Dr Jekyll et Mr Hyde

Jack Palance seems made for this role. As the mild mannered Henry Jekyll, Palance is subdued, allowing none of his usual acting intensity to mar the characterization. As Hyde, Palance comes alive as he does in many films, relishing his own evil (Dracula, Barrabas, Scrooge). This film's focus is not on the horrifying transformation from Jekyll to Hyde that you expect to see. In fact, you don't see the first one, and Jekyll only learns about it by people telling him what happened the night before when Hyde appeared.

The makeup for Hyde is not drastically different from Palance's own appearance; he is ugly but not hideous. In fact, he looks, dresses, and behaves like a womanizing Cary Grant on a drunken rampage. He has fun drinking and whoring and giving everyone something to talk about later, but then he begins to take over Jekyll's personality. Denholm Elliot is Devlin, Jekyll's friend and "savior".

I've only seen the Barrymore version in comparison. Barrymore is a much more monstrous Hyde, but both versions are excellent.

Robert Louis Stevenson's book was more of detective story than anything else, hence its called "The Strange CASE of Dr Jekyll and Mr Hyde". It is about Dr Lanyon hearing of these unusual and horrific events and trying to piece them together, and in the final few chapters (Jekyll's letters) the story is finally told. As a book, that was very interesting, though as a film this would have been rather dull, and it is much more exciting to see these events unfold on a screen.

The story is very well-known, a scientist splits his personalities and creates an inhuman tyrannical demon that destroys the lives of both of them as well as many others. Only in the book Jekyll invented the drug because he thought that as every man had only one life and two sides, it is impossible to leave a life that satisfies the urges of both of these sides. So he splits them and tries to lead to separate lives, each undisturbed by the other, though of course he fails. Here it is merely out of reckless curiosity, he does something purely because he can without stopping to think if he should.

It also suggests the idea that Dr Jekyll is responsible for Hyde's murders, not Hyde. This is because Hyde isn't a whole person, therefore he can't be judged as a real person or held responsible for his actions. Hyde is the dark side of Jekyll, and nothing about Hyde wasn't already inside the doctor. Jekyll should never have empowered him and let him run loose. I would agree with this.

A brilliant display of fine performances and dialogue, as well as some very interesting imagery, Dan Curtis' adaptation is a delight.

In particular, Jack Palance is extraordinary in both roles. Showing us carelessness and selfishness and in the end fear and desperation in Jekyll as well as impulsiveness, anger and just pure evil in Hyde.

Outstanding! Particularly towards the end.

This is easily my favorite version of the Robert Louis Stevenson monster tale. Jack Palance is ideally cast as Mr Hyde. He is physically strong, athletic, menacing, and quite vicious when crossed.Legendary make up artist Dick Smith created Hyde's Satanic look. Palance's Dr Jekyll is effective as well.He plays him as socially awkward and uncomfortable with his emotions. An excellent supporting cast includes Denholm Elliot, Leo Genn, Oskar Homolka, and Torn Thatcher. Billie Whitelaw plays Gwyn as sexy,vulnerable and the object of Hyde's sadistic lust.

Dan Curtis became a master of Gothic story telling and he gets strong performances from everyone involved. He capture's the look of London in the 1880's with its foggy and gas lit back streets with help from set dresser Fred Brown.Robert Colbert's eerie theme music would later show up in Curtis's Dark Shadows

A chillingly good story and outstanding performances make this one a must for any horror film connoisseur.8 out of 10.

Jack Palance gives a darn good performance and the atmosphere is outstanding. One of the best adaptations out there. I've always been a Palance fan, so I am a bit partial, but this is good, Gothic horror. Not bloody or gory, just atmospheric. Worth a Friday night viewing.

I love the old, classic horror movies. Frankenstein, Dracula, etc. etc., and this movie has that sort of feeling, with a dash of Hammer in there. The movie moves briskly and keeps your attention throughout. The story, of course, is about the duality of man and shows how we can all become nasty, selfish creatures when our conscience isn't functioning. Palance, as Jekyll, is almost too shy but as Hyde he shows all the passion of a man living his life solely for himself, without a care for any one else'e feelings or safety. He is brutal and brash and really shows us how we, as humans, on one hand can love and want to help others and, on the other, can become all that is evil and loathsome to our fellow creatures. This story is, perhaps, more relevant today than at any other time in man's history.

Of the versions personally seen, only one comes close and that's the Frederic March version. John Barrymore's one is also still very good and Burbank Films Australia's animated version surprisingly good too, didn't care all that much for the Spencer Tracy film but even that wasn't too bad. Before seeing this, I would have considered the March film the best version but now it'd be this one. So good in fact that aside from that it was shot in the video-tape way you forget that you're watching that it was made for TV because everything was so well and professionally done. While I would have preferred the camera work to be more expansive, the video-tape didn't really cheapen things at all. The whole adaptation looks great, the lighting has that atmospheric Gothic touch, the costumes are sumptuous and the sets and the way they look make you feel like you're there in Victorian London and with the characters, which is remarkable for a made for TV film to do. London looks so beautiful and evocatively creepy at the same time, and how the fog is done and used really stands out in terms of visuals and atmosphere. Adding a lot also is Robert Cobert's score, which is very haunting without ever being obvious, it's not as spooky as the score he did for 1973's Dracula(also directed by Dan Curtis and starring Jack Palance, which is also worth seeing but not quite as good) but is so in a different kind of way.

As an adaptation, The Strange Case of Dr. Jekyll and Mr. Hyde may not be word for word, detail for detail to the Stevenson classic with a few changes and additions but actually all the major details are intact and so is the spirit of the story, and it does this more successfully than any of the other versions. The idea of Dr Jekyll being responsible for the crimes due to Hyde not being a whole person, as heard in Devlin's line "You don't understand, do you? Jekyll deserves to die - he's the one who's responsible, not you", was an interesting angle and came off very well, plus it was entirely plausible. The dialogue is very thoughtfully adapted and is well-written dialogue judging it on its own. The story is very suspenseful, the scariest parts actually being genuinely so, and entertaining at all times, especially with any scene with Mr. Hyde, it was good also that it got straight to the point instead of being bogged down by filler, even more remarkable is that it managed to be loyal to such a timeless and well-known story and make it feel fresh.

It is more violent than the other Dr. Jekyll and Mr. Hyde adaptations, but not in a gratuitous way. Curtis' direction is as solid as rocks, and the characters carry the narrative beautifully, the most interesting of course is Jekyll/Hyde but the other characters are hardly given short shrift, Devlin actually is just as much and has some of the adaptation's most memorable lines. The performances from all are terrific, the best in support being a sensual Billie Whitelaw and Denholm Elliot in one of his more sympathetic performances. But it is Jack Palance who walks away with the acting honours, as he rightfully should, managing to make Dr. Jekyll and Mr. Hyde completely different from one another without making Jekyll too mannered or dull or Hyde too over-the-top or completely brutish, both of which is what makes this iconic dual role tricky. He does superbly as both Jekyll and Hyde, loved the refinement and nobility he brought to Jekyll, possibly Palance at his most restrained, but he is even better as Hyde, as well as being one of the most physical and brutal in the role he is also the one that comes off the most genuinely scary and passionate, he hams it up just a tad but actually in this case that was what made the performance fun to watch. Overall, a brilliantly done version of a classic and the best version seen so far. 10/10 Bethany Cox