Destination: Zebra, station polaire

The very first film Rock Hudson did after finishing his contractual obligations at Universal Studios was no cheapie. Ice Station Zebra was spared no expense by MGM in bringing the Alistair McLean Cold War novel to the screen. Unfortunately this and some other ill conceived projects are what brought MGM to bankruptcy in the next decade.

Though it got only so-so reviews and didn't have the box office that MGM wanted and needed, Ice Station Zebra has stood up well and is really best seen on the big screen. Even a letter boxed version doesn't do the vast polar landscapes justice nor the underwater shots neither. The film was nominated for special effects and color cinematography.

Watching Rock Hudson in command of the U.S.S. Tigerfish was like watching James T. Kirk in charge of the Enterprise. I wouldn't be surprised if Hudson took a few cues from William Shatner in his performance.

Hudson has an Enterprise like mission and later on leads an away team on a polar icecap where a Russian spy satellite has been busy photographing all of the U.S. missile launching sites. The film is wanted by both sides and both sides send teams to get it.

It's a curious bunch that Hudson has to deal with on his team. A Russian defector scientist Ernest Borgnine, British agent Patrick McGoohan (wasn't that ever natural casting) and spit and polish Marine captain Jim Brown. They've all got varying agendas and one in his crew is a double agent.

The highlight of the film is the standoff with Hudson and Russian colonel Alf Kjellin. They are an evenly matched pair, I would not like to be playing poker with.

Ice Station Zebra is far better than the reviews it got at the time. Even with the Cold War over, it's still an exciting and suspense filled film.

I don't know how I missed this film for 40 years, but I corrected that mistake.

Not a blockbuster, with the only outstanding features being the cinematography and special effects, it is nevertheless a taut cold war thriller.

The interplay between Rock Hudson, Ernest Borgnine. Patrick McGoohan, and to a lesser extent, Jim Brown made this a film where you are constantly focused on who is the good guy, and who is the bad.

Long at 148 minutes, it never lags. There is a very good reason why Alistair MacLean novels make good pictures,

Commander James Ferraday (Rock Hudson), the captain of the nuclear submarine USS Tigerfish, receives the assignment to get three persons to North Pole: the civilian David Jones (Patrick McGoohan), the Russian deserter Boris Vaslov (Ernest Borgnine) and the marine Capt. Leslie Anders (Jim Brown). Their secret mission is to recover an American film from an English camera in a Russian spy satellite, which felt close to the Ice Station Zebra. The persons who work in the station are not responding to the radio call and nobody knows what might have happened with them. Along the voyage of USS Tigerfish, there is some sabotage on board meaning that probably one of the new passengers is a Russian spy. A tense and cynical end finishes a long but attractive story. Although the cold war is gone in the present days, this movie is still a good film. Rock Hudson and Patrick McGoohan have a great performance. My vote is seven.

I first saw this film when it was released in 1968 at the Summit Cinerama theater in Detroit, and it was a fantastic movie going experience. I think the first thing that draws you into this film is the rousing score by Michel Legrand and the marvelous cinematography. The engrossing story moves along at a good pace aided by some very intelligent and witty dialogue. A superb cast of seasoned professionals including Rock Hudson, Ernest Borgnine, Jim Brown and especially a very suave and droll Patrick MacGoohan create fully realized characters that act and react in very real human emotions to some extremely tense and suspenseful situations. The next time you see this film in the TV listings, be sure to check it out and I think you will find it superior to many films of the same genre that have been made since. One thing I find puzzling is the fact that this classic has not been released on DVD, and I only hope it is very soon.

In each year of the 60s MGM seemed to release three $10 million dollar movies. I have never seen a film company so dedicated to ensure their output was simply colossal. With this aim, some good ideas were boosted up and into mega colossal whopper H-U-G-E ambitions that were presented in 70mm, ran over 2.5 hours and commanded luxury picture palace sized first release cinemas world wide. As such an experience they all looked sounded and presented with this aim intact. Today the lion is in a cage at Warner Bros and Foxtel screens the films in the centre panel crippled by pan and scan only. I can hear the poor beast crying. ICE STATION ZEBRA is the MGM version of a James Bond film and succeeds in the experience offered above. On TV it is a compromised "TV show" and faults become so apparent that you might switch off. I suggest any chance to see this film on a large cinema screen will allow you to be swept up in the excitement of a pensive thriller. By the time we get to the location of the title, and the hilariously silly set made clearly of plastic icebergs and santasnow to see what seems to be a cold war picnic at the North Pole, you will be more aghast that the climax could be so shoddy and lame. It looks like a TV station Santa-set with fur parkas and guns instead of helpers. But, under the spell of the cinema, belief is suspended and the film succeeds. On TV you start wondering why there is no frosty breath and warm heads under beanies.