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6.4/10
1.2K
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A famous orchestra conductor is captured by the Germans in WW2, and is forced to perform at private concerts for the Nazi generals.A famous orchestra conductor is captured by the Germans in WW2, and is forced to perform at private concerts for the Nazi generals.A famous orchestra conductor is captured by the Germans in WW2, and is forced to perform at private concerts for the Nazi generals.
- Director
- Writers
- Stars
Peter Masterson
- Sergeant Calloway
- (as Pete Masterson)
Paul Birch
- General
- (uncredited)
Jack Clinton
- Audience Member
- (uncredited)
Robert Cole
- Soldier
- (uncredited)
Stewart East
- Soldier
- (uncredited)
- Director
- Writers
- All cast & crew
- Production, box office & more at IMDbPro
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I make a difference, referring to war movies. There are some that are very faithful to the history such as Midway, Tora, Tora, Tora and there are some that emphasize the epic and heroic aspects of soldier life in terrible circumstances. I have to say that I am more interested in the second ones such as The Dirty Dozen, The Eagle has landed, etc. Counterpoint belongs to the second category. A famous music director (C. Heston) and his orchestra is kidnapped by the Nazy army in Belgium. The German General (M. Schell) wants this orchestra to play for him but the director delays this concert as much as possible to avoid his musicians to be killed. I think Ralphn Nelson felt some empathy for the character, starred by Heston because he was in the Army in the II World War and participated in different plays in Broadway to entertain people in the same way Heston tries to entertain soldiers in the cold Europe. Schell and Heston perform their roles perfectly: they admire each other but war has placed them in different sides of the river. Schell is far from the archetype of the Germans in the Hitler era. There is a love subplot between Heston and one old love, his musician,Kathryn Hays, who is now married with a partner, a serious Leslie Nielsen. This love story and the sequence in which an American soldier is nearly discovered by a German Colonel but he feigns to be a musician of the orchestra, playing the U.S. hymn, remind me of Casablanca. The cinematography of Russel Metty, in which the shadows have a relevant role, is quite brilliant. So, it deserves to be seen.
Juan Carlos del Castillo Álvarez
Juan Carlos del Castillo Álvarez
Although this movie got bad reviews and, as another member commented, was "absurd", I enjoyed the movie and am sorry that it has never been released on VHS or DVD. I would sure like to get a copy. One never even sees it on television any more so it could be taped. I guess I'm just a sentimentalist at heart, but the idea of going through the motions of putting on a concert for the Nazis to delay the SS execution of the group appealed to me. And when that soldier (I forget who the actor was), pretending to be a member of the band, played "The Star Spangled Banner", I was brought to tears. If any member knows where I could get a copy of this movie on VHS or DVD, I would appreciate an email.
Counterpoint remains one of my favorite movies mainly because of the interesting interplay between Schell's and Heston's characters. It is good movie making to set up a psychological tug-of-war with life at stake. Schell does an excellent job portraying a conflicted authoritarian who has stumbled upon a small bit of beauty in the midst of chaos. Schell exudes his character's charm and ultimate control over the situation when he comments on the orchestra's performance list - "Something Wagnerian perhaps..." I always have the feeling watching this movie that it would translate very well to the stage. Your eye is never distracted by other things. The premise, though a bit unrealistic, is still compelling enough to make the movie a good watch.
If you're a World War II movie fan or a woman and a Maximillian Schell fan, or both, this hard to find film has definitely captured Maximillian Schell's charm and appeal. Even though he plays a German General, the "bad guy," his performance makes it very difficult NOT to like him. He is handsome and witty underneath the power of authority that he exudes. His performance is by far the best. A hand would have to be given to given to the young "pre-Naked Gun" Leslie Nielsen also. The movie plot is perhaps a little unrealistic but that's the beauty of film, right? Engaging and somewhat memorable to say the least. Worth a look if you can find it.
The very first movie I looked up when I stumbled on the IMDB was "Counterpoint." For years I had told people about this movie and how much of an impact it had on me, but no one had ever seen it -- some tried to convince me that I had imagined the whole thing! In their defense, it is a rather strange plot. I give this movie a substantial amount of the credit for beginning my appreciation for classical music. Unfortunately, you can only see it by purchasing it (I would presume). If the idea of a WWII/classical music/POW/intensely-driven-conductor movie sounds stupid, it probably isn't worth the price. If it sounds like it's right up your alley -- you shouldn't be disappointed.
Did you know
- TriviaCharlton Heston spent up to five hours a day at rehearsals conducting Ludwig van Beethoven's Symphony No. 5 in C-, Op. 67, Allegro con brio, the music performed over the opening credits. In his diaries, Heston describes it as better than parting the Red Sea.
- GoofsLionel Evans refers to the number of musicians in his orchestra as 70---the bus, although a double-decker, would not hold that many. In courtyard scenes, there are not that many seen.
- SoundtracksSymphony No. 5 in C minor I. Allegro con brio
(uncredited)
Composed by Ludwig van Beethoven
Performed by The Los Angeles Philharmonic conducted by Lawrence Foster
[Played by the orchestra over the opening title card and credits; reprise played over the end credits]
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Details
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- Also known as
- Counterpoint
- Filming locations
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- Runtime
- 1h 47m(107 min)
- Color
- Aspect ratio
- 2.35 : 1
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