Sumuru, la cité sans hommes

Sumuru , Shirley Eaton, is a gorgeous but evil woman who plans world domination by having her sexy all female army to eliminate male leaders. Her main purport is to replace them with her female agents, and eventually the male people to be used as slaves, while propagating the female genre . Along the way an allegedly swindler named Jeff Sutton , Richard Wyler , carries a suitcase with 10 million dollars , and a nasty ganster : George Sanders , as well as Sumuru , want to take it . Shorly after, Sumuru kidnaps Sutton and brings them to her headquarter : Femina. Then , the villain enemy with his local army invade the quarters in a modern Río de Janeiro . She is the most sadistic...diabolic..woman who ever lived!. She rules a palace of pleasure ...for women ! Where men are used in a diabolic plot to destroy civilization !.See this daring motion picture , never before exhibited ¡ A Carnivale of Sex and Violence from the director of Vampyros Lesbos and Eugenie . These are the future ..

Based on a series of cult novels by Sam Rohmer, who also wrote Fumanchu, about a magalomaniac femme fatal who wants to rule over the World. This is the sequel to "The Milion Eyes of Sumuru" 1967 directed by Lindsay Shonteff with Shirley Eaton, George Nader , Frankie Avalon, Klaus Kinski, Wilfrid Hyde White , and followed many years later by "Sumuru" 2003 by Darrell Roodt with Alexandra Kamp, Michael Shanks . All of them were produced by British producer Harry Alan Towers who married to Austrian Maria Rohm , usual actress in his films and occassionally producer . This follow-up "The seven secrets of Sumuru" also has a good cast , being a British/Spanish coproduction here appears Brits as Shirley Eaton, Richard Wyler , and Spaniard players as Elisa Montes and Marta Revers . Again Shirley Eaton as the ruler Sumuru who schemes remove all the men who are currently in power and replace them with her army of beautiful women . Shirley reprised this role for amusement , as she said : I did enjoy being the wicked Lady in two rather bad movies , which I had not had the chance to be before , however, retiring from performing shortly afterwards . She is well accompanied by a lot of young girls , most of who are shown in skimpy mini skirls , light dresss and bikinis and they can all perform complex tasks . Stars the mediocre actor Richard Wyler who starred some Spaghetti Westerns , here he plays a roguish hero who turns a pawn in a confrontation between two nasty contenders while frees the damsel in distress .

Regularly directed by Jesús Franco or Jess Frank with his usual tics , brands and botcher style . It contains a colorful and sunny cinematography by Manuel Merino shot on location in Museum Arte Modern Río Janeiro, Brazil, Barcelona, Catalonia and La Manga del Mar Menor, Murcia , Spain . As well as thrilling and peculiar musical score with strange sounds by Daniel White , Franco's regular . This is a run-of-the-mill Jess Frank made in medium budget with his common elements , such as erotism, nudism, masochist scenes , perversion, prisoners locked in glass cages and habitual zooms.

Take the secret agent / James Bond craze of the sixties, mix in some concepts from Sax Rohmer's female Fu Manchu femme fatale and stir in some absurdest twisted revisionism by director Franco - you have the man-hating lesbian Sumuru, or "The 7 Secrets of..." - better known as "The Girl From Rio" in the USA, recalling "That Man From Rio," which has nothing to do with this. Yes, this does take place in Brazil, we must give it that. Sumuru, or Sumitra as she's also referred to, is like an evil version of "Modesty Blaise," played here by actress Eaton with that familiar coy smile which most of us first became acquainted with in "Goldfinger." There are numerous close-up shots of her staring off camera, slowly opening her mouth, probably while watching something unpleasant (however, she is doubled in her key lesbian scene). She controls an entire army of female warriors, colorfully costumed, and rules a city called Femina or something (just outside Rio de Janeiro?). These concepts, which previously appeared in "The Million Eyes of Sumuru," sound terrific, but, despite some intriguing set design & visuals, it follows the same campy atmosphere of, for example, the very dated "Some Girls Do," which came out around the same time and which also featured a female army. At first glance, the sight of all these armed females, usually lined up in a row, catches one's interest, but, after 15 minutes or so, you realize there's nothing else there beyond just setting up the visual.

The plot follows what seems like a secret agent, a male, arriving in Brazil with 10 million dollars. He catches the attention of the local crime lord (Sanders, hamming it up as an elderly Bond-type villain), who sends dark-suited thugs in bowler hats to accost him. This sets everything up for a 3-way conflict between the agent, the crime lord and the mysterious Sumuru (the crime lord wants Sumuru's secrets). Sumuru also keeps various prisoners in glass cages - maybe that's one of the secrets. This sounds exciting but there are problems which go beyond just a slow pace; there are many shots which could have used a lot of tightening: one shot of an arriving airplane, for example, stays on the craft as it settles to a near stop, as if this had never been captured on film before. There's a similar approach to a typical sunset, as if there's something unusual about it. The fight scenes are very substandard, as if the filmmakers had to use the first takes. To add some production value, there's a scene of the real Rio carnival about midway through. I'm guessing there were various budget problems, especially evident in the climactic battle, where fake sound effects and smoke cover up a lot of bogus action, such as the lack of even real-looking guns - it calls to mind those times when kids use plastic guns and pretend bullets are being fired, falling over unconvincingly. There are touches of sadism, such as torturing a character to get answers, and female nudity, an early depiction of such after some restrictions were lifted. But, mostly, you'll be rolling your eyes. Hero:3 Villains:5 Femme Fatales:5 Henchmen:4 Fights:3 Stunts/Chases:3 Gadgets:4 Auto:4 Locations:6 Pace:3 overall:4

As I live in Rio de Janeiro I was curious to see this film. The other reason I picked up this film was that it was directed by Jess Franco (I had already seen "Vampyros Lesbos", "She killed in ecstasy" and "Sadomania"). These films are what I would call porn trash - they tell stories that offer us luscious images of female flesh, lesbianism, mild violence and really entertain us. "Vampyros Lesbos", in particular, is a psychedelic sound and visual trip, featuring the gorgeous Soledad Miranda, present also in "She killed in ecstasy". Jess Franco has a sophisticated visual style of his own.

But "The Girl from Rio"(called also "The Seven Secrets of Sumuru) is absolutely amateurish. It tells no story at all. Its plot is a mixture of science-fiction, spy-thriller and soft porn trash. There is the detective, a mixture of James Bond and Flint (the main character?) always wearing flashy suits and carrying a suitcase containing 10 million dollars, there are the girls from Femina, a city located somewhere near Rio that intend to conquer the world and enslave the men, and there is a gang run by George Sanders. The 10 million dollars is what they are all fighting for. There are of course lots of girls.

Many fights, so badly done that people fall before they are hit. Femina was filmed inside and around the Museu de Arte Moderna in Rio. The gang run by George Sanders is composed by 5 people! There's a scene in which they run after the hero(?) wearing fantasy masks and after a ridiculous fist fight, he knocks them out and runs away. Incredible! Not to mention the "apocalyptic final battle" among the hero, the female warriors of Femina and the Gang of Five.

"The Girl from Rio" belongs to the category "so bad that it's good". I had my fun all right! By todays standards this film can't even be considered porn and the violence is mild.

If you see this film, do it the same way you would watch an Ed Wood movie and you'll have your fun. This film was made in such an easy-going way that if you let yourself flow with it, you will have a smile on your face when it ends.

The clever marketeer is he is, Jess Franco naturally also cashed in on the huge temporarily success of psychedelic spy movies like Mario Bava's ultimately sensational "Danger: Diabolik!". Franco is the ideal man to shoot a similar film, as he could freely insert as much sleaze, kitschy scenery and absurdly grotesque plot twists as he wanted to. And he partially understood this very well, as "The Girl from Rio" revolves on a man-hating organization, led by a funky dressed lesbo, that plots to turn all men into obedient slaves! Unfortunately (for them, at least), the diabolical plans conflict with the daily business of a feared crime syndicate boss, played by George Sanders. All the right ingredients are well-presented, yet this is a surprisingly weak and unsatisfying adventure movie. The plot is rich on imagination, but seemingly only on paper, as the action is quite tame. The film is also very colorful...but not too bright and especially shocking was the total lack of vicious sex. There's a bit of nudity, sure, but too few according to normal Franco standards. All the characters are sick in the head, so the least I expected (or hoped for) were more perverted undertones or frenzied themes. Franco obviously had a bigger budget as usual to work with, and I must say he spends that money well on more convincing set pieces and talented cast members. Particularly the veteran actor George Sanders ("Village of the Damned", "Psychomania") is one of the best players ever to appear in a Franco production. Too bad even he can't save "The Girl from Rio" from being a huge letdown. A legendary Euro-smut filmmaker like Jess Franco could and should have done more with this concept. Shame, shame, shame...

Shirley Eaton repeats her role as the villainess from the earlier "The Million Eyes of Su Muru". Except that here she's referred to as "Sunanda", while being listed in the end credits as "Sumitra", and basically playing the role of the Sax Rohmer character "Su Muru". All right. Now that that nonsense is out of the way, Sunanda abducts Jeff Sutton (Richard Wyler, who gives a flat performance), a playboy on the run. She's got her eye on the $10 million with which he absconded, yet so does Masius (ever wonderful George Sanders), a genial crime kingpin in Rio. He's prepared to mobilize underworld forces against her and her city of "Femina", which is inhabited only by Sunandas' women warriors.

The directing reins are handed over to Euro-cult favourite Jess Franco, but fans of the filmmaker may find this rough going for a while. At first, it often gets dull and plodding. But it does eventually improve somewhat, leading to a colourful finale. There's enough to take in to make the trip worth taking: plenty of eye candy (of both the feminine and scenic variety), an effectively exotic setting, a dynamic music score by Daniel White (and catchy theme song), a fun sense of costume design, and some enjoyable acting.

Eaton once again looks like she's enjoying the part of the feminist baddie, in what turned out to be her final role in a motion picture. Wyler is rather insipid, but Maria Rohm, Marta Reves, Elisa Montes, and Beni Cardoso are all enticing as the various women with which he interacts. Herbert Fleischmann is fine as a dapper henchman named Carl. But, other than Eaton, it's Sanders who's the most fun. He plays an antagonist who doodles on a tablecloth when bored, and who doesn't seem to have much of a stomach for violence. (He turns away when his underlings are roughing people up.)

Not exactly one of Francos' best, but it's all fairly pleasant to watch anyway. Those who favour his output of the 1970s will note that it's not as sleazy as some of those films. All in all, it's decent cheesy espionage fare.

Six out of 10.