Heidi

A very nice production of the classic Swiss tale is sadly only remembered for an infamous gaffe that NBC made in not delaying the broadcast until the final quarter of a New York Jets-Oakland Raiders game was finished. I still remember from my youth the newspaper headlines and this game being referred to as Heidi Bowl. Today there is no network who would break from a sporting event the way NBC did.

This was a British production with Jennifer Edwards in the starring role of the little orphan Swiss girl come to live with her grandfather played here properly stern by Michael Redgrave. He can barely support himself so he sends her off to the home of Maximilian Schell whose daughter Zuleika Robson is paralyzed to be a companion. Schell's a busy guy and the doctor Peter Van Eyck thinks that the paralysis might be a psychological reaction from a lonely child.

Apparently the English countryside stood in for the Swiss Alps. It served the producers well because I really did think it was the Alps. The cast is uniformly fine and the presence of Walter Slezak as the village priest, Jean Simmons as Robson's governess and John Moulder- Brown as the village kid whom Heidi bonds with also must be noted.

Parents of today this is a classic you can share with your kids and they can see it for its own merits not it's unfortunate and unasked for history.

I have yet to see the definitive version of Heidi, but none of the versions are bad at all(have yet though to see the Emma Bolger version). Personal favourite goes to the Shirley Temple film, not the truest to the book but it was funny, moving and with a lot of charm, the Jetlag animated film is beautifully done surprisingly and Noley Thornton's is handsomely rendered and well acted but is over-dramatic in places and some of the characters were too hostile(especially the grandfather, don't get me wrong I do like it still). This 1968 film is very good too, more could have been done with the grandfather with more of a character growth but thankfully he's not too one-dimensional and he is not too hostile either. In fact that the characters are more sympathetically treated than in the Noley Thornton version is most admirable, but a couple especially Fraulein Rottenmeier(from a truly beastly character to a love interest) are in some way too sympathetic and somewhat "sugar-coated". There is a fair bit of conflict in the book but in the film it's in the complex emotions of the grandfather and Clara being a brat at times. Despite all this, Heidi(1968) does deserve to stand on its own and stand on its own it does and very well. The Alps scenery is gorgeous and is photographed with care and love. John Williams' score is typically lush and beautiful, not overbearing the charming nature of the story in any way. The film is smartly and thoughtfully scripted and while the story is not always faithful in detail to the book it is in spirit(more so than the other three adaptations seen), maintaining a gentle heart-warming tone throughout without throwing in any dark or over-dramatic bits. The ending is as it should be, truly emotional. The direction is controlled but keeps the film moving in an engaging way, and the film is very well-acted throughout, especially by a radiant Jean Simmons and a crusty yet heartfelt Michael Redgrave. Jennifer Edwards' Heidi is not quite as interesting as Shirley Temple's(who brought more dimension to the character much more than one would expect) but is just as interesting, a very warm performance that sprinkles with strong-willfulness and charm. Clara could have been much more gentle and not so much a brat, but she is still very movingly and passionately played Zuleika Robson. Maximillian Schell is very memorable by how truly handsome he is here and he is a likable father figure here too. Peter and the grandmother are good too. To conclude, a charming and worthy if not definitive adaptation of one of the childhood classics. 8/10 Bethany Cox

Check out the 1937 version starring Shirley Temple, you won't be disappointed!

This movie's claim to fame: On November 17, 1968, the New York Jets led the Oakland Raiders 32-29, with 50 seconds to go. It was the end of the hour, and even though the score was close, NBC switched over to the movie Heidi. In the next 42 seconds, Oakland scored two touchdowns to win 43-32. As a result, all NFL contests are now televised to their conclusion.

There have been plenty of on-screen adaptations of this story - it lends itself well to a screen. The eponymous lass (Jennifer Edwards) is palmed off on her reclusive grandfather (Sir Michael Redgrave) atop a mountain, with only him, some goats and the young "Peter" (John Moulder-Brown) for company. She is a charming young girl who soon manages to crack the erstwhile impervious shield of the old man before her wealthy uncle "Richard" (Maximilian Schell) sends word that he will care for her at his Frankfurt home. Once there she quickly befriends his housekeeper "Frauline Rottenmeir" (Jean Simmons) and his bedridden young daughter "Klara" (Zuleika Robson) and slowly a family starts to emerge and to thrive - culminating in a perfect holiday on their mountain. Simmons is gorgeous, Edwards has a charm and Redgrave a loving manner about him that sets this made for television (NBC) movie up nicely. A simple story, told with a sympathetic eye to the detail amidst some pretty (Californian as well as Alpine) scenery.

Again, I'd never read the favorite children's book or watched any of the various film versions of this one (though the 1937 Shirley Temple vehicle directed by Allan Dwan is scheduled to screen on Italian TV this very week), so I wasn't familiar with the plot line – other than that it had a mountain setting.

As it turned out, HEIDI proved surprisingly tolerable if hardly exciting fare – sentimental but undeniably moving, generally pleasant (despite the generous 110-minute length), and well acted by a stalwart cast: the heroine was played by Blake Edwards' daughter, Jennifer, and she was supported by Maximilian Schell, Jean Simmons, Michael Redgrave, Walter Slezak, Peter van Eyck, and John Moulder-Brown as Heidi's young shepherd-boy friend.

The story deals with an orphaned girl who finds herself torn between living with her gruff and hermit-like grandfather (Redgrave) and a wealthy uncle (Schell), who has a crippled daughter resenting the intrusion. Needless to say, Heidi's influence softens everyone towards a happy ending – subplots involve Schell's muted relationship with governess Simmons, Redgrave's religious conflicts (benevolent clergyman Slezak, then, wants him to pick up his organ-playing activity at the church) and the crippled girl's recovery (she's entrusted in the care of doctor van Eyck, but it's Redgrave's unorthodox 'treatment' which finally reaps results).