Just for the Hell of It

"Just For The Hell of It" has to be one of the greatest exploitation flicks I have ever seen. I wanted to see it ever since seeing the trailer a few years ago, which was basically just kids ripping stuff apart. How can you not love that? The film sets the tone quickly as almost immediately the gang destroys a roomful of furniture, even before a single word is muttered on screen. It actually takes seven minutes for any words to come out of anyone's mouth, as after the initial destruction we see a wild late 60's band, complete with guys who seemed like they influenced Angus Young with their head banging on stage.

From there, the movie is virtually non-stop as the gang goes literally from one thing to another, destroying stuff, bothering people, causing all sorts of hell. Some of the things they do are throwing buckets of water at people, hosing down a woman, ripping clothes off a clothes line, ripping up a magazine a woman is reading, and more. These scenes are completely hilarious.

The acts seem to get more violent as the film progresses, as those things progress into beating a blind man with his cane, beating an injured man with his crutches, beating an eatery owner and burning his hand (after destroying his place), and putting a baby in a garbage can while destroying the carriage (where did the mother go?).

The funny thing about all of this is that the gang does it all in broad daylight, in congested places where there are plenty of cars and people around, and of course no one does anything. Even when the gang starts beating on a bunch of little kids playing baseball in the park (in a hilarious scene where you can spot a kid or two laughing as they are being tossed around) one old lady who does see what happened, blames a guy trying to stop the gang for starting a fight with them, and has him arrested.

Then from there, things get much more violent and a little less funny as the gang adds murder and gang-rape to their mayhem.

Much of "Just For The Hell of It" appears to have been shot silent, with sound added later, adding to the cheesiness of the whole thing. It is funny listening to goofy 60's music as the gang commits these crimes, and they also seem to produce hammers and axes wherever they are when they start breaking stuff, despite the fact that you never actually see them carrying any weapons.

The film almost never drags, constantly going from one destructive event to another for almost the entire duration, until the last 15 minutes when things slow down a bit to build up some tension. The guys are all smart alecks and the girls are all pretty. This is a classic JD problem child flick that anyone into very cheesy low-budget stuff will get a huge kick out of. It is H.G. Lewis after all, no one does it quite like him!

Shot back-to-back with SHE-DEVILS ON WHEELS, JUST FOR THE HELL OF IT is almost as good. Filled with amazing scenes of mass destruction and devilish deeds, HELL may be the ultimate j.d. film. Too bad it came a few (10) years too late!

Destruction Inc. is a leather-jacket, bike-riding teenage gang who, for the duration of the film, cause trouble for law-abiding citizens and the law. That's it. There really is no plot here, just scene after scene of crimes committed by boys AND girls.

HELL is obviously the sister of SHE-DEVILS. The cast, almost all having appeared in SHE-DEVILS, includes Rodney Bedell, Nancy Lee Noble, Ruby Tuesday, Pat Poston, a number of the men from the stud line, two of the biker chicks, and the heroine's mother! Ray Sager, who plays one of the gang leaders, later played Montag in WIZARD OF GORE! Nancy Lee Noble really deserved more roles in these types of movies. She's great in SHE-DEVILS and is good here, too. I have yet to see her in THE GIRL, THE BODY & THE PILL, but she has already become one of my psychotronic favorites. On another note: the music is all from THE GRUESOME TWOSOME, with the exception of the two songs performed by the Florida garage band. I wish a CD would come out of music that Larry Wellington supervised for H.G. Lewis' films. He really aided the 60s feel of movies like this one, GRUESOME TWOSOME and SHE-DEVILS ON WHEELS.

JUST FOR THE HELL OF IT is, like I said, scene after scene after scene of mass destruction. This gets a little repetitive, but never gets dull. The main gang leader (I'm hazy on the name of the actor) seems more apt to play the good-looking hero and I would love to have seen him try that role. Not H.G. Lewis' best, but JUST FOR THE HELL OF IT is full of scenes that only Lewis would film and that 60s Florida feel that makes it indescribably fun to endure.

For entertainment, Charlie Manson LOVED the goriest of magazines and movies or at least something hatefully abusive to women and/or children. He must of thought Herschell's 'hack-em up' films were an great option at the drive-in in the 60's, when they were released. It's coincidental that between Herschell Gordon Lewis filming on Charlie Manson's Spaun ranch in the late 60's and 'Charlie and the gang' getting revenge on the the recording industry (one school of thought), Just For the Hell of It was released. The actual events in the hills of Los Angeles and fictional events in this movie appear way too similar to be a coincidence (instead of 'pig' written on the wall in red, it was 'FUZZ'). Another troubling connection is that besides acting like Manson the cripple kicking, baby throwing White (Denny Fortune) got his albums title song internationally released with THE most controversial 1969 Charlie Manson tune (sung by the Beach boys???) on EMI's Ah Feel Like Ahcid.

All this should scare the public more than the connections of Just For the Hell of It, Burgess, Kubrick and the making of Clockwork Orange should interest them.

Not being a fan of exploitation films, but for years after violent, extreme, provocative films in general, I stumbled upon this little flick from the 1968. I hadn't yet seen any other film from Herschell Gordon Lewis {shame!), so I thought I should give it try.

It's quite strange this is not more popular, because, if this is what Herschell Gordon Lewis films feel like, then I would like to see more. It is probably one of the earliest samples of mindless politically incorrect cinema done pretty sloppy but effectively, a classic exploitation, if you ask me, and even if you regularly don't take it too seriously, it's quite daring for 1968. Some scenes might raise a smile to some, intentionally or not.

So, this quite unknown film is recommended for those after a nice old party film for a night with friends, pizza and beers {the music just feels great with this one), exploitation fans {this is a must) and in general, those who are looking for mindless fun, not shocked by somewhat explicit material.

White did not throw the baby in the garbage can and at Tarantinos Beverly theatre it opened the Grindhouse Film Fest so it must be recognised by the Grindhouse elite community somehow, so maybe to some it is not as bad to some as it appears to you. In Berlin, knock off copies are still available, it still plays regularly in subject appropriate theatres and there has been recently been gang actions mirroring the illness that the gang in Just For The Hell of It portrayed, again, using the opening figure with the knife on T-shirts. If it can get Berliners crazy enough, maybe we get back into the international scene again. Linking up with the Russians that are fans, maybe we can get our demands faster. Maybe we need a wacko like Denny Fortune to run for Anti-Christ. His attitude is not unlike our (and the Russians) early leaders who could of taken over the world.