, I thought it was a very good film. I especially liked the makeup and the snowy sets the director (Tokuzô Tanaka) used which enhanced the spooky ambiance and gave the film an artistic touch. An above average movie.

A wonderful story told so well in this adaptation. It is so much more than a horror story. It is a story of love and compassion but with great sadness. It captures the imagination in a way that the Japanese are true masters at.

I want more of these kind of movies!

Three years after an adaptation in 1965's KWAIDAN, the classic Japanese ghost story of the yuki-onna (snow woman) gets a feature-length telling. While Tokuzo Tanaka's film might feel a little redundant after the wonderful adaptation of the story in KWAIDAN, KAIDAN YUKI JOROU is still well worth a look for fans of Japanese folk horror.

Extending the tale to eighty minutes doesn't feel like stretching it too thin; the feature-length story gets to focus more time on character development and crafting emotional connections, which helps the climax reach surprisingly emotive heights. You almost forget it's a horror flick in the middle, with the vibe lying somewhere between fantasy and family drama, but these portions don't drag like they could have.

The film is beautifully shot and has some wonderfully memorable visual moments, especially near the end. These '60s Japanese horrors do such a wonderful job creating a spooky atmosphere, which is amplified by the setting and time period. It's like you're seven years old, telling ghost stories around the fire, except you're in rural Japan and wearing a kimono for some reason.

It is rather predictable and features a lot of the missteps of Japanese cinema from this time period (overacting, a tendency towards ham-fisted asides and monologues, etc.), but if you enjoyed the likes of KWAIDAN and ONIBABA, this should tickle your fancy.