Le dernier train du Katanga

Great story line - Mercenaries are sent in to the middle of the Congo under the guise of rescuing the village people but their real mission is to recover 50 million dollars of diamonds. Good versus evil with an undertone of racial discrimination.

Superb cast - Robert Taylor, Jim Brown, Yvette Mimieux, Kenneth Moore, and the evil doer Peter Carsten.

Brilliant cinematography - the color scheme is very pleasing to the audience's sense of comfort and appeal

Screenwriting - greed, lust, good versus evil, this film has it all,

Action - non stop

I give this 54 year old film a well deserved 8 out of 10 IMDb rating, Now this is a true action/adventure film.

A nasty and terrific gem of an action movie, the best of Rod Taylor's career. Very exciting, expertly acted, and with a beautiful score that sounds like it was done by Maurice Jarre (it wasn't). Highly recommended.

First half is solid if at times too brutal action/adventure (i.e. didn't much care for the execution of two kids by the cartoon Nazi) with paradoxically lovely location shooting in Jamaica, standing in for The Congo. Unfortunately, in the second half, director Jack Cardiff yields control to Ranald McDougal and Adrian Spies' too talky screenplay and the action has to find its way around dull scenes of soul searching and philosophizing over the Big Question of "What is the basic immmorality of a mercenary?" Sound a bit pretentious? Yeah, I thought so, too. As for the acting it's hit and miss. Rod Taylor is much better in the first half with his sardonic Aussie bit than he is in the second half with his blood streaked, breast beating bit. As for Jim Brown he is, as usual, wooden throughout. Peter Carstens does as well as can be expected with the stereotyped "Ve vill make you talk" storm trooper role and Yvette Mimieux is ok eye candy. Best performance is Kenneth More as the drunken doc (another cliche, but More embraces it well) . Give this one a C plus.

...about mercenary Curry (Rod Taylor) and his partner Ruffo (Jim Brown). They are both in 1960's The Congo, ready to carry out a mission for Congolese dictator Ubi (Calvin Lockhart). Curry is to get troops together and rescue the residents of Port Reprieve, along with 50 million in diamonds. In the troop he gathers together are an alcoholic doctor (Kenneth More) and a Nazi ex-officer (Peter Carsten). All set out on a makeshift train. On the way, they meet refugee Claire (Yviette Mimieux), whose husband has just been murdered. Complications ensue.

This action film gives little chance for characterization. Taylor is fine, especially before movie takes the turn toward action thriller. You can read his eyes to see what his character is thinking, and he has a way with a sarcastic line. Brown is also good. Mimieux never gets a chance to develop her character; she's basically the sex interest or walking plot device.

For 1968, film is remarkably violent. Don't get too fond of the characters. If you want to look for themes, the film has an interesting one spelled out. Listen to the tales of superstitions, and a character's behavior near the film's end. This is a good action film that gives food for thought and is worth a watch.

The band of awkward soldiers and ex-soldiers willing to do everything for money is represented well here. A formula to be repeated over and over again mainly in Italian "Wild Geese" clones finds its embodiment in Rod Taylor, who brings his schooling of 120 % acting over as usual. His long time comerade is the overconscious Ruffo, a native of their Congolese country of action played by former football-jock and blaxploitation icon Jim Brown. I have the feeling the American version had an important side of the coin taken out: More interesting than the routine plot of escorting diamonds in a train through areas infested with wildman rebels is the inner struggle of Rod Taylor's character with the omnipresent racism towards his black pal, mainly shown by Sergeant Henlein, played by very German actor Peter Carsten. In the German dubbed version this is explained well: Taylor - who has got the German name Willy Krüger - and Henlein were comrades in the Nazi Wehrmacht. The bad guy still acts like a nazi while Taylor/Krüger even tries to forget his past by being a complete almost anti-patriotic mercenary. Technically the film does not fail to entertain. Solid characterizations, good acting throughout, colourful photography and a lively Africanized jazz score make "The Mercenaries" a great adventure movie.