Chauds les millions

It's very sly for all of the 60's look to the movie. The humor is quite gentle, but it grew on me much more than I expected. The cast is first-rate and they appear to be having a wonderful time. Ustinov wanders through the film muttering some quite funny things under his breath, and it's all very inconsequential; I'll buy the movie as soon as it comes out on DVD. The plot is that Ustinov as an embezzler released from prison posing as a computer whiz and embezzling money from an American company with an office in London. Maggie Smith is his secretary for a while, and watching her get fired from many different jobs is part of the fun. Bob Newhart is his usual deadpan self, and Karl Malden has fun as the dense and sleazy executive running the London office. The ending is funny and nicely cynical.

"Hot Millions" is a well-written, well-acted tale about an embezzler who steals (whoops! -- too low class a word for an embezzler, according to Peter Ustinov's lead character) a "hot million" from the London branch of a U.S. corporation by creating shell corporations on the continent and using the firm's ostensibly secure computer to transfer funds to them. (Remember, spoiler police, this is a comedy, not a mystery.)

From 1968, this movie's depiction of computers may seem naive to today's more computer-literate populace; but as one who has worked with computers since before this film was released, I would assert that even then, this smacks of having been written by and for computer illiterates, probably on purpose to heighten the droll comedic aspects of this British flick.

If one has little taste for this type of entertainment, the movie may seem to drag in spots. Fortunately, it has a nicely wrapped-up ending; unfortunately, the end credits give no indication of the classical music used therein -- the symphonic piece at the end and the piano-flute duet in the middle -- just the song sung by Lulu which I totally don't remember.

Those who only remember the late Sir Peter Ustinov as Hercule Poirot or a professional raconteur would do well to seek out this charming piece of late '60s satire. Ustinov stars as a convicted embezzler (we first see him during his last day in gaol where he is preparing the prison governor's tax return) who, sensing that the future is in computers, poses (by means of a deft piece of identity theft) as a computer expert and sets out to infiltrate an American multinational.

Ustinov (who co-wrote the script) is on top form, as is the delightful Maggie Smith, here unusually cast as an accident-prone cockney-sparrow dolly bird. Bob Newhart also puts in an amusing performance as a suspicious executive who has designs on Maggie Smith. In addition, Karl Malden is satisfyingly sleazy as Ustinov and Newhart's womanising boss.

What do I particularly like about this film? Not only is it a well-thought-out 'caper movie' but it's also a touching little love story; Ustinov and Smith are very convincing as the two misfits stumbling into love (the whole scene involving the deck of cards is particularly effective.)

So, what is there not to like? Well, the script is no more computer-literate than most films (that is, hardly at all) even though it captures the feel of late '60s 'big iron' business computing quite well. Also there are a couple of small plot glitches that you're not likely to notice until the second or third viewing, but I consider these to be minor niggles.

As I said, this is a film which is well worth seeking out, and after you've seen it once you'll want to see it again at regular intervals.

I saw the description of the movie on TCM and only let it run because I like both Peter Ustinov and Maggie Smith, so I was delightfully surprised to find that I really liked the movie and found it quite exceptional. Of course, it is seriously dated, but as a period piece it is well worth watching just for the subtle humour in insight into life and lifestyle almost forty years ago. Now the only problem is trying to find it on DVD so I can watch it more often. I also was quite taken with the performances of Smith and Ustinov as the leads, and of Karl Malden, Bob Newhart, and the cameo appearances by Robert Morley and Cesar Romero.

I rented this mainly to see Maggie Smith, and she proved to be enjoyable as always. Interesting to see Dame Maggie oogled as a pretty babe by Ustinov and Newhart. Overall, a charming, frothy little comedy-definitely a product of its time- with tacky 60s pop music & choppy 60s editing- it all seems to work somehow.