Destination: Zebra, station polaire

Spectacular film about Cold War filmed mostly in study that won two Academy Award nominations : Cinematography and special visual effects. Captain James Ferraday (this was Rock Hudson's favourite film of his own, and also of Howard Hughes ; Charlton Heston was originally offered the role but turned it down, saying there was no characterization in the script) , Commander of the nuclear submarine called USS Tigershark, is assigned to the polar ice region on a rescue mission when an emergency signal is heard from a research station, Ice Station Zebra (in real life, there was no "Ice Station Zebra", but there was an "Ice Station Alpha" which was situated in a Arctic's Ice Island). On board there is a civilian and possibly a spy named David Jones (Laurence Harvey was originally cast in Patrick McGoohan's role) , whose orders are dark . Ferraday doesn't like being kept in the secret but Jones is strongly secretive and doesn't give much away . Along the way, they collect two additional passengers, a Russian veteran named Boris Vaslov (the recently deceased Ernest Borgnine) , likely also a spy, and an African-American Marine Captain (Jim Brown) . Based on the novel (1963) by Alistair MacLean, Scottish author of Best-seller novels such as "The Guns of Navarone" . It's one of two Alistair MacLean filmed adaptations released in 1968, the other was ¨Where Eagles Dare¨. Changes made from the Alistair MacLean source novel of the same name for this film included the name of the nuclear submarine, the Dolphin, which was re-named the USS Tigerfish and the names of two characters: Submarine Commander Swanson became Commander Ferraday and spy Dr. Carpenter became David Jones .

It is one of the most thrilling and exciting films set on the years of the Cold War. Great superproduction with all-star-cast , impressive scenes , shimmer photography and a vibrant sound , the time has increased its documentary value. The acting of the interesting characters is believable and convincing, especially by Patrick McGoohan and the Russian Colonel well played by Alf Kjellin . Special appearance by Lloyd Nolan and film debut for Ron Masak .The film's story has similarities with the real life events, reported in the media in April 1959, of the Discoverer II experimental Corona satellite capsule that went missing and was recovered by Soviet intelligence agents after it crashed near Spitsbergen in the Arctic Ocean ; Spitsbergen is in Norway's Svalbard archipelago of islands which is where both Alistair MacLean 's novel and the film of Bear Island is set. The screenplay has eloquent dialogue, continuous tension and surprising twists that keep the viewer's attention .The soundtrack by singer and French composer Michel Legrand -"The Umbrellas of Cherbourg"- , is full of vibrant sound , brings a solemn score, cutting edge, played by an orchestra of wind . Colorful cinematography in glimmer color by Daniel Fapp. Unique and innovative underwater camera equipment was developed for this movie by 2nd unit cameraman and cinematographer 'John M Stephens', a former U.S.A. Navy diver, who is billed in the credits for additional arctic photography , the camera system enabled the first ever filming of a continuous submarine dive and this technical innovation produced some outstanding photography for the picture.

The visual effects, despite its quality, not 'see that snow is artificial, that the landscape of the polar station is mounted on set ; his picture is the first of two movies based on an Alistair MacLean novel set in rugged icy and snowy terrain , the second would be Bear Island about eleven years later. John Sturges' filmmaking is absorbent and entertaining , a good job , It's one of two filmed Alistair MacLean adaptations directed by Sturges , the other was ¨The Satan Bug¨ made and released about three years earlier . The production shoot for ¨Ice Station Zebra¨ went for nineteen weeks, from Spring 1967 until October 1967. Rating : Very good , wholesome seeing .

This film is very underrated on this site. It is in a genre that is not really made very often any more--action adventure that is plausible both in plot and technology. And the action adventure plays equal footing to the actual acting and dialog. It is closer to an World War II action film than to, say, one of Arnold Schwartzeneger's action films.

As an artistic piece of work, the lack of women (and any romantic story) keeps this cold war picture completely focused on the primary story, and makes the actors work all that much harder to keep the viewer engaged.

There is also a good bit of spectacular on-location filming that still takes your breath away with its beauty. The actual polar icecap scenes (with actors) where the focal point of the movie's action takes place is a set. And it is a glorious one. No CGI imagery here! I bought this DVD for this film in a bargain bin. If you get the chance snap one up, or rent it and watch it on a decent TV. Great transfer.

Good score as well.

Commander James Ferraday (Rock Hudson), the captain of the nuclear submarine USS Tigerfish, receives the assignment to get three persons to North Pole: the civilian David Jones (Patrick McGoohan), the Russian deserter Boris Vaslov (Ernest Borgnine) and the marine Capt. Leslie Anders (Jim Brown). Their secret mission is to recover an American film from an English camera in a Russian spy satellite, which felt close to the Ice Station Zebra. The persons who work in the station are not responding to the radio call and nobody knows what might have happened with them. Along the voyage of USS Tigerfish, there is some sabotage on board meaning that probably one of the new passengers is a Russian spy. A tense and cynical end finishes a long but attractive story. Although the cold war is gone in the present days, this movie is still a good film. Rock Hudson and Patrick McGoohan have a great performance. My vote is seven.

In each year of the 60s MGM seemed to release three $10 million dollar movies. I have never seen a film company so dedicated to ensure their output was simply colossal. With this aim, some good ideas were boosted up and into mega colossal whopper H-U-G-E ambitions that were presented in 70mm, ran over 2.5 hours and commanded luxury picture palace sized first release cinemas world wide. As such an experience they all looked sounded and presented with this aim intact. Today the lion is in a cage at Warner Bros and Foxtel screens the films in the centre panel crippled by pan and scan only. I can hear the poor beast crying. ICE STATION ZEBRA is the MGM version of a James Bond film and succeeds in the experience offered above. On TV it is a compromised "TV show" and faults become so apparent that you might switch off. I suggest any chance to see this film on a large cinema screen will allow you to be swept up in the excitement of a pensive thriller. By the time we get to the location of the title, and the hilariously silly set made clearly of plastic icebergs and santasnow to see what seems to be a cold war picnic at the North Pole, you will be more aghast that the climax could be so shoddy and lame. It looks like a TV station Santa-set with fur parkas and guns instead of helpers. But, under the spell of the cinema, belief is suspended and the film succeeds. On TV you start wondering why there is no frosty breath and warm heads under beanies.

Big-budget, all-star, action-packed adventure about an American submarine sent to the North Pole to retrieve a downed satellite which contains a roll of film. The Russians want it as badly as the Americans because the film contains high-orbit pictures of BOTH country's missile sites.

Rock Hudson is the sub commander, Patrick McGoohan is the cynical secret agent with a dry wit (a roll he made famous in two famous British TV shows, `The Secret Agent' and `The Prisoner'), Jim Brown is a hard-nosed Marine captain, and Earnest Borgnine is a Russian defector working with McGoohan and the Americans to retrieve the valuable film.

The special effects of the Russian jets could have been much better, even in 1968. But the fantastic exterior arctic sets create a stylized North Pole as appealing as the sets of Altair 4 in `Forbidden Planet'. Sure they don't look `real' -- but that's doesn't mean they don't look good. And brother, they sure look BIG. Furthermore, these sets don't just sit there, they actually DO neat stuff: hugh blocks of ice converge and threaten to crush the sub's conning tower, and the conning tower raises and lowers through cracks in the ice!

Dynamite score by Michel LeGrand. Sterling screenplay by Douglas Heyes, riddled with sharp dialogue that the fine cast delivers perfectly (I love it when McGoohan tells Hudson that the film invented by America's German scientists was put into the camera invented by Britain's German scientists and sent up in the satellite invented by the Russian's German scientists. Funny.

Based on Alistair MacLean's best-selling novel. A genuine techno-thriller that predated Tom Clancy's work. And it was originally released at Cinerama theaters! Gotta love it . . .